Hoysala Sculptures PDF Download

Author: Konakondala Padmanabha
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 250

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Book Description

Author: Kirsti Evans
Publisher: BRILL
ISBN: 9789004105751
Category : Religion
Languages : en
Pages : 314

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Book Description
This contextual study of narrative reliefs depicting Hindu epics and puranas on specific South Indian Hoysal a temples provides a detailed exposition of narrative episodes paired with photographs, illustrating and reviewing the stories and exploring techniques of Indian visual narrative.

Author: Los Angeles County Museum of Art
Publisher: Los Angeles County Museum of Art
ISBN: 9780875871295
Category : Art
Languages : en
Pages : 328

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Book Description

Author: Rekha Rao
Publisher:
ISBN: 9788173053795
Category : Apsaras in art
Languages : en
Pages : 138

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Book Description
This book on Apsaras in Hoysala art with particular reference to the Belur Chennakesava temple is dealt in two parts, viewing apsara as a dancer and a philosopher. Part one is about the dance of apsara, while part two is about the psychological states of awareness levels that are depicted. It is like exploring the external and the internal world of apsaras. Part I deals with the apsara`s skills in dance and dramaturgy, precisely a study of the depiction of Rasas - the sentiments in sculptures, that are viewed through the medium of Natyasastra and Dasarupaka - a treatise on Indian dance, music and dramaturgy. Part I is a study of the superficial aspects like the theme, the posture, the accessories used, the actions of the attendants and so on. Apsaras are viewed as dancers, who deserve to be elevated to the status of permanent guides for the aspect of rasas.

Author: Sachindra Kumar Maity
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 168

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Book Description
Study of Hindu sculpture as found in three sites in Karnataka.

Author: Evans
Publisher: BRILL
ISBN: 9004378960
Category : Religion
Languages : en
Pages : 302

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Book Description
This volume is a detailed exposition of the visual retellings from the Rāmāyaṇa, Mahābhārata and Bhāgavata Purāṇa on specific South Indian Hoysaḷa temples. The first part of the book deals with the Amṛteśvara temple, particularly its narrative panels depicting the Rāmāyaṇa, Mahābhārata and Bhāgavata Purāṇa. The text is a résumé of episodes paired with photographs which illustrate and review the visual retellings and explore Indian techniques of visual narrative. Corollary material from other Hoysaḷa temples with narrative reliefs, including new sites, is presented in the second part. There are very few published contextual studies of Indian narrative sculptures, and so the book is a contribution to the documentation of Indian medieval art, examining visual narratives within the context of the Hindu temple. The book is illustrated with 150 photographs.

Author: Kelleson Collyer
Publisher:
ISBN:
Category : Architecture, Hoysala
Languages : en
Pages : 494

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Book Description

Author: Gerard Foekema
Publisher: Abhinav Publications
ISBN: 8170173450
Category : Architecture
Languages : en
Pages : 154

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Book Description
In Southern Karnataka, 4 Small Villages Are World-Famous For Tourism: Belur, Halebid, Somanathapur And Shravan Belgola. The First Three Of Them Show Hoysala Temples, Richly Carved Hindu Temples Dating From The 12Th And 13Th Centuries. This Tourist Book Is The First That Aims To Present The Complete Group Of Hoysala Temples To A Large Audience. Not Only The Three Famous Temples Are Discussed And Illustrated, But Also More Than 10 Others That Are Extremely Worth Visiting For Tourists And That Were, Until Now, Only Known To Archaeologists.

Author: Lalit Chugh
Publisher: Notion Press
ISBN: 1947137360
Category : Architecture
Languages : en
Pages : 525

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Book Description
Nataraja, the dancing Siva sculpture, is perhaps the most well-known among all Hindu sculptures, and rightly so. It has evoked highly advanced discussions among scientists, philosophers, performing artists, art critics, art collectors, historians, archaeologists and mythologists. The Nataraja sculpture also occupies a pride of a place at CERN, the European Centre for Research in Particle Physics in Geneva. Siva, according to Hindu Mythology, was the very first dancer in the world. All dramaturgy and dance traditions emerge from Siva’s cosmic dance. Tandu, Siva’s disciple narrated the description of Siva’s dance to Bharata Muni and he is believed to have compiled the Natyasastra, the world’s first treatise on dramaturgy, dance and other performing arts. Scholars believe that the Natyasastra was written over a long period of time between the 2nd century BCE and 2nd century CE with contributions from various sages, with its foundation having been laid by Bharata Muni. Convergence between Hindu mythology, Natyasastra and Silpasastra was the natural outcome. Karnataka, and its temple architecture tradition, played a pioneering role in giving an artistic form to this convergence in its temple sculptures. Though this trend may have started earlier during 2nd and 3rd century CE, it started to take the center stage from the times of the Badami Chalukyas. Passing through various refinements between 5th and 10th centuries, it reached its peak with the Hoysala art. This book traces the history of temple sculpture evolution and development through the centuries by referring to the existing sculptural forms and the canonical literature that developed over time.

Author: Sainath Reddappa
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 86

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Book Description
Chennakesava Temple, Belur situated on the river Yagachi. a monument of exquisite architecture built by the Hoysala king Vishnuvardhana A.D 1117. The Hoysalas ruled over southern part of Kamataka from river Tungabhadra in the north up to river Kaveri to the south between A.D 1000 and A.D 1346. During their reign, this region flourished with rich art and culture and many temples were erected. This grand temple is of star-shape with intricate carving on the exterior walls and interiors with marvelous sculptures and lathe-turned pillars. The major attractions of this temple are the rail parapet running around the temple, large images of Gods and Goddesses, the bracket figures of various attitudes, the car-like niches, the gravity pillar, the ceiling and the stone screen. The sculptures are highly ornated