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Author: William O. Cord Publisher: ISBN: Category : Music Languages : en Pages : 240
Book Description
Today, more than a century after its first performance, Richard Wagner's The Ring of Nibelung endures as one of the most significant artistic creations in the history of opera. This monumental work not only altered previously accepted concepts of music and drama but also inspired creative and intellectual efforts far beyond the field of opera. Previous studies of the Ring have appealed only to those already acquainted in some way with the Wagnerian art. For the uninitiated, Wagner and his landmark creation have seemed forbidding, and those eager to learn about the masterpiece have faced a vast and frequently esoteric body of commentary. Professor Cord addresses the interests of the non-specialist by taking the reader first into Wagner's unique intent, and then through the complete history of the Ring. Cord, who has attended forty performances of the Ring, considers the conception of the poem, its development into a music-drama exemplifying Wagnerian thought, its introduction to the world, and the reactions and interpretation it elicits.
Author: William O. Cord Publisher: ISBN: Category : Music Languages : en Pages : 240
Book Description
Today, more than a century after its first performance, Richard Wagner's The Ring of Nibelung endures as one of the most significant artistic creations in the history of opera. This monumental work not only altered previously accepted concepts of music and drama but also inspired creative and intellectual efforts far beyond the field of opera. Previous studies of the Ring have appealed only to those already acquainted in some way with the Wagnerian art. For the uninitiated, Wagner and his landmark creation have seemed forbidding, and those eager to learn about the masterpiece have faced a vast and frequently esoteric body of commentary. Professor Cord addresses the interests of the non-specialist by taking the reader first into Wagner's unique intent, and then through the complete history of the Ring. Cord, who has attended forty performances of the Ring, considers the conception of the poem, its development into a music-drama exemplifying Wagnerian thought, its introduction to the world, and the reactions and interpretation it elicits.
Author: Richard Wagner Publisher: Penguin UK ISBN: 0241305861 Category : Music Languages : en Pages : 708
Book Description
A superb new translation of one of the greatest nineteenth century poems: the libretto to Wagner's Ring cycle The scale and grandeur of Wagner's The Ring of the Nibelung has no precedent and no successor. It preoccupied Wagner for much of his adult life and revolutionized the nature of opera, the orchestra, the demands on singers and on the audience itself. The four operas-The Rhinegold, The Valkyrie, Siegfried and Twilight of the Gods - are complete worlds, conjuring up extraordinary mythological landscapes through sound as much as staging. Wagner wrote the entire libretto before embarking on the music. Discarding the grand choruses and bravura duets central to most operas, he used the largest musical forces in the context often of only a handful of singers on stage. The words were essential: he was telling a story and making an argument in a way that required absolute attention to what was said. The libretto for The Ring lies at the heart of nineteenth century culture. It is in itself a work of power and grandeur and it had an incalculable effect on European and specifically German culture. John Deathridge's superb new translation, with notes and a fascinating introduction, is essential for anyone who wishes to get to grips with one of the great musical experiences.
Author: Roger Scruton Publisher: Penguin UK ISBN: 0241188563 Category : Music Languages : en Pages : 466
Book Description
'The ideal interpreter of the Ring ... a fascinating and valuable study ... absorbing and convincing' Sunday Times The Ring of the Nibelung is one of the greatest works of art created in modern times. Roger Scruton's brilliant and passionate exploration of the drama, music, symbolism and philosophy of Wagner's masterpiece - with its themes of love, death, sacrifice and freedom - shows how, ultimately, it expresses the truth about the human condition. 'Highly original and penetrating ... tremendous' Tim Blanning, Literary Review 'A rich, historical account ... After reading this book, only the most unadventurous reader would turn down the chance to see Wagner's masterpiece' Economist 'A brilliant gallop through the master's religious, musical and philosophical contexts' Sue Prideaux, Spectator 'Scruton is one of the finest philosopher-musicians since Schopenhauer' Jonathan Gaisman, Standpoint
Author: P. Craig Russell Publisher: Dark Horse Comics ISBN: 1616554010 Category : Comics & Graphic Novels Languages : en Pages : 453
Book Description
The Eisner Award-winning series, finally collected in one volume, presents one of the grandest stories of Western civilisation, one of the most explosive epics in the history of comics. Giants plot against gods, who in turn tear human lovers apart, the lives of great warriors are ruined and countless people are slain in the name of love and gold. This re-telling of the Ring Cycle marks a new high point in the career of this true artist's artist, and features a lavish index of production notes, sketches and commmentaries.
Author: Publisher: Yale University Press ISBN: 9780300125986 Category : Literary Collections Languages : en Pages : 384
Book Description
It portrays the existential struggles and downfall of an entire people, the Burgundians, in a military conflict with the Huns and their king."--Jacket.
Author: Matthew Bribitzer-Stull Publisher: Cambridge University Press ISBN: 1107098394 Category : History Languages : en Pages : 357
Book Description
Through analysis, Matthew Bribitzer-Stull explores the legacy of the leitmotif, from Wagner's Ring cycle to present-day Hollywood film music.
Author: Philip Kitcher Publisher: Oxford University Press, USA ISBN: 9780195183603 Category : Language Arts & Disciplines Languages : en Pages : 260
Book Description
Few musical works loom as large in Western culture as Richard Wagner's four-part Ring of the Nibelung. In Finding an Ending, two eminent philosophers, Philip Kitcher and Richard Schacht, offer an illuminating look at this greatest of Wagner's achievements, focusing on its far-reaching and subtle exploration of problems of meanings and endings in this life and world. Kitcher and Schacht plunge the reader into the heart of Wagner's Ring, drawing out the philosophical and human significance of the text and the music. They show how different forms of love, freedom, heroism, authority, and judgment are explored and tested as it unfolds. As they journey across its sweeping musical-dramatic landscape, Kitcher and Schacht lead us to the central concern of the Ring--the problem of endowing life with genuine significance that can be enhanced rather than negated by its ending, if the right sort of ending can be found. The drama originates in Wotan's quest for a transformation of the primordial state of things into a world in which life can be lived more meaningfully. The authors trace the evolution of Wotan's efforts, the intricate problems he confronts, and his failures and defeats. But while the problem Wotan poses for himself proves to be insoluble as he conceives of it, they suggest that his very efforts and failures set the stage for the transformation of his problem, and for the only sort of resolution of it that may be humanly possible--to which it is not Siegfried but rather Brünnhilde who shows the way. The Ring's ending, with its passing of the gods above and destruction of the world below, might seem to be devastating; but Kitcher and Schacht see a kind of meaning in and through the ending revealed to us that is profoundly affirmative, and that has perhaps never been so powerfully and so beautifully expressed.
Author: David J. Levin Publisher: Princeton University Press ISBN: 1400866693 Category : Music Languages : en Pages : 220
Book Description
This highly original book draws on narrative and film theory, psychoanalysis, and musicology to explore the relationship between aesthetics and anti-Semitism in two controversial landmarks in German culture. David Levin argues that Richard Wagner's opera cycle Der Ring des Nibelungen and Fritz Lang's 1920s film Die Nibelungen creatively exploit contrasts between good and bad aesthetics to address the question of what is German and what is not. He shows that each work associates a villainous character, portrayed as non-Germanic and Jewish, with the sometimes dramatically awkward act of narration. For both Wagner and Lang, narration--or, in cinematic terms, visual presentation--possesses a typically Jewish potential for manipulation and control. Consistent with this view, Levin shows, the Germanic hero Siegfried is killed in each work by virtue of his unwitting adoption of a narrative role. Levin begins with an explanation of the book's theoretical foundations and then applies these theories to close readings of, in turn, Wagner's cycle and Lang's film. He concludes by tracing how Germans have dealt with the Nibelungen myths in the wake of the Second World War, paying special attention to Michael Verhoeven's 1989 film The Nasty Girl. His fresh and interdisciplinary approach sheds new light not only on Wagner's Ring and Lang's Die Nibelungen, but also on the ways in which aesthetics can be put to the service of aggression and hatred. The book is an important contribution to scholarship in film and music and also to the broader study of German culture and national identity.
Author: Ludwig Feuerbach Publisher: Verso Books ISBN: 1781680337 Category : Philosophy Languages : en Pages : 321
Book Description
Feuerbach’s departure from the traditional philosophy of Hegel opened the door for generations of radical philosophical thought. His philosophy has long been acknowledged as the influence for much of Marx’s early writings. Indeed, a great amount of the young Marx must remain unintelligible without reference to certain basic Feuerbachian texts. These selections, most of them previously untranslated, establish the thought of Feuerbach in an independent role. They explain his fundamental criticisms of the ‘old philosophy’ of Hegel, and advance his own humanistic thought, which finds its bases in life and sensuality. Feuerbach’s contemporaneity as an existentialist, humanist, and atheist is clearly presented, and the reader can readily grasp the liberating influence of this too-long neglected philosopher. Professor Zawar Hanfi has written an excellent introduction establishing Feuerbach’s environment, importance, and relevance and his translations surpass most previous Feuerbach translators.
Author: William O. Cord
Author: William O. Cord
Author: Richard Wagner
Author: Roger Scruton
Author: P. Craig Russell
Author: 
Author: Richard Wagner
Author: Matthew Bribitzer-Stull
Author: Philip Kitcher
Author: David J. Levin
Author: Ludwig Feuerbach