How Films Tell Stories PDF Download

Author: Larry A. Brown
Publisher:
ISBN: 9780692610428
Category : Art
Languages : en
Pages : 204

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Book Description
How Films Tell Stories offers film students a practical guide to narrative theory. The text provides a concise yet comprehensive overview of the major concepts in an easy-to-read style.

Author: Larry A. Brown
Publisher:
ISBN: 9781945527142
Category : Motion pictures
Languages : en
Pages : 226

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Book Description
This book presents a concise introduction to the often complex study of narrative theory. In part one, Aspects of Story, major theories of plot structure, character, and fictional worlds are applied to cinema. Part two, Aspects of Discourse, discusses how the story is communicated, examining techniques of cinematic narration such as time manipulation, perspective, editing and sound. Each chapter concludes with questions encouraging students to produce their own analysis of the narrative strategies of films.

Author: Jennifer Van Sijll
Publisher:
ISBN: 9781932907056
Category : History
Languages : en
Pages : 257

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Book Description
What the industry's most succcessful writers and directors have in common is that they have mastered the cinematic conventions specific to the medium.

Author: David Bordwell
Publisher: Routledge
ISBN: 1136099166
Category : Performing Arts
Languages : en
Pages : 385

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Book Description
In this study, David Bordwell offers a comprehensive account of how movies use fundamental principles of narrative representation, unique features of the film medium, and diverse story-telling patterns to construct their fictional narratives.

Author: Mike Cosper
Publisher: Crossway
ISBN: 1433537117
Category : Religion
Languages : en
Pages : 242

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Book Description
The average American watches 5 hours of TV every day. Collectively, we spend roughly $30 billion on movies each year. Simply put, we're entertainment junkies. But can we learn something from our insatiable addiction to stories? Mike Cosper thinks so. From horror flicks to rom-coms, the tales we tell and the myths we weave inevitably echo the narrative underlying all of history: the story of humanity's tragic sin and God's triumphant salvation. This entertaining book connects the dots between the stories we tell and the one, great Story—helping us better understand the longings of the human heart and thoughtfully engage with the movies and TV shows that capture our imaginations.

Author: David Bordwell
Publisher: Univ of California Press
ISBN: 0520932323
Category : Performing Arts
Languages : en
Pages : 309

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Book Description
Hollywood moviemaking is one of the constants of American life, but how much has it changed since the glory days of the big studios? David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today’s bloated blockbusters. American filmmakers have created a durable tradition—one that we should not be ashamed to call artistic, and one that survives in both mainstream entertainment and niche-marketed indie cinema. Bordwell traces the continuity of this tradition in a wide array of films made since 1960, from romantic comedies like Jerry Maguire and Love Actually to more imposing efforts like A Beautiful Mind. He also draws upon testimony from writers, directors, and editors who are acutely conscious of employing proven principles of plot and visual style. Within the limits of the "classical" approach, innovation can flourish. Bordwell examines how imaginative filmmakers have pushed the premises of the system in films such as JFK, Memento, and Magnolia. He discusses generational, technological, and economic factors leading to stability and change in Hollywood cinema and includes close analyses of selected shots and sequences. As it ranges across four decades, examining classics like American Graffiti and The Godfather as well as recent success like The Lord of the Rings: The Two Towers, this book provides a vivid and engaging interpretation of how Hollywood moviemakers have created a vigorous, resourceful tradition of cinematic storytelling that continues to engage audiences around the world.

Author: Jonathan Gottschall
Publisher: Houghton Mifflin Harcourt
ISBN: 0547391404
Category : Literary Criticism
Languages : en
Pages : 271

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Book Description
A provocative scholar delivers the first book on the new science of storytelling: the latest thinking on why we tell stories and what stories reveal about human nature.

Author: John Reich
Publisher: Open SUNY Textbooks
ISBN: 9781942341475
Category :
Languages : en
Pages :

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Book Description
Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student.

Author: Kenneth Atchity
Publisher: Story Merchant Books
ISBN: 9780996990875
Category :
Languages : en
Pages :

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Book Description
This little book aims to help you figure out how to get your story told on big screens or small. It offers nearly thirty years of observation of how things happen in the business of entertainment. Dr. Ken Atchity's Hollywood experience ranges from writing to managing to producing; he's seen Hollywood from nearly every angle.

Author: Vincent LoBrutto
Publisher: Bloomsbury Publishing USA
ISBN: 0313390843
Category : Social Science
Languages : en
Pages : 264

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Book Description
Interviews with 21 prominent feature film editors highlight this long-overdue look at the role of film editors, the importance of their work, and the nature of their craft. Organized to provide historical continuity and to trace professional collaborations among the subjects, Selected Takes features editors whose credits include such diverse films as Ben Hur, The French Connection, The Godfather, and E.T. Each chapter includes a brief introduction to the artist, background information, a filmography of feature-length works, and personal recollections of specific films, producers, and directors, as well as helpful comments on editing techniques. A glossary of terms commonly used in film editing and pertinent references found in the interviews complement the work. Film students, scholars, and educators, as well as film industry professionals and moviegoers, will find Selected Takes both entertaining and instructive.