Modern Jazz Guitar Concepts PDF Download

Author: JENS. LARSEN
Publisher: WWW.Fundamental-Changes.com
ISBN: 9781789330243
Category :
Languages : en
Pages : 70

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Book Description
Learn modern jazz guitar and theory with virtuoso Jens Larsen

Author:
Publisher: Guitar Lesson World
ISBN: 0978887700
Category :
Languages : en
Pages : 170

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Book Description

Author: Shawn Wallace
Publisher: Hal Leonard Publishing Corporation
ISBN: 9781495001925
Category : Music
Languages : en
Pages : 320

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Book Description
(Jazz Instruction). Whether you're a beginner, an amateur, a professional or a teacher, you will find this book an excellent means of continuing your musical journey. This is a step-by-step guide to help you develop essential skills for improvisation. The concepts presented are first demonstrated over the 12-bar blues progression; in later chapters, the ideas are realized over rhythm changes and in original compisitions based on the chord progressions of jazz standards. Topics include: scales and modes * chords and riffs * transposition * musical quotation * phrasing and articulation.

Author:
Publisher: Hal Leonard Corporation
ISBN: 1476863121
Category : Music
Languages : en
Pages : 130

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Book Description
(Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.

Author: Graham Tippett
Publisher: Graham Tippett
ISBN:
Category : Music
Languages : en
Pages : 24

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Book Description
3NPS (three-note-per-string) scales, as used by legions of guitarists but popularized mainly by Joe Satriani, are one of the most efficient ways to navigate the fretboard and get your scales down IF you follow the guidelines in this book. As the name suggests, a 3NPS scale is any scale that contains three notes on each string, and as you'll see in this eBook, this makes for a very consistent way to map out scales on the guitar fretboard. What we’ve done here is revamped the 3NPS scale system and turned it into an incredibly effective means to learn a wide variety of scales all over the fretboard by streamlining the number of patterns, as well as the picking system. This is not a scale theory book, and contains no pentatonic scales. This is a quick and dirty (and very effective) method for learning 3NPS scales all over the fretboard; something to work on in the woodshed. It will improve your picking technique and speed. It does not require a great amount of thinking as you only need to learn two picking patterns, which is really one in two directions, and only three scale patterns instead of the usual seven per scale.

Author: David Reed
Publisher:
ISBN: 9780984686360
Category :
Languages : en
Pages : 260

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Book Description
Improvise for Real is a step-by-step method that teaches you to improvise your own music through progressive exercises that anyone can do. You'll learn to understand the sounds in the music all around you. And you'll learn to express your own musical ideas exactly as you hear them in your mind. The method starts with very simple creative exercises that you can begin right away. As you progress, the method leads you on a guided tour through the entire world of modern harmony. You will be improvising your own original melodies from the very first day, and your knowledge will expand with each practice session as you explore and discover our musical system for yourself. Improvise for Real brings together creativity, ear training, music theory and physical technique into a single creative daily practice that will show you the entire path to improvisation mastery. You will learn to understand the sounds in the music all around you and to improvise with confidence over jazz standards, blues songs, pop music or any other style you would like to play. And you'll be jamming, enjoying yourself and creating your own music every step of the way. The method is open to all instruments and ability levels. The exercises are easy to understand and fun to practice. There is no sight reading required, and you don't need to know anything about music theory to begin. Already being used by both students and teachers in more than 20 countries, Improvise for Real is now considered by many people to be the definitive system for learning to improvise. If you have always dreamed of truly understanding music and being able to improvise with complete freedom on your instrument, this is the book for you

Author: Graham Tippett
Publisher: Graham Tippett
ISBN:
Category : Music
Languages : en
Pages : 57

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Book Description
If you ask anyone who's been playing guitar for a while how to turn scales into solos, you'll likely get a variety of answers. They'll tell you to learn licks, work on your arpeggios, even learn your favorite players' solos note for note. While this is all good advice, I've had some particularly stubborn students that wanted to go beyond that; they wanted to be able to improvise using any scale up and down the fretboard, but at the same time break free from those deeply-ingrained scalar lines and patterns. It was then that I suggested the zonal approach to improvisation; by working in reduced areas of the neck with specifically designed patterns, they were soon able to create melodic, flowing lines that didn't sound at all like scales--they sounded like real music! This is the approach you'll find in this book. We dissect 15 of the most common scales, beyond the pentatonics, and break them down into zones which can be practiced either by scale, or for any particular scale across the fretboard. The objective of this book then is to provide a structured reference to make the transition from playing scales to playing, improvising and creating musical lines when soloing. It’s aimed at the intermediate to advanced guitarist looking to be able to improvise confidently and freely on the instrument in a wide variety of styles. It is also aimed at guitarists that want to move beyond rote pentatonic/blues soloing and incorporate other scales and modes into their playing, as well as building up a vocabulary to solo fluently over chord changes.

Author: Graham Tippett
Publisher: Graham Tippett
ISBN:
Category : Music
Languages : en
Pages : 28

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Book Description
A lot of students ask me how they can take their improvisation skills to the next level and move beyond pentatonic scales and into modes and arpeggios. My response is to tell them not to abandon pentatonic scales in favor of modes and other soloing devices, but to use them as a springboard and a solid foundation from which to expand their harmonic awareness. If you play rock, blues and even jazz, you’ll be using pentatonic scales for the rest of your life, so there’s no need to discard them! In this book, we’ll be using the much-loved minor pentatonic scale as the basis for learning and having a quick way to access the modes of the major scale, as well as the basic seventh chord arpeggios. This means that when you go to improvise, you'll have a vast array of options with which to go beyond pentatonic soloing. Work through this book daily and I guarantee you a smooth and painless transition from pentatonics to incorporating modes and arpeggios into your playing.

Author: Graham Tippett
Publisher: Graham Tippett
ISBN:
Category : Music
Languages : en
Pages : 33

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Book Description
I actually wrote this book as a practice guide for myself because I wanted a way to get different and outside sounds using pentatonic scales, as well as to improve my chops and have a huge variety of new sounds at my fingertips to play over the chords you see 90% of the time such as major/major7, minor/minor7, and dominant chords, among others. As well as being a scales book Alternative Pentatonics is also a method to practice improvising over common chords using uncommon groups of five notes. Five notes are somewhere between an arpeggio and a scale, as well as being the ideal number of notes to craft some really nice phrasing (in my opinion), as I’m sure you realized when you first learned your minor pentatonic scale and started jamming over a 12-bar blues. This book contains 28 new pentatonic scales divided into chord types so that you’ll know exactly what chords you can use them over. For the intermediate player: this book will give you plenty of new and interesting options for playing over common chords and force you out of standard pentatonic scales and/or the major scale modes. For the more advanced player: this book could be more about exploring possibilities than learning scale patterns; in fact, I would suggest that advanced players avoid even remembering the patterns in this book. Instead, they can be used to explore the improvisational terrain and find new sounds, then filed away in your subconscious and allowed to seep into your playing while you’re in the throes of improvisation. So, if you’re stuck in a soloing rut or are looking for new sounds, outside sounds, exotic sounds, or even a few downright weird sounds, this is the book for you.

Author: Joe Pass
Publisher: Mel Bay Publications
ISBN: 1609749081
Category : Music
Languages : en
Pages : 61

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Book Description
This is the internationally acclaimed Joe Pass guitar method in which Joe displays his mastery of the jazz guitar. Part One/Harmony, is divided into five sections on chord construction, embellishment, substitution, connection, and symmetric chords. Part Two/Melody, is divided into twelve sections, including chord scales, altered scales, ear training, whole tone scales, chord resolutions, improvising, blues, minor blues, modern blues, rhythm changes, 3/4 blues, and includes a transcribed solo recorded by Joe on his album for Django.