Horror Film Aesthetics PDF Download

Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Horror Film Aesthetics PDF full book. Access full book title Horror Film Aesthetics by Thomas M. Sipos. Download full books in PDF and EPUB format.

Horror Film Aesthetics

Horror Film Aesthetics PDF Author: Thomas M. Sipos
Publisher: McFarland
ISBN: 0786458348
Category : Performing Arts
Languages : en
Pages : 289

Book Description
This richly informed study analyzes how various cinematic tools and techniques have been used to create horror on screen--the aesthetic elements, sometimes not consciously noticed, that help to unnerve, frighten, shock or entertain an audience. The first two chapters define the genre and describe the use of pragmatic aesthetics (when filmmakers put technical and budgetary compromises to artistic effect). Subsequent chapters cover mise-en-scene, framing, photography, lighting, editing and sound, and a final chapter is devoted to the aesthetic appeals of horror cinema. Instructors considering this book for use in a course may request an examination copy here.

Horror Film Aesthetics

Horror Film Aesthetics PDF Author: Thomas M. Sipos
Publisher: McFarland
ISBN: 0786458348
Category : Performing Arts
Languages : en
Pages : 289

Book Description
This richly informed study analyzes how various cinematic tools and techniques have been used to create horror on screen--the aesthetic elements, sometimes not consciously noticed, that help to unnerve, frighten, shock or entertain an audience. The first two chapters define the genre and describe the use of pragmatic aesthetics (when filmmakers put technical and budgetary compromises to artistic effect). Subsequent chapters cover mise-en-scene, framing, photography, lighting, editing and sound, and a final chapter is devoted to the aesthetic appeals of horror cinema. Instructors considering this book for use in a course may request an examination copy here.

The Aesthetics of Horror Films

The Aesthetics of Horror Films PDF Author: Forrest Adam Sopuck
Publisher: Springer Nature
ISBN: 3030843467
Category : Philosophy
Languages : en
Pages : 137

Book Description
This book analyzes the nature and functions of horror films from the vantage of a theoretical reconstruction of George Santayana’s account of beauty. This neo-Santayanan framework forms the conceptual backdrop for a new model of horror’s aesthetic enjoyment, the nature of which is detailed through the examination of plot, cinematic, and visual devices distinctive of the popular genre. According to this model, the audience derives pleasure from the films through confronting the aversive scenarios they communicate and rationalizing a denial of their personal applicability. The films then come to embody these acts of self-assertion and intellectual overcoming and become objects of pride. How horror films can acquire necropolitical functions within the context of abusive systems of power is also clarified. These functions, which exploit the power of anti-tragedy, downward social comparison, or vicarious emotion, work to remediate aggressive, ascetic, or revolutionary impulses in ways that are not injurious to the status quo. This book champions horror as a source of self-empowerment and unmitigated beauty, but also attests to the potential social harms of the genre.

Cinematic Emotion in Horror Films and Thrillers

Cinematic Emotion in Horror Films and Thrillers PDF Author: Julian Hanich
Publisher: Routledge
ISBN: 1136991581
Category : Social Science
Languages : en
Pages : 633

Book Description
Hanich looks at fear at the movies – its aesthetics, its experience and its pleasures--in this thought-provoking study. Looking at over 150 different films including Seven, Rosemary's Baby, and Silence of the Lambs, Hanich attempts to answer the paradox of why we enjoy films that thrill us, that scare us, that threaten us, that shock us –affects that we otherwise desperately wish to avoid.

Baroque Aesthetics in Contemporary American Horror

Baroque Aesthetics in Contemporary American Horror PDF Author: Gabriel Eljaiek-Rodríguez
Publisher: Springer Nature
ISBN: 3030882519
Category : Performing Arts
Languages : en
Pages : 184

Book Description
This book traces a trend that has emerged in recent years within the modern panorama of American horror film and television, the concurrent—and often overwhelming—use of multiple stock characters, themes and tropes taken from classics of the genre. American Horror Story, Insidious and The Conjuring are examples of a filmic tendency to address a series of topics and themes so vast that at first glance each taken separately would seem to suffice for individual films or shows. This book explores this trend in its visible connections with American Horror, but also with cultural and artistic movements from outside the US, namely Baroque art and architecture, Asian Horror, and European Horror. It analyzes how these hybrid products are constructed and discusses the socio-political issues that they raise. The repeated and excessive barrage of images, tropes and scenarios from distinct subgenres of iconic horror films come together to make up an aesthetic that is referred to in this book as Baroque Horror. In many ways similar to the reactions provoked by the artistic movement of the same name that flourished in the XVII century, these productions induce shock, awe, fear, and surprise. Eljaiek-Rodríguez details how American directors and filmmakers construct these narratives using different and sometimes disparate elements that come together to function as a whole, terrifying the audience through their frenetic accumulation of images, tropes and plot twists. The book also addresses some of the effects that these complex films and series have produced both in the panorama of contemporary horror, as well as in how we understand politics in a divisive world that pushes for ideological homogenizations.

Horror Movie Aesthetics

Horror Movie Aesthetics PDF Author: Xiangyi Fu
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 93

Book Description
Fear is one of the most basic and important human emotions. At very beginning of movie history in 1895, when the audience first saw the Lumieres Bothers' The Arrival of a Train at La Ciotat Station on the big screen, almost the entire audience tried to escape from the theater. The image of the approaching train caused fear. To intensify feelings of fear in the audience, film artists use sound, lighting, timing, motion and other stylistic devices. Among the wide range of film genres, especially horror movies aim to trigger a physiological and psychological response of fear in the audience. Within the genre, horror films differ widely from each other based on their time period, sub-genre, and regional differences including religious and cultural motifs. There many different ways of investigating how horror movies accomplish to terrify and horrify an audience, for example, via an analysis of plots, characters, and dialogue. This thesis examines what constitutes the different cinematic styles of horror movies - color/lighting, time/motion, spatial relationships, and sound - in different horror movies. The result of my research is presented in an interactive visualization of cinematic aesthetics that enables a cinematic student to explore the patterns of how those elements are applied on the screen and can ultimately trigger and influence an audience's mood.

The Horror Film

The Horror Film PDF Author: Stephen Prince
Publisher: Rutgers University Press
ISBN: 081354257X
Category : Performing Arts
Languages : en
Pages : 281

Book Description
In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological characteristics of contemporary horror films. In contrast to horror during the classical Hollywood period, contemporary horror features more graphic and prolonged visualizations of disturbing and horrific imagery, as well as other distinguishing characteristics. Princes introduction provides an overview of the genre, contextualizing the readings that follow. Stephen Prince is professor of communications at Virginia Tech. He has written many film books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 19301968, and has edited Screening Violence, also in the Depth of Field Series.

A Companion to the Horror Film

A Companion to the Horror Film PDF Author: Harry M. Benshoff
Publisher: John Wiley & Sons
ISBN: 1119335019
Category : Performing Arts
Languages : en
Pages : 613

Book Description
This cutting-edge collection features original essays by eminent scholars on one of cinema's most dynamic and enduringly popular genres, covering everything from the history of horror movies to the latest critical approaches. Contributors include many of the finest academics working in the field, as well as exciting younger scholars Varied and comprehensive coverage, from the history of horror to broader issues of censorship, gender, and sexuality Covers both English-language and non-English horror film traditions Key topics include horror film aesthetics, theoretical approaches, distribution, art house cinema, ethnographic surrealism, and horror's relation to documentary film practice A thorough treatment of this dynamic film genre suited to scholars and enthusiasts alike

Horror Film and Otherness

Horror Film and Otherness PDF Author: Adam Lowenstein
Publisher: Columbia University Press
ISBN: 0231556152
Category : Performing Arts
Languages : en
Pages : 172

Book Description
What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes. Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined. Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

The Pulse in Cinema

The Pulse in Cinema PDF Author: Sharon Jane Mee
Publisher:
ISBN: 9781474475853
Category :
Languages : en
Pages : 232

Book Description
The Pulse in Cinema acknowledges that the pulse is felt in the body, yet also argues that the pulse has a wider reaching effect in cinema than simply the physiological response of the spectator to the image - it's the affective force in cinema.

Horror Film and Affect

Horror Film and Affect PDF Author: Xavier Aldana Reyes
Publisher: Routledge
ISBN: 1317748794
Category : Performing Arts
Languages : en
Pages : 221

Book Description
This book brings together various theoretical approaches to Horror that have received consistent academic attention since the 1990s – abjection, disgust, cognition, phenomenology, pain studies – to make a significant contribution to the study of fictional moving images of mutilation and the ways in which human bodies are affected by those on the screen on three levels: representationally, emotionally and somatically. Aldana Reyes reads Horror viewership as eminently carnal, and seeks to articulate the need for an alternative model that understands the experience of feeling under corporeal threat as the genre’s main descriptor. Using recent, post-millennial examples throughout, the book also offers case studies of key films such as Hostel, [REC], Martyrs or Ginger Snaps, and considers contemporary Horror strands such as found footage or 3D Horror.