The Justinguitar.Com Acoustic Songbook PDF Download

Author: Toby Knowles
Publisher:
ISBN: 9781783052516
Category :
Languages : en
Pages : 174

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Author: Paul Cienniwa
Publisher: Createspace Independent Publishing Platform
ISBN: 9781496180698
Category : Music
Languages : en
Pages : 0

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"This little gem is exactly the kind of book I had been searching for!"--Caroline Wright, Memorizing Music"Cienniwa concludes that students should be required to play from memory...So just do it, and maybe start by memorizing this book."--Mark Kroll, EMAg (Early Music America)"...the skills and techniques [the author] describes in memorizing are important for all performers, regardless of their instrument. Cienniwa writes in a direct, conversational style. This book...will serve as a guide to thoughtful performers, whether they play from memory or a score."--Sarah Mahler Kraaz, The DiapasonBy Heart: the Art of Memorizing Music takes its readers from personal anecdote to practical skills for becoming a successful memorizing musician. If you are new to memorization, this book will give you the skills and techniques to get started with the process. You will carry those skills and techniques for the rest of your life. Even if you already have a solid memorization practice, this book will inspire some new or different approaches while also reinforcing your own convictions.Many of the techniques presented are good for any type of practice, even for the non-memorizing musician. Therefore, this book is also a useful foundational study of how to practice.

Author: John J. Mortensen
Publisher: Oxford University Press
ISBN: 0190920416
Category : Music
Languages : en
Pages : 288

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Book Description
Keyboard artists in the time of J.S. Bach were simultaneously performers, composers, and improvisers. By the twentieth century, however, the art of improvisation was all but lost. Today, vanishingly few classically-trained musicians can improvise with fluent, stylistic integrity. Many now question the system of training that leaves players dependent upon the printed page, and would welcome a new approach to musicianship that would enable modern performers to recapture the remarkable creative freedom of a bygone era. The Pianist's Guide to Historic Improvisation opens a pathway of musical discovery as the reader learns to improvise with confidence and joy. Useful as either a college-level textbook or a guide for independent study, the book is eminently practical. Author John Mortensen explains even the most complex ideas in a lucid, conversational tone, accompanied by hundreds of musical examples. Mortensen pairs every concept with hands-on exercises for step-by-step practice of each skill. Professional-level virtuosity is not required; players of moderate skill can manage the material. Suitable for professionals, conservatory students, and avid amateurs, The Pianist's Guide leads to mastery of improvisational techniques at the Baroque keyboard.

Author: Kenneth L. Higbee
Publisher: Hachette UK
ISBN: 0738212970
Category : Self-Help
Languages : en
Pages : 288

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Do you want to stop forgetting appointments, birthdays, and other important dates? Work more efficiently at your job? Study less and get better grades? Remember the names and faces of people you meet? The good news is that it's all possible. Your Memory will help to expand your memory abilities beyond what you thought possible. Dr. Higbee reveals how simple techniques, like the Link, Loci, Peg, and Phonetic systems, can be incorporated into your everyday life and how you can also use these techniques to learn foreign languages faster than you thought possible, remember details you would have otherwise forgotten, and overcome general absentmindedness. Higbee also includes sections on aging and memory and the latest information on the use of mnemonics.

Author: Roger Chaffin
Publisher: Psychology Press
ISBN: 1135685452
Category : Psychology
Languages : en
Pages : 283

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Book Description
The memory feats of famous musicians seem almost superhuman. Can such extraordinary accomplishments be explained by the same principles that account for more ordinary, everyday memory abilities? To find out, a concert pianist videotaped her practice as she learned a new piece for performance, the third movement, Presto, of the Italian Concerto by J.S. Bach. The story of how the pianist went about learning, memorizing and polishing the piece is told from the viewpoints of the pianist (the second author) and of a cognitive psychologist (the first author) observing the practice. The counterpoint between these insider and outsider perspectives is framed by the observations of a social psychologist (the third author) about how the two viewpoints were reconciled. The CD that accompanies the book provides for yet another perspective, allowing the reader to hear the polished performance. Written for both psychologists and musicians, the book provides the first detailed description of how an experienced pianist organizes her practice, identifying stages of the learning process, characteristics of expert practice, and practice strategies. The main focus, however, is on memorization. An analysis of what prominent pianists of the past century have said about memorization reveals considerable disagreement and confusion. Using previous work on expert memory as a starting point, the authors show how principles of memory developed by cognitive psychologists apply to musical performance and uncover the intimate connection between memorization and interpretation.

Author: HowExpert
Publisher: HowExpert
ISBN: 1647589223
Category : Music
Languages : en
Pages : 36

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Book Description
In How to Memorize Music, HowExpert Press provides an easy to follow guide that will help you learn to memorize music. The guide begins the memorization process by advising you to build a solid foundation with the piece of music you want to memorize. When you can play the piece through from beginning to end with ease, you are ready to begin memorizing. How to Memorize Music presents information about how the brain works when you memorize something, and builds on those ideas with suggestions for how to practice your musical piece in different ways to strengthen the different types of memory. As you work through the memorization process, you will learn about two different phases of the memorization process: the micro-memorization phase, where you memorize the notes and technical details of the piece; and the macro-memorization phase, where you memorize the flow of the piece as one section connects to the next. In How to Memorize Music, you will also learn: • How to plan your practice time and memorize efficiently • Different ways to test your memory • Ways to improve your memorization of a piece you already know HowExpert publishes quick 'how to' guides on all topics from A to Z by everyday experts.

Author: John A. Elliott
Publisher: Dr John A Elliott
ISBN: 0956403115
Category :
Languages : en
Pages : 318

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Author: Gerald Klickstein
Publisher: Oxford University Press, USA
ISBN: 0199711291
Category : Music
Languages : en
Pages : 357

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Book Description
In The Musician's Way, veteran performer and educator Gerald Klickstein combines the latest research with his 30 years of professional experience to provide aspiring musicians with a roadmap to artistic excellence. Part I, Artful Practice, describes strategies to interpret and memorize compositions, fuel motivation, collaborate, and more. Part II, Fearless Performance, lifts the lid on the hidden causes of nervousness and shows how musicians can become confident performers. Part III, Lifelong Creativity, surveys tactics to prevent music-related injuries and equips musicians to tap their own innate creativity. Written in a conversational style, The Musician's Way presents an inclusive system for all instrumentalists and vocalists to advance their musical abilities and succeed as performing artists.

Author: Rebecca Payne Shockley
Publisher: A-R Editions, Inc.
ISBN: 0895794888
Category : Music
Languages : en
Pages : 140

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Author: Anna Maria Busse Berger
Publisher: University of California Press
ISBN: 0520314271
Category : Music
Languages : en
Pages : 304

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Winner of the ASCAP Deems Taylor Award and Society of Music Theory's Wallace Berry Award This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory. Since some of the polyphonic music from the twelfth century and later was written down, scholars have long assumed that it was all composed and transmitted in written form. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music as if it were no different from music of the nineteenth century. But Medieval Music and the Art of Memory deftly demonstrates that the fact that a piece was written down does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, one that emphasizes the interplay of literate and oral composition and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.