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Author: Charles N. Pope Publisher: DomainOfMan.com ISBN: Category : Literary Criticism Languages : en Pages : 349
Book Description
The Shakespearean plays contain a stunning breadth and depth of knowledge about English history, European royal history, classical and contemporary literature, and about the complex relationships between the various royal courts of the day. Authorship by the Elizabethan Court is therefore discernible based on content alone, that is, by what the plays revealed and just as importantly, what they threatened to reveal about international royal affairs if the will of Elizabeth was not respected. One of the most significant (and surprising) functions of the plays was to act as a type of "Defense Program" for Queen Elizabeth's throne against her European rivals. However, the plays also served to instill solidarity in the members of the Elizabethan Court and to inspire the English people as well. The plays accomplished all of this without coming across as overly pedantic. They were not merely great works of literature, but a brilliant expression of Elizabethan foreign and domestic policy! The story of Shakespeare turns out to be the story of Don Juan of Austria, from his princely legitimization as a boy; to liaisons with royals ladies from his teens; to being hailed at the age of 24 as “Savior of Europe” at the Battle of Lepanto (1571); to his suppression by jealous males of the Habsburg royal family (1578); and to his rehab by Queen Elizabeth under the English identity of George Carey. As George Carey, Don Juan had been present at the christening of his true son King James in Scotland (1566) and in command of the strategic Isle of Wight during the invasion of the Spanish Armada (1588). He was intimately involved in the founding of the Shakespeare Company both before and after becoming Queen Elizabeth’s “Lord Chamberlain.” The rise, fall and rising again of this international man of mystery was the central theme of the Shakespeare plays. He and Queen Elizabeth appear again and again in the plays, and under such character names as Claudio and Isabella in Measure for Measure; Claudio and Hero in Much Ado About Nothing; Claudius and Gertrude in Hamlet; Bassanio and Portia in The Merchant of Venice; Duke Theseus and Hippolyta in A Midsummer Night’s Dream; Petruchio and Kate in The Taming of the Shrew; and even Falstaff and Mistress Quickly of the Henry IV plays. Don Juan was the love of Queen Elizabeth’s life and she found a way to keep him near. Together they not only founded the Stuart Dynasty but became the progenitors of future generations of European royalty.
Author: Charles N. Pope Publisher: DomainOfMan.com ISBN: Category : Literary Criticism Languages : en Pages : 349
Book Description
The Shakespearean plays contain a stunning breadth and depth of knowledge about English history, European royal history, classical and contemporary literature, and about the complex relationships between the various royal courts of the day. Authorship by the Elizabethan Court is therefore discernible based on content alone, that is, by what the plays revealed and just as importantly, what they threatened to reveal about international royal affairs if the will of Elizabeth was not respected. One of the most significant (and surprising) functions of the plays was to act as a type of "Defense Program" for Queen Elizabeth's throne against her European rivals. However, the plays also served to instill solidarity in the members of the Elizabethan Court and to inspire the English people as well. The plays accomplished all of this without coming across as overly pedantic. They were not merely great works of literature, but a brilliant expression of Elizabethan foreign and domestic policy! The story of Shakespeare turns out to be the story of Don Juan of Austria, from his princely legitimization as a boy; to liaisons with royals ladies from his teens; to being hailed at the age of 24 as “Savior of Europe” at the Battle of Lepanto (1571); to his suppression by jealous males of the Habsburg royal family (1578); and to his rehab by Queen Elizabeth under the English identity of George Carey. As George Carey, Don Juan had been present at the christening of his true son King James in Scotland (1566) and in command of the strategic Isle of Wight during the invasion of the Spanish Armada (1588). He was intimately involved in the founding of the Shakespeare Company both before and after becoming Queen Elizabeth’s “Lord Chamberlain.” The rise, fall and rising again of this international man of mystery was the central theme of the Shakespeare plays. He and Queen Elizabeth appear again and again in the plays, and under such character names as Claudio and Isabella in Measure for Measure; Claudio and Hero in Much Ado About Nothing; Claudius and Gertrude in Hamlet; Bassanio and Portia in The Merchant of Venice; Duke Theseus and Hippolyta in A Midsummer Night’s Dream; Petruchio and Kate in The Taming of the Shrew; and even Falstaff and Mistress Quickly of the Henry IV plays. Don Juan was the love of Queen Elizabeth’s life and she found a way to keep him near. Together they not only founded the Stuart Dynasty but became the progenitors of future generations of European royalty.
Author: Charles N. Pope Publisher: DomainOfMan.com ISBN: Category : Literary Criticism Languages : en Pages : 297
Book Description
The Shakespearean plays contain a stunning breadth and depth of knowledge about English history, European royal history, classical and contemporary literature, and about the complex relationships between the various royal courts of the day. Authorship by the Elizabethan Court is therefore discernible based on content alone, that is, by what the plays revealed and just as importantly, what they threatened to reveal about international royal affairs if the will of Elizabeth was not respected. One of the most significant (and surprising) functions of the plays was to act as a type of "Defense Program" for Queen Elizabeth's throne against her European rivals. However, the plays also served to instill solidarity in the members of the Elizabethan Court and to inspire the English people as well. The plays accomplished all of this without coming across as overly pedantic. They were not merely great works of literature, but a brilliant expression of Elizabethan foreign and domestic policy! The story of Shakespeare turns out to be the story of Don Juan of Austria, from his princely legitimization as a boy; to liaisons with royals ladies from his teens; to being hailed at the age of 24 as “Savior of Europe” at the Battle of Lepanto (1571); to his suppression by jealous males of the Habsburg royal family (1578); and to his rehab by Queen Elizabeth under the English identity of George Carey. As George Carey, Don Juan had been present at the christening of his true son King James in Scotland (1566) and in command of the strategic Isle of Wight during the invasion of the Spanish Armada (1588). He was intimately involved in the founding of the Shakespeare Company both before and after becoming Queen Elizabeth’s “Lord Chamberlain.” The rise, fall and rising again of this international man of mystery was the central theme of the Shakespeare plays. He and Queen Elizabeth appear again and again in the plays, and under such character names as Claudio and Isabella in Measure for Measure; Claudio and Hero in Much Ado About Nothing; Claudius and Gertrude in Hamlet; Bassanio and Portia in The Merchant of Venice; Duke Theseus and Hippolyta in A Midsummer Night’s Dream; Petruchio and Kate in The Taming of the Shrew; and even Falstaff and Mistress Quickly of the Henry IV plays. Don Juan was the love of Queen Elizabeth’s life and she found a way to keep him near. Together they not only founded the Stuart Dynasty but became the progenitors of future generations of European royalty.
Author: Emma Smith Publisher: Vintage ISBN: 1524748552 Category : Literary Criticism Languages : en Pages : 263
Book Description
An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.
Author: Ian Doescher Publisher: Quirk Books ISBN: 1594746559 Category : Performing Arts Languages : en Pages : 178
Book Description
The New York Times Best Seller Experience the Star Wars saga reimagined as an Elizabethan drama penned by William Shakespeare himself, complete with authentic meter and verse, and theatrical monologues and dialogue by everyone from Darth Vader to R2D2. Return once more to a galaxy far, far away with this sublime retelling of George Lucas’s epic Star Wars in the style of the immortal Bard of Avon. The saga of a wise (Jedi) knight and an evil (Sith) lord, of a beautiful princess held captive and a young hero coming of age, Star Wars abounds with all the valor and villainy of Shakespeare’s greatest plays. Authentic meter, stage directions, reimagined movie scenes and dialogue, and hidden Easter eggs throughout will entertain and impress fans of Star Wars and Shakespeare alike. Every scene and character from the film appears in the play, along with twenty woodcut-style illustrations that depict an Elizabethan version of the Star Wars galaxy. Zounds! This is the book you’re looking for.
Author: Sally Barnden Publisher: Oxford University Press ISBN: 0198895038 Category : Literary Criticism Languages : en Pages : 273
Book Description
Shakespeare and the Royal Actor argues that members of the royal family have identified with Shakespearean figures at various times in modern history to assert the continuity, legitimacy, and national identity of the royal line. It provides an account of the relationship between the Shakespearean afterlife and the royal family through the lens of a broadly conceived theatre history suggesting that these two hegemonic institutions had a mutually sustaining relationship from the accession of George III in 1760 to that of Elizabeth II in 1952. Identifications with Shakespearean figures have been deployed to assert the Englishness of a dynasty with strong familial links to Germany and to cultivate a sense of continuity from the more autocratic Plantagenet, Tudor, and Stuart monarchs informing Shakespeare's drama to the increasingly ceremonial monarchs of the modern period. The book is driven by new archival research in the Royal Collection and Royal Archives. It reads these archives critically, asking how different forms of royal and Shakespearean performance are remembered in the material holdings of royal institutions.
Author: Ken Ludwig Publisher: Crown ISBN: 0307951499 Category : Languages : en Pages : 369
Book Description
Outlines an engaging way to instill an understanding and appreciation of Shakespeare's classic works in children, outlining a family-friendly method that incorporates the history of Shakespearean theater and society.
Author: Robert Thomas Fallon Publisher: Ivan R. Dee Publisher ISBN: Category : Drama Languages : en Pages : 136
Book Description
Mr. Fallon explores Shakespeare's familiarity in five sections dealing with language, theme, staging, character, and plot, each abundantly illustrated with episodes and quotations from the plays. Designed to make modern readers and audiences feel comfortable with the Bard.
Author: Alycia Smith Howard Publisher: Ashgate Publishing, Ltd. ISBN: 9780754607861 Category : Performing Arts Languages : en Pages : 224
Book Description
"The volume examines Shakespeare productions at The Other Place from 1973 to its closure in 1989. The author's sources include Goodbody's 'Mission Statement' for the studio theatre as well as other previously unavailable materials such as Goodbody's private papers, journal entries, director's notes and correspondence. In addition, it contains interviews and commentary from theatrical luminaries."--BOOK JACKET.
Author: Ian Philpott Publisher: Pen and Sword ISBN: 1844153916 Category : History Languages : en Pages : 536
Book Description
Volume II of this mammoth reference work covers the years in which the League of Nations failed because of the emerging dictatorships in Germany and Italy and the expansionist policies adopted by Japan. Britain was still reeling from the consequences of World War I and the RAF was sadly far behind the other major world powers in aircraft design, still relying on bi-planes that were direct descendants of World War I thinking. It gradually became apparent that, despite UK government dithering, the RAF needed to develop new aircraft, engines and increase production to confront the bully-boy tactics of the Axis powers. As the turn of the decade approached extraordinary measures were taken to enable RAF to defend Britain's skies and this her freedom. As with Volume 1, this book covers every conceivable part of the RAF's history through these pre-War days. It looks at the development and invention of new equipment such as radar, monoplane fighters, metal construction and the heavy bomber. This was an era when science in aviation was rushing ahead and fortunately for Britain's freedom, it laid the foundations of victory in 1.945
Author: Stephen Greenblatt Publisher: University of Chicago Press ISBN: 0226306682 Category : Literary Criticism Languages : en Pages : 163
Book Description
Shakespeare lived in a world of absolutes—of claims for the absolute authority of scripture, monarch, and God, and the authority of fathers over wives and children, the old over the young, and the gentle over the baseborn. With the elegance and verve for which he is well known, Stephen Greenblatt, author of the best-selling Will in the World, shows that Shakespeare was strikingly averse to such absolutes and constantly probed the possibility of freedom from them. Again and again, Shakespeare confounds the designs and pretensions of kings, generals, and churchmen. His aversion to absolutes even leads him to probe the exalted and seemingly limitless passions of his lovers. Greenblatt explores this rich theme by addressing four of Shakespeare’s preoccupations across all the genres in which he worked. He first considers the idea of beauty in Shakespeare’s works, specifically his challenge to the cult of featureless perfection and his interest in distinguishing marks. He then turns to Shakespeare’s interest in murderous hatred, most famously embodied in Shylock but seen also in the character Bernardine in Measure for Measure. Next Greenblatt considers the idea of Shakespearean authority—that is, Shakespeare’s deep sense of the ethical ambiguity of power, including his own. Ultimately, Greenblatt takes up Shakespearean autonomy, in particular the freedom of artists, guided by distinctive forms of perception, to live by their own laws and to claim that their creations are singularly unconstrained. A book that could only have been written by Stephen Greenblatt, Shakespeare’s Freedom is a wholly original and eloquent meditation by the most acclaimed and influential Shakespearean of our time.
Author: Charles N. Pope
Author: Charles N. Pope
Author: Charles N. Pope
Author: Emma Smith
Author: Ian Doescher
Author: Sally Barnden
Author: Ken Ludwig
Author: Robert Thomas Fallon
Author: Alycia Smith Howard
Author: Ian Philpott
Author: Stephen Greenblatt