Author: Robert Enggass
Publisher: Lawrence : University of Kansas
ISBN:
Category : Art
Languages : en
Pages : 376
Book Description
Hortus Imaginum
Author: Robert Enggass
Publisher: Lawrence : University of Kansas
ISBN:
Category : Art
Languages : en
Pages : 376
Book Description
Publisher: Lawrence : University of Kansas
ISBN:
Category : Art
Languages : en
Pages : 376
Book Description
Palmyra and Its Empire
Author: Richard Stoneman
Publisher: University of Michigan Press
ISBN: 9780472083152
Category : History
Languages : en
Pages : 284
Book Description
The rebellion of the dazzling Arab queen Zenobia against the fist of Roman domination
Publisher: University of Michigan Press
ISBN: 9780472083152
Category : History
Languages : en
Pages : 284
Book Description
The rebellion of the dazzling Arab queen Zenobia against the fist of Roman domination
The Marvel of Maps
Author: Francesca Fiorani
Publisher: Yale University Press
ISBN: 9780300107272
Category : Art
Languages : en
Pages : 368
Book Description
Among the most beautiful and compelling works of Renaissance art, painted maps adorned the halls and galleries of princely palaces. This book is the first to discuss in detail the three-dimensional display of these painted map cycles and their full meaning in Renaissance culture. Art historian Francesca Fiorani focuses on two of the most significant and marvelous surviving Italian map murals--the Guardaroba Nuova of the Palazzo Vecchio, Florence, commissioned by Duke Cosimo de’ Medici, and the Gallery of Maps in the Vatican, commissioned by Pope Gregory XIII. Both cycles were not only pioneering cartographic enterprises but also powerful political and religious images. Presenting an original interpretation of the interaction between art, science, politics, and religion in Renaissance culture, the book also offers fresh insights into the Medici and papal courts.
Publisher: Yale University Press
ISBN: 9780300107272
Category : Art
Languages : en
Pages : 368
Book Description
Among the most beautiful and compelling works of Renaissance art, painted maps adorned the halls and galleries of princely palaces. This book is the first to discuss in detail the three-dimensional display of these painted map cycles and their full meaning in Renaissance culture. Art historian Francesca Fiorani focuses on two of the most significant and marvelous surviving Italian map murals--the Guardaroba Nuova of the Palazzo Vecchio, Florence, commissioned by Duke Cosimo de’ Medici, and the Gallery of Maps in the Vatican, commissioned by Pope Gregory XIII. Both cycles were not only pioneering cartographic enterprises but also powerful political and religious images. Presenting an original interpretation of the interaction between art, science, politics, and religion in Renaissance culture, the book also offers fresh insights into the Medici and papal courts.
Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence
Author:
Publisher: Penn State Press
ISBN: 9780271048147
Category : Art
Languages : en
Pages : 304
Book Description
To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.
Publisher: Penn State Press
ISBN: 9780271048147
Category : Art
Languages : en
Pages : 304
Book Description
To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.
The RHS Book of Flower Poetry and Prose
Author: Charles Elliott
Publisher: Frances Lincoln
ISBN: 0711261970
Category : Gardening
Languages : en
Pages : 146
Book Description
Artists and writers have always been drawn to flowers, as sources of inspiration, for simple enjoyment, and flowers themselves have been the muses for many of our greatest and most memorable works of art. This volume brings together the best flower poetry and prose from a broad range of writers, from Shakespeare and Milton, to Reginald Farrer and Edward Augustus Bowles, to twentieth-century poets such as Marianne Moore and Theodore Roethke. Wild and garden flowers are here explored in all their moods and mysteries. The poems and extracts are illustrated with botanical art from the Royal Horticultural Society’s Lindley Library, acknowledged as the world’s finest horticultural library. Addison • Betjeman • Bowles • Bradley and Cooper • Burns • Burroughs • Capek • Carroll • Clare • Colette • Crabbe • Ellacombe • Farrer • Fish • Gerard • Gilbert • Hanmer • Hardy • Hopkins • Housman • Hudson • Hunt • Jekyll • Johnson • Lawrence • Longfellow • Marvell • Milton • Mitchell • Moore • Parkinson • Pitter • Plunkett • Ridler • Roethke • Rohde • Rossetti • Sackville West • Seward • Shakespeare • Silkin • Sitwell • Stevenson • Swinburne • Thomas • Williams • Williamson • Wither • Wordsworth
Publisher: Frances Lincoln
ISBN: 0711261970
Category : Gardening
Languages : en
Pages : 146
Book Description
Artists and writers have always been drawn to flowers, as sources of inspiration, for simple enjoyment, and flowers themselves have been the muses for many of our greatest and most memorable works of art. This volume brings together the best flower poetry and prose from a broad range of writers, from Shakespeare and Milton, to Reginald Farrer and Edward Augustus Bowles, to twentieth-century poets such as Marianne Moore and Theodore Roethke. Wild and garden flowers are here explored in all their moods and mysteries. The poems and extracts are illustrated with botanical art from the Royal Horticultural Society’s Lindley Library, acknowledged as the world’s finest horticultural library. Addison • Betjeman • Bowles • Bradley and Cooper • Burns • Burroughs • Capek • Carroll • Clare • Colette • Crabbe • Ellacombe • Farrer • Fish • Gerard • Gilbert • Hanmer • Hardy • Hopkins • Housman • Hudson • Hunt • Jekyll • Johnson • Lawrence • Longfellow • Marvell • Milton • Mitchell • Moore • Parkinson • Pitter • Plunkett • Ridler • Roethke • Rohde • Rossetti • Sackville West • Seward • Shakespeare • Silkin • Sitwell • Stevenson • Swinburne • Thomas • Williams • Williamson • Wither • Wordsworth
Poussin's Paintings
Author: David Carrier
Publisher: Penn State Press
ISBN: 9780271041674
Category :
Languages : en
Pages : 304
Book Description
Employing the methodologies of the new art history as well as some tools provided by poststructuralism, historiography, and analytic philosophy, Poussin's Paintings offers a novel approach to the art of Poussin. David Carrier begins with a comprehensive analysis of Poussin's self-portraits, which provides the starting point for a critical discussion of the traditional strategies of Poussin scholarship and for an evaluation of the status of this artist. Carrier shows that Poussin can be properly understood only by seeing how his visual and political culture differs from ours. Carrier examines the traditional approaches of Poussin scholars, noting the limitations of their views and showing how they not only shape our image of the artist but also restrict out ability to properly grasp his concerns. Carrier also considers the important conceptual claims of connoisseurs and reveals how their work invokes an implicit theory of Poussin's development. Carrier then focuses on a group of paintings concerned with erotic themes, demonstrating the inadequacy of traditional accounts of these pictures. He extends his analysis to a discussion of Poussin's landscapes, which have a different and more important place in his development than the older accounts claim. Carrier places Poussin within the artistic and political culture of seventeenth-century Rome. He asserts that artists of the time were concerned with the problem of belatedness and that Poussin attempted to return to the tradition of the High Renaissance, reworking images from that tradition in response to his own visual culture. Carrier argues that Poussin's art is thus best understood as a response to that setting for baroque art, and he relates Poussin's work to the later tradition of French history painting.
Publisher: Penn State Press
ISBN: 9780271041674
Category :
Languages : en
Pages : 304
Book Description
Employing the methodologies of the new art history as well as some tools provided by poststructuralism, historiography, and analytic philosophy, Poussin's Paintings offers a novel approach to the art of Poussin. David Carrier begins with a comprehensive analysis of Poussin's self-portraits, which provides the starting point for a critical discussion of the traditional strategies of Poussin scholarship and for an evaluation of the status of this artist. Carrier shows that Poussin can be properly understood only by seeing how his visual and political culture differs from ours. Carrier examines the traditional approaches of Poussin scholars, noting the limitations of their views and showing how they not only shape our image of the artist but also restrict out ability to properly grasp his concerns. Carrier also considers the important conceptual claims of connoisseurs and reveals how their work invokes an implicit theory of Poussin's development. Carrier then focuses on a group of paintings concerned with erotic themes, demonstrating the inadequacy of traditional accounts of these pictures. He extends his analysis to a discussion of Poussin's landscapes, which have a different and more important place in his development than the older accounts claim. Carrier places Poussin within the artistic and political culture of seventeenth-century Rome. He asserts that artists of the time were concerned with the problem of belatedness and that Poussin attempted to return to the tradition of the High Renaissance, reworking images from that tradition in response to his own visual culture. Carrier argues that Poussin's art is thus best understood as a response to that setting for baroque art, and he relates Poussin's work to the later tradition of French history painting.
The Art of Medieval Spain, A.D. 500-1200
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0810964333
Category : Art
Languages : en
Pages : 374
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0810964333
Category : Art
Languages : en
Pages : 374
Book Description
Giambattista Tiepolo, 1696-1770 : [Venice, Museum of Ca' Rezzonico, from September 5 to December 9, 1996] : The Metropolitan Museum of Art, New York, [from January 24 to April 27, 1997]
Author: Giovanni Battista Tiepolo
Publisher: Metropolitan Museum of Art
ISBN: 0870998129
Category : Art, Italian
Languages : en
Pages : 416
Book Description
Published in conjunction with an exhibit which opened in Venice in 1996 and at the Metropolitan Museum of Art in New York during the first part of 1997. The exhibit organizers aimed to show Tiepolo as one of the presiding geniuses of the European imagination. In essays and entries on every work shown, the text illuminates his formation; his mastery of mythological and poetic subjects; his religious pictures; his excursions into portraiture and studies of ideal heads; and the process by which he proceeded from initial ideas--small- scale sketches--to large canvases and frescoes. Beautifully produced, the volume makes a stunning impact, and will have to suffice for those who can't make it to the exhibit itself. Distributed by Abrams. 10x12"Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: Metropolitan Museum of Art
ISBN: 0870998129
Category : Art, Italian
Languages : en
Pages : 416
Book Description
Published in conjunction with an exhibit which opened in Venice in 1996 and at the Metropolitan Museum of Art in New York during the first part of 1997. The exhibit organizers aimed to show Tiepolo as one of the presiding geniuses of the European imagination. In essays and entries on every work shown, the text illuminates his formation; his mastery of mythological and poetic subjects; his religious pictures; his excursions into portraiture and studies of ideal heads; and the process by which he proceeded from initial ideas--small- scale sketches--to large canvases and frescoes. Beautifully produced, the volume makes a stunning impact, and will have to suffice for those who can't make it to the exhibit itself. Distributed by Abrams. 10x12"Annotation copyrighted by Book News, Inc., Portland, OR
Medieval and Renaissance Lactations
Author: Jutta Gisela Sperling
Publisher: Routledge
ISBN: 1317098110
Category : History
Languages : en
Pages : 336
Book Description
The premise of this volume is that the ubiquity of lactation imagery in early modern visual culture and the discourse on breastfeeding in humanist, religious, medical, and literary writings is a distinct cultural phenomenon that deserves systematic study. Chapters by art historians, social and legal historians, historians of science, and literary scholars explore some of the ambiguities and contradictions surrounding the issue, and point to the need for further study, in particular in the realm of lactation imagery in the visual arts. This volume builds on existing scholarship on representations of the breast, the iconography of the Madonna Lactans, allegories of abundance, nature, and charity, women mystics' food-centered practices of devotion, the ubiquitous practice of wet-nursing, and medical theories of conception. It is informed by studies on queer kinship in early modern Europe, notions of sacred eroticism in pre-tridentine Catholicism, feminist investigations of breastfeeding as a sexual practice, and by anthropological and historical scholarship on milk exchange and ritual kinship in ancient Mediterranean and medieval Islamic societies. Proposing a variety of different methods and analytical frameworks within which to consider instances of lactation imagery, breastfeeding practices, and their textual references, this volume also offers tools to support further research on the topic.
Publisher: Routledge
ISBN: 1317098110
Category : History
Languages : en
Pages : 336
Book Description
The premise of this volume is that the ubiquity of lactation imagery in early modern visual culture and the discourse on breastfeeding in humanist, religious, medical, and literary writings is a distinct cultural phenomenon that deserves systematic study. Chapters by art historians, social and legal historians, historians of science, and literary scholars explore some of the ambiguities and contradictions surrounding the issue, and point to the need for further study, in particular in the realm of lactation imagery in the visual arts. This volume builds on existing scholarship on representations of the breast, the iconography of the Madonna Lactans, allegories of abundance, nature, and charity, women mystics' food-centered practices of devotion, the ubiquitous practice of wet-nursing, and medical theories of conception. It is informed by studies on queer kinship in early modern Europe, notions of sacred eroticism in pre-tridentine Catholicism, feminist investigations of breastfeeding as a sexual practice, and by anthropological and historical scholarship on milk exchange and ritual kinship in ancient Mediterranean and medieval Islamic societies. Proposing a variety of different methods and analytical frameworks within which to consider instances of lactation imagery, breastfeeding practices, and their textual references, this volume also offers tools to support further research on the topic.
Church, State, Vellum, and Stone
Author: Therese Martin
Publisher: BRILL
ISBN: 904741618X
Category : History
Languages : en
Pages : 584
Book Description
The essays in this volume, written in honor of retired scholar John Williams, treat a variety of topics pertaining to Medieval Spain; providing an interdisciplinary, international, and intergenerational view of current work in the field.
Publisher: BRILL
ISBN: 904741618X
Category : History
Languages : en
Pages : 584
Book Description
The essays in this volume, written in honor of retired scholar John Williams, treat a variety of topics pertaining to Medieval Spain; providing an interdisciplinary, international, and intergenerational view of current work in the field.