Horae Sacramentales. The sacramental articles of the Church of England vindicated from recent misrepresentations, and illustrated by the writings of their compilers and last editor, etc PDF Download

Author: Thomas Hopkins BRITTON
Publisher:
ISBN:
Category :
Languages : en
Pages : 300

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Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712

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Author: Voltaire
Publisher: Courier Corporation
ISBN: 0486143163
Category : Philosophy
Languages : en
Pages : 169

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The voice of the Age of Reason remarks on English religion and politics during the early 18th century: Quakers, Church of England, Presbyterians, Anti-Trinitarians, Parliament, government, commerce, plus essays on Locke, Descartes, and Newton.

Author: Voltaire
Publisher: Andesite Press
ISBN: 9781298497512
Category :
Languages : en
Pages : 312

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Voltaire
Publisher: Simon and Schuster
ISBN: 1627933263
Category : Drama
Languages : en
Pages : 75

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I don't belong to the house, sir; but I spend most of my time in the coffee-room; write news, politics, and so forth, and am always ready to do an honest gentleman service. If you have any friend you want to have praised, or any enemy to be abused; any author you want to protect or to decry; 'tis but one guinea per paragraph: if you are desirous of cultivating any acquaintance for profit or pleasure, sir, I am your man. Wilder Publications is a green publisher. All of our books are printed to order. This reduces waste and helps us keep prices low while greatly reducing our impact on the environment.

Author: Voltaire
Publisher: Legare Street Press
ISBN: 9781017839272
Category : Fiction
Languages : en
Pages : 0

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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Voltaire
Publisher:
ISBN:
Category :
Languages : en
Pages : 330

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Author: John Dryden
Publisher:
ISBN:
Category :
Languages : en
Pages : 140

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Author: Gail Feigenbaum
Publisher: Getty Publications
ISBN: 1606062980
Category : Art
Languages : en
Pages : 388

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This book explores the principles of the display of art in the magnificent Roman palaces of the early modern period, focusing attention on how the parts function to convey multiple artistic, social, and political messages, all within a splendid environment that provided a model for aristocratic residences throughout Europe. Many of the objects exhibited in museums today once graced the interior of a Roman Baroque palazzo or a setting inspired by one. In fact, the very convention of a paintings gallery— the mainstay of museums—traces its ancestry to prototypes in the palaces of Rome. Inside Roman palaces, the display of art was calibrated to an increasingly accentuated dynamism of social and official life, activated by the moving bodies and the attention of residents and visitors. Display unfolded in space in a purposeful narrative that reflected rank, honor, privilege, and intimacy. With a contextual approach that encompasses the full range of media, from textiles to stucco, this study traces the influential emerging concept of a unified interior. It argues that art history—even the emergence of the modern category of fine art—was worked out as much in the rooms of palaces as in the printed pages of Vasari and other early writers on art.

Author: Elizabeth Cropper
Publisher:
ISBN: 9780691050676
Category : Art
Languages : en
Pages : 374

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By investigating the important cultural figures who were close to the painter Nicolas Poussin (1594-1665), Elizabeth Cropper and Charles Dempsey allow the reader to enter not only the Rome where he lived but also the Rome of antiquity, which he admired and tried to reconstruct. The authors argue that Poussin's works were structured by his friendships, as well as by his study of ancient history and early Christian archaeology, his exploration of the poetry and mystery of ancient places, and his conception of his paintings as gifts rather than commercial objects. By looking into this rich background, they also show how Poussin introduced into his theory and practice of painting a new concept of the inherent expressiveness of form that was quite different from the then prevailing conventions for depicting the passions and affections. The first two chapters treat Vincenzo Giustiniani, the most sophisticated patron and art collector of his day, whose purpose and rationale for collecting ancient sculpture deeply influenced Poussin and the Flemish sculptor Francois Duquesnoy. Among other topics, the succeeding sections take up Poussin's deep readings of Montaigne and his friendships with the poet Giovanni Battista Marino, with artists such as Pietro Testa and Matteo Zaccolini, and with patrons and true friends, among them Cassiano dal Pozzo and Paul Fréart de Chantelou, for whom Poussin painted a special self-portrait, which the artist said stood for "The Love of Painting and Friendship."