Hugo Von Hofmannsthal and Pedro Calderon de la Barca PDF Download

Author: Vernon Lockwood Anderson
Publisher:
ISBN:
Category :
Languages : en
Pages : 428

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Author: Rasmus Vangshardt
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501517023
Category : Literary Criticism
Languages : en
Pages : 285

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Book Description
Rasmus Vangshardt offers an original interpretation of one of the most famous images of literary history, the theatrum mundi. By applying methods of comparative literature, hispanic studies, and theology, he reconsiders the world theatre’s historical peak in early modern Europe in general and the Spanish Golden Age in particular. The author presents a new close reading of Pedro Calderón’s El gran teatro del mundo (c. 1633–36) and outlines the historical and systematic framework for a theatrum mundi of celebration. This concept entails using art to justify human existence in the face of changing conceptions of the cosmos: an early modern aesthetic theodicy and a justification of the world in that liminal space between drama and ritual. By discussing historiographical theories of early modern Europe, especially those of Hans Blumenberg and Bruno Latour, and through conversations with Shakespearean drama and Spanish Golden Age classics, Vangshardt also argues that the theatrum mundi of celebration questions traditional assumptions of great divides between the Middle Ages and Early Modernity and challenges theories of a European-wide early modern sense of crisis.

Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410351157
Category : Literary Criticism
Languages : en
Pages : 30

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A Study Guide for Pedro Calderon de la Barca's "Life Is a Dream," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.

Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410361012
Category : Literary Criticism
Languages : en
Pages : 26

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A Study Guide for Hugo von Hofmannsthal's "The Tower," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.

Author: Henry W. Sullivan
Publisher: Cambridge University Press
ISBN: 9780521121606
Category : Drama
Languages : en
Pages : 544

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This book recounts the afterlife of the great Golden Age dramatist Pedro Calderón de la Barca in Dutch and German-speaking Europe. The high quality of the German critical and philosophical tradition has led to a far greater appreciation of Calderón outside than inside his native Spain, and it is in the German territories that the playwright's influence has been most remarkable and widespread. Professor Sullivan documents and analyses Calderón's reception and influence on the stage and on playwriting, criticism, philosophy and music in these territories. In addressing his book to students of both the German and the Spanish traditions Professor Sullivan has supplied the necessary background to both cultures and has rendered all quotations into English. The range of material will also make the book important for students of philosophy, comparative drama and German opera.

Author: Hermann Broch
Publisher: University of Chicago Press
ISBN: 0226075168
Category : Biography & Autobiography
Languages : en
Pages : 216

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Hermann Broch (1886-1951) is remembered among English-speaking readers for his novels The Sleepwalkers and The Death of Virgil, and among German-speaking readers for his novels as well as his works on moral and political philosophy, his aesthetic theory, and his varied criticism. This study reveals Broch as a major historian as well, one who believes that true historical understanding requires the faculties of both poet and philosopher. Through an analysis of the changing thought and career of the Austrian poet, librettist, and essaist Hugo von Hofmannsthal (1874-1929), Broch attempts to define and analyze the major intellectual issues of the European fin de siècle, a period that he characterizes according to the Nietzschean concepts of the breakdown of rationality and the loss of a central value system. The result is a major examination of European thought as well as a comparative study of political systems and artistic styles.

Author: Thomas A. Kovach
Publisher: Camden House
ISBN: 9781571132154
Category : Literary Criticism
Languages : en
Pages : 302

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Book Description
The Viennese poet, dramatist, and prose writer Hugo von Hofmannsthal (1874-1929) was among the most celebrated men of letters in the German language at the turn of the 19th to the 20th century. His early poems established his reputation as the `child prodigy' of German letters, and a few remain among the most anthologized in the German language. His early lyric dramas prompted no less a judge than T. S. Eliot to pronounce him, along with Yeats and Claudel, one of the three European writers who had done the most to revive verse drama in modern times. His critical essays attest to the subtle powers of discrimination that marked him as one of the most discerning literary critics of the day. And yet he underwent a crisis of cognition and language around 1900, and from then on turned away from poetry and lyric drama almost entirely, concentrating instead on more public forms of drama such as the libretti for Richard Strauss's operas, the plays written for the Salzburg Festival (of which he was a co-founder), and on discursive and narrative prose. The body of work that Hofmannsthal left behind at his premature death is matched in its variety, breadth, and quality by that of only a handful of German writers. And yet posterity has not been kind to his reputation: those who admired the early work for its aesthetic refinement disdained his turn to more popular forms, whereas many of those who might have been receptive to the more committed and public stance of his later work were put off by his conservative politics. This volume of new essays by top Hofmannsthal scholars re-examines his extraordinarily rich and complex body of work, assessing his stature in German and world literature in the new century. Contributors: Katherine Arens, Judith Beniston, Benjamin Bennett, Nina Berman, Joanna Bottenberg, Douglas A. Joyce, Thomas A. Kovach, Ellen Ritter, Hinrich C. Seeba, Andreas Thomasberger, W. Edgar Yates. Professor Thomas Kovach is Head of the Department of German Studies at the University of Arizona.

Author: Conrad Kent
Publisher: Berghahn Books
ISBN: 1789205778
Category : Political Science
Languages : en
Pages : 544

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Book Description
The German and Spanish-speaking worlds have, over the centuries, developed an intrinsic relationship, one which predates the Habsburg dynasty and the Renaissance and baroque periods. The cross-fertilization and challenges have been both fruitful and complex with novel inventions surfacing in one culture often achieving their greatest prosperity in the other: Martin Luther's Protestant Reformation stimulated a response in Spain that was to define the European Counter Reformation; Spanish Baroque writers were seminal in the development of German Romanticism; Carl Christian Friedrich Krause and other nineteenth-century liberals provided the foundation for Spanish reformist efforts on the one hand, while German conservatives like Novalis and Adam Müller inspired conservatvies on the other; the music of Richard Wagner transformed Spanish music and the Spanish stage at the turn of the twentieth century; Pablo Picasso and other artists of the Spanish avant-garde sparkled the enthusiasm of the Germans before the Nazi era. Today, German and Spanish intellectuals and writers share a similar commitment to the creation of a European culture in the face of resistance from other members of the European Union. Viewed from a variety of disciplines this volume explores the relentlessly consistent, albeit often forgotten connections between the two linguistic and cultural groups revealing the myriad of ways in which they have shared and transformed literature, art, culture, politics, and history.

Author: Felix M. Cleve
Publisher: Springer
ISBN: 9401534586
Category : Philosophy
Languages : en
Pages : 362

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Again and again and again: PHILOSOPHIA FIAT, QUAE PHILOLOGIA FUIT! As a consequence of certain developments in these last hundred years, ancient philosophy has been slipping from the hands of philosophers to become finally an almost exclusive domain of philologists. This has been happening not only because a tremendous amount of genuinely philological work had to be done, and still is needed, in collecting and textually adjusting the pertinent material, but also because a thorough knowledge and command of the ancient languages has become ever more and more of a rarity among philosophers, unfortunately. From the viewpoint of philosophical culture, this is disastrous. For most philologists are in a state of innocence as far as philosophy is concerned. Of course, they themselves are not aware of it. But the tragicomical fact remains: They have all the answers and do not know the questions. And so, led astray by philosophical miscon ceptions, they even commit appalling philological blunders every once in a while.

Author: Judith Beniston
Publisher: MHRA
ISBN: 9780901286840
Category : Art
Languages : en
Pages : 300

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Hugo von Hofmannsthal had a lifelong fascination with the theatrum mundi topos. Judith Beniston analyses his changing responses to it against an unfamiliar backdrop - the revival of Catholic drama which, from the 1890s onwards, accompanied the rise of Austria's Christian Social party. The solipsism of `Jung Wien' and the conservative modernism of the Salzburg Festival are juxtaposed with the career of Richard von Kralik (1852-1934), the key figure in Austria's Catholic literary culture from 1890 to 1934. This study offers close readings of Das kleine Welttheater and Das Salzburger grosse Welttheater, and explores the ramifications of the fascination with the notion of Welttheater which Hofmannsthal and Kralik shared. In juxtaposing elite and popular culture, Beniston sheds new light on a neglected aspect of Austrian cultural history, on the selectivity of Hofmannsthal's approach towards Austria's Baroque tradition, and on the difficulties he faced in his attempt to assimilate his own work into it.