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Author: Kristen L. Chiem Publisher: BRILL ISBN: 9004429468 Category : History Languages : en Pages : 240
Book Description
Hua Yan (1682-1756) and the Making of the Artist in Early Modern China explores the relationships between the artist, local society, and artistic practice during the Qing dynasty (1644–1911).
Author: Kristen L. Chiem Publisher: BRILL ISBN: 9004429468 Category : History Languages : en Pages : 240
Book Description
Hua Yan (1682-1756) and the Making of the Artist in Early Modern China explores the relationships between the artist, local society, and artistic practice during the Qing dynasty (1644–1911).
Author: Melia Belli Bose Publisher: Manchester University Press ISBN: 152616339X Category : History Languages : en Pages : 318
Book Description
Threads of globalization is an interdisciplinary volume that brings fashion-specific garments, motifs, materials, and methods of production into dialogue with gender and identity in various cultures throughout Asia during the long twentieth century. It examines how the shift from artisanal production to 'fast fashion' over the past 150 years has devalued women’s textile labour and how skilled textile/ garment makers and the organizations that support them are preserving and reviving heritage traditions. It also offers examples of how socially engaged artists in Asia and the diaspora use their work to criticize labour and environmental abuses in the global fashion industry.
Author: Petra ten-Doesschate Chu Publisher: BRILL ISBN: 9004387838 Category : Art Languages : en Pages : 339
Book Description
In Beyond Chinoiserie, historians of art, literature, and material culture address artistic relations between China and the West during the nineteenth century, a time when Western powers’ attempts at extending a sphere of influence in China led to increasingly hostile interactions.
Author: Yi Gu Publisher: BRILL ISBN: 1684176131 Category : Art Languages : en Pages : 336
Book Description
"How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China? Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there."
Author: Paul Bevan Publisher: BRILL ISBN: 900430794X Category : Art Languages : en Pages : 407
Book Description
In A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei’s Circle and the Travels of Jack Chen, 1926-1938 Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists. The artists involved in what was largely a transcultural phenomenon were an eclectic group working in the areas of fashion and commercial art and design. The book demonstrates that during the build up to all-out war the cartoon was not only important in the sphere of Shanghai popular culture in the eyes of the publishers and readers of pictorial magazines but that it occupied a central place in the primary discourse of Chinese modern art history.
Author: Kristen L. Chiem
Author: Kristen L. Chiem
Author: Kristen Loring Chiem
Author: Melia Belli Bose
Author: 曾家寶
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Author: 
Author: 上海博物館
Author: Petra ten-Doesschate Chu
Author: Yi Gu
Author: Paul Bevan