Honolulu Academy of Arts Journal PDF Download

Author: Honolulu Academy of Arts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 364

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Author: John Young
Publisher: Honolulu Academy of Arts
ISBN: 9780937426340
Category : Art
Languages : en
Pages : 55

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Book Description
This tribute to one of Hawaii's most senior and recognized artists explores his line, color and commingling of Chinese and Western traditions - paintings, woodcuts, etc from 1936 to his death.

Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 1668

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Book Description
A union list of serials commencing publication after Dec. 31, 1949.

Author: Hawaii. Legislature. Senate
Publisher:
ISBN:
Category : Hawaii
Languages : en
Pages : 1558

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Book Description
Includes extra and special sessions.

Author: Thurman Wilkins
Publisher: University of Oklahoma Press
ISBN: 9780806130408
Category : Biography & Autobiography
Languages : en
Pages : 518

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Book Description
This extensively revised edition of Thurman Wilkins’s masterful and engaging biography - well illustrated in color and black-and-white - draws on new information and recent scholarship to place Thomas Moran more securely in the milieu of the Gilded Age. It also portrays more fully the controversies that surrounded the art of Moran’s time, as he became "the Dean of American Painters." The American West was the subject of Thomas Moran’s greatest artistic triumphs - Yosemite, the Grand Canyon of the Colorado, Zion Canyon, the Virgin River, Colorado’s Mountain of the Holy Cross, and the Grand Tetons - but his travels with Ferdinand V. Hayden’s geological surveys of the Upper Yellowstone were matched by trips to his native Britain and to Venice, Florida, the Spanish Southwest, and Old Mexico. These scenes inspired memorable landscapes and seascapes, as did the sojourns of the Moran family in Pennsylvania, New Jersey, and East Hampton, Long Island, when they retreated from the demands of the New York art scene. In the 1880s Moran and his artist wife, Mary Nimmo Moran, also threw themselves into the etching craze of the period, creating some of the finest prints produced in the United States. Moran was an artist happy in his work. He wrote, "I have always held that the grandest, most beautiful, or wonderful in nature, would, in capable hands, make the grandest, most beautiful, or wonderful pictures." The New York Times said of the first edition of this unique account of his life, "Moran’s mastery comes through clearly and awesomely and often, pleasurably." Readers will find the new edition equally enjoyable.

Author: REV Nancy K Anderson, Acpe Supervisor
Publisher: Yale University Press
ISBN: 0300073259
Category : Art
Languages : en
Pages : 412

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Book Description
Describes an exhibit at the National Gallery, the Gilcrease Museum, Tulsa, and the Seattle Art Museum

Author: John T. Carpenter
Publisher: Metropolitan Museum of Art
ISBN: 1588396541
Category : Art
Languages : en
Pages : 227

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Book Description
With a shared reverence for the arts of Japan, T. Richard Fishbein and his wife, Estelle P. Bender assembled an outstanding and diverse collection of paintings of the Edo period (1615 – 1868). The Poetry of Nature offers an in-depth look at more than forty works from their collection that together trace the development of the major schools and movements of the era — Rinpa, Nanga, Zen, Maruyama-Shijō, and Ukiyo-e — from their roots in Heian court culture and the Kano and Tosa artistic lineages that preceded them. Insightful essays by John T. Carpenter and Midori Oka reveal a unifying theme — the celebration of the natural world — expressed in varied forms, from the bold, graphic manner of Rinpa to the muted sensitivity of Nanga. Lavishly illustrated, these works draw particular focus to the unique intertwinement of poetry and the pictorial arts that is fundamental to the Japanese tradition. In addition to providing new readings and translations of Japanese and Chinese poems, The Poetry of Nature sheds new light on the ways in which Edo artists used verse to transform their paintings into a hybrid literary and visual art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

Author: Ayako Ono
Publisher: Routledge
ISBN: 1136625100
Category : History
Languages : en
Pages : 302

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Book Description
Japan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world and beginning a process of thorough modernisation, some have said westernisation. The mastery of western art was included in the programme. This book examines the nineteenth century art world against this background and explores Japanese influences on four artists working in Britain in particular: the American James McNeill Whistler, the Australian Mortimer Menpes, and the 'Glasgow boys' George Henry and Edward Atkinson Hornel. Japonisme in Britian is richly illustrated throughout.

Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870999141
Category : Sculpture
Languages : en
Pages : 481

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Book Description
Volume One: This volume catalogues the distinguished and comprehensive collection of approximately 400 works of American sculpture by artists born before 1865. This publication includes an introduction on the history of the collection's formation, particularly in the context of the Museum's early years of acquisitions, and discusses the outstanding personalities involved. --Metropolitan Museum of Art website.

Author: Tricia Cusack
Publisher: Routledge
ISBN: 1351566741
Category : Art
Languages : en
Pages : 302

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Book Description
Before the eighteenth century, the ocean was regarded as a repulsive and chaotic deep. Despite reinvention as a zone of wonder and pleasure, it continued to be viewed in the West and elsewhere as ?uninhabited?, empty space. This collection, spanning the eighteenth century to the present, recasts the ocean as ?social space?, with particular reference to visual representations. Part I focuses on mappings and crossings, showing how the ocean may function as a liminal space between places and cultures but also connects and imbricates them. Part II considers ships as microcosmic societies, shaped for example by the purpose of the voyage, the mores of shipboard life, and cross-cultural encounters. Part III analyses narratives accreted to wrecks and rafts, what has sunk or floats perilously, and discusses attempts to recuperate plastic flotsam. Part IV plumbs ocean depths to consider how underwater creatures have been depicted in relation to emergent disciplines of natural history and museology, how mermaids have been reimagined as a metaphor of feminist transformation, and how the symbolism of coral is deployed by contemporary artists. This engaging and erudite volume will interest a range of scholars in humanities and social sciences, including art and cultural historians, cultural geographers, and historians of empire, travel, and tourism.