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Author: James M. Johnson Publisher: State University of New York Press ISBN: 1438448139 Category : History Languages : en Pages : 330
Book Description
The Hudson River Valley, which George Washington referred to as the "Key to the Northern Country," played a central role in the American Revolution. From 1776 to 1780, with major battles fought at Saratoga, Fort Montgomery, and Stony Point, the region was a central battleground of the Revolution. In addition, it witnessed some of the most dramatic and memorable aspects of the war, such as Benedict Arnold's failed conspiracy at West Point, the burning of New York's capital at Kingston, and the more than six-hundred-mile march of Washington and the Continental Army and Jean Baptiste Donatien de Vimeur, comte de Rochambeau, and his French Expeditionary Corps to Yorktown, Virginia. Compiled from essays that appeared in the Hudson Valley Regional Review and the Hudson River Valley Review, published by the Hudson River Valley Institute, the book illustrates the richly textured history of this supremely important time and place.
Author: James M. Johnson Publisher: State University of New York Press ISBN: 1438448139 Category : History Languages : en Pages : 330
Book Description
The Hudson River Valley, which George Washington referred to as the "Key to the Northern Country," played a central role in the American Revolution. From 1776 to 1780, with major battles fought at Saratoga, Fort Montgomery, and Stony Point, the region was a central battleground of the Revolution. In addition, it witnessed some of the most dramatic and memorable aspects of the war, such as Benedict Arnold's failed conspiracy at West Point, the burning of New York's capital at Kingston, and the more than six-hundred-mile march of Washington and the Continental Army and Jean Baptiste Donatien de Vimeur, comte de Rochambeau, and his French Expeditionary Corps to Yorktown, Virginia. Compiled from essays that appeared in the Hudson Valley Regional Review and the Hudson River Valley Review, published by the Hudson River Valley Institute, the book illustrates the richly textured history of this supremely important time and place.
Author: Peter G Rose Publisher: Arcadia Publishing ISBN: 1625843283 Category : Social Science Languages : en Pages : 140
Book Description
The renowned food historian delves into the early culinary traditions of Dutch settlers in New York state and their influence on the American kitchen. In 1609, Henry Hudson, under contract with the Dutch East India Company, set out to discover the lucrative Northwest Passage. The Hudson River Valley is what he discovered instead, and along its banks Dutch culture took hold. While the Dutch influence can still be seen in local architecture and customs, it is food and drink that Peter Rose has made her life’s work. From beer to bread and cookies to coleslaw, Food, Drink and Celebrations of the Hudson Valley Dutch is a comprehensive look at this important early American influence, complete with recipes to try.
Author: Roger G. Panetta Publisher: Fordham University Press ISBN: Category : History Languages : en Pages : 528
Book Description
"Published in conjunction with the exhibition Dutch New York: the roots of Hudson Valley culture, organized by the Hudson River Museum, Yonkers, June 13, 2009 through January 10, 2010"--T.p. verso.
Author: Stephen L. Dyson Publisher: SUNY Press ISBN: 1438452616 Category : Biography & Autobiography Languages : en Pages : 392
Book Description
The authoritative biography of a nineteenth-century polymath. This fascinating biography tells the story of William J. Stillman (18281901), a nineteenth-century polymath. Born and raised in Schenectady, New York, Stillman attended Union College and began his career as a Hudson River School painter after an apprenticeship with Frederic Edwin Church. In the 1850s, he was editor of The Crayon, the most important journal of art criticism in antebellum America. Later, after a stint as an explorer-promoter of the Adirondacks, he became the American consul in Rome during the Civil War. When his diplomatic career brought him to Crete, he developed an interest in archaeology and later produced photographs of the Acropolis, for which he is best known today. In yet another career switch, Stillman became a journalist, serving as a correspondent for The Times of London in Rome and the Balkans. In 1871, he married his second wife, Marie Spartali, a Pre-Raphaelite painter, and continued to write about history and art until his death. One of the later products of the American Enlightenment, he lived a life that intersected with many strands of American and European culture. Stillman can indeed be called the last amateur. The Last Amateur is a meticulously researched and highly nuanced portrait of William J. Stillman, an important journalist, artist, and critic of mid-nineteenth-century America. Stephen L. Dyson provides outstanding context and a convincing case as to why Stillman deserves to be better known due to his keen intellect, prodigious output, and insightful views on art and culture. Its refreshing to see an academic who blends deep scholarship with an ability to write in a readable style that will satisfy both the scholar and the general readers. The result is a timeless classic. Paul Grondahl, author of Mayor Corning: Albany Icon, Albany Enigma The Last Amateur is a complex and intriguing life history of a personality very much within the circles of the intellectual debates of the mid- and late nineteenth century on art, aesthetics, archaeology, geopolitics (especially in the eastern Mediterranean), and the development of photography. Stillman was sort of a Zelig character, and although he had an important influence on many of these areas of culture and society, he has been relatively little studied. The book is an important step in shedding light on the character and importance of Stillman. Harvey K. Flad, coauthor of Main Street to Mainframes: Landscape and Social Change in Poughkeepsie
Author: John K. Howat Publisher: Random House Value Publishing ISBN: Category : Art Languages : en Pages : 216
Book Description
Rare collection of Hudson River paintings, each accompanied by a delightful essay about the artist, the painting, the history and significance of the scene painted.
Author: Judith RICHARDSON Publisher: Harvard University Press ISBN: 9780674042704 Category : Literary Criticism Languages : en Pages : 320
Book Description
The cultural landscape of the Hudson River Valley is crowded with ghosts--the ghosts of Native Americans and Dutch colonists, of Revolutionary War soldiers and spies, of presidents, slaves, priests, and laborers. Possessions asks why this region just outside New York City became the locus for so many ghostly tales, and shows how these hauntings came to operate as a peculiar type of social memory whereby things lost, forgotten, or marginalized returned to claim possession of imaginations and territories. Reading Washington Irving's stories along with a diverse array of narratives from local folklore and regional writings, Judith Richardson explores the causes and consequences of Hudson Valley hauntings to reveal how ghosts both evolve from specific historical contexts and are conjured to serve the present needs of those they haunt. These tales of haunting, Richardson argues, are no mere echoes of the past but function in an ongoing, contentious politics of place. Through its tight geographical focus, Possessions illuminates problems of belonging and possessing that haunt the nation as a whole. Table of Contents: Introduction 1. "How Comes theHudson to this Unique Heritage?" 2. Irving's Web 3. The Colorful Career of a Ghost from Leeds 4. Local Characters 5. Possessing High Tor Mountain Epilogue: Hauntings without End Notes Index Reviews of this book: The author traces changing versions of several ghostly tales that mutated over time to reflect local conditions and controversies as well as national political issues like abolitionism. Richardson shows that, thanks to the Hudson Valley's long history of settlement, the 'legendizing impetus' created by Washington Irving, and the area's established position as a tourist destination, it inspired at least three sometimes overlapping traditions of hauntings: the 'aboriginal' Dutch and Indian hauntings, the Revolutionary War hauntings, and industrial hauntings, which are traced in Maxwell Anderson's High Tor (1937) and T. Coraghessan Boyle's World's End (1987). --J. J. Benardete, Choice Possessions is a rare and brilliant book that seamlessly combines history and literature--revealing how richly they can support one another. It is a great pleasure to read: both fluent and profound. --Alan Taylor, author of American Colonies and William Cooper's Town This is a lively, well-written, and engaging interdisciplinary study. Richardson pursues two main goals: probing in considerable detail a body of early national folklore and its modern revivals and testing some more general notions about the uses to which such lore is put in the periods when it is recovered, reshaped, and reinvigorated. It is smart without being condescending, locally inflected without exhibiting the least bit of piety - and, I think, quite suggestive for scholars looking at other domains far beyond the Hudson Valley. She gives us a way of understanding how the "local" has figured in the cultural construction of Americanness. --Wayne Franklin, author of Discoverers, Explorers, Settlers and The New World of James Fenimore Cooper
Author: Sanford Robinson Gifford Publisher: Metropolitan Museum of Art ISBN: 0300101848 Category : Hudson River school of landscape painting Languages : en Pages : 290
Book Description
Sanford Gifford (American, 1823-1880), a leading Hudson River School landscape painter and a founder of The Metropolitan Museum of Art, was so esteemed by the New York art world that, at his untimely death, the Museum mounted a show of his work-the first monographic exhibition accorded any artist-and published a Memorial Catalogue that, for nearly a century, remained the principal source on his oeuvre. Gifford's art, which was inspired by the work of Thomas Cole, the founder of the Hudson River School, and by that of British artist J.M.W. Turner, and enriched by his travels in Europe (from 1855 to 1857, and from 1868 to 1869), came to be called "air painting," for he made the ambient light of each scene-color saturated and atmospherically potent-the key to its expression. His approach to painting and his unique style gave rise to a highly distinctive body of work with enchanting and mesmerizing effect. This publication examines seventy paintings by the artist and includes comparative illustrations of related works by Gifford, his Hudson River School mentors and colleagues, and those painters, in addition to Cole and Turner, who exerted influence on his art, including Frederic Edwin Church and John F. Kensett. The essays discuss Gifford's place in the Hudson River School, his numerous Catskill Mountain subjects, his experiences and perceptions as a traveler both at home and abroad, and the variety of his patrons. -- Metropolitan Museum of Art website.
Author: James M. Johnson
Author: James M. Johnson
Author: Peter G Rose
Author: Roger G. Panetta
Author: Stephen L. Dyson
Author: John K. Howat
Author: Judith RICHARDSON
Author: Cuyler Reynolds
Author: 
Author: Sanford Robinson Gifford
Author: Cadwallader Colden