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Author: Deborah V. Tudor Publisher: Routledge ISBN: 1317944755 Category : History Languages : en Pages : 240
Book Description
This book analyzes the ways in which sport reflects, imitates, and questions cultural values. It examines the representation of team sports, heroes, race, families, and gender in films and other media. Analysis of the ways in which broadcast media and films create such images allows us to map the ways in which traditional cultural beliefs and practices resist and accommodate changes. Films about sport do not reproduce a simple, unified set of values-rather, they exhibit the complications of attempting to negotiate ideological contradictions. During the last 50 years, sports films have shifted from the heroic idealization of The Babe Ruth Story (1948) to films revealing complexities, controversies, and uncertainties within the sports world, like Everybody's All American (1988). These contradictions are especially strong in the areas of race and gender, which are related major changes in the traditional notion of the hero. The book traces the transformation of the image of the hero in sports films within the context of the development of the sports celebrity, epitomized by Michael Jordan.
Author: Deborah V. Tudor Publisher: Routledge ISBN: 1317944755 Category : History Languages : en Pages : 240
Book Description
This book analyzes the ways in which sport reflects, imitates, and questions cultural values. It examines the representation of team sports, heroes, race, families, and gender in films and other media. Analysis of the ways in which broadcast media and films create such images allows us to map the ways in which traditional cultural beliefs and practices resist and accommodate changes. Films about sport do not reproduce a simple, unified set of values-rather, they exhibit the complications of attempting to negotiate ideological contradictions. During the last 50 years, sports films have shifted from the heroic idealization of The Babe Ruth Story (1948) to films revealing complexities, controversies, and uncertainties within the sports world, like Everybody's All American (1988). These contradictions are especially strong in the areas of race and gender, which are related major changes in the traditional notion of the hero. The book traces the transformation of the image of the hero in sports films within the context of the development of the sports celebrity, epitomized by Michael Jordan.
Author: Jim Hock Publisher: Vireo Book, A ISBN: 9781945572265 Category : Biography & Autobiography Languages : en Pages : 384
Book Description
In 2016, after twenty years in St. Louis, the Rams are back in their longtime home. Some call their return to Los Angeles a relocation, but it's more the restoration of a city landmark. Hollywood's Team follows the Rams of the 1950s. They were glamorous, glitzy, and most of all, they were exciting. Like the city itself, the Rams were comprised of both big stars and everyday workhorses like John Hock, father of the author--a quiet, humble, and stout offensive guard. They were the first major professional sports team west of the Mississippi River, the first to integrate, even before Jackie Robinson, the first team to reach a million fans, and the first team with a TV contract. The Rams of the 1950s were, in so many ways, the first modern sports franchise. Their roster is a who's who of the NFL Hall Fame. Names such as quarterback Norm "The Dutchman" Van Brocklin, wide receiver Elroy "Crazy Legs" Hirsch, Bob Waterfield, Tom Fears, defensive back Dick "Night Train" Lane, and linebacker Les Richter. Other notables from the era include a wunderkind public relations man named Pete Rozelle who would go on to become the boy commissioner of the NFL at age thirty-three. Head coach Sid Gillman was an architect ofthe modern passing game. Owner Dan Reeves was a genius in business, but troubled by alcohol. Heck, even the iconic comedian Bob Hope was a partial owner of the Rams at the time. The Rams were Hollywood's team. This is their story.
Author: Yannis Tzioumakis Publisher: Edinburgh University Press ISBN: 074866453X Category : Performing Arts Languages : en Pages : 240
Book Description
Hollywood's Indies offers an in depth examination of the phenomenon of the classics divisions by tracing its history since the establishment of the first specialty label in 1980.
Author: Jim Hock Publisher: ISBN: 9781644280928 Category : Biography & Autobiography Languages : en Pages : 384
Book Description
In 2016, after twenty years in St. Louis, the Rams are back in their longtime home. Some call their return to Los Angeles a relocation, but it's more the restoration of a city landmark. Hollywood's Team follows the Rams of the 1950s. They were glamorous, glitzy, and most of all, they were exciting. Like the city itself, the Rams were comprised of both big stars and everyday workhorses like John Hock, father of the author--a quiet, humble, and stout offensive guard. They were the first major professional sports team west of the Mississippi River, the first to integrate, even before Jackie Robinson, the first team to reach a million fans, and the first team with a TV contract. The Rams of the 1950s were, in so many ways, the first modern sports franchise. Their roster is a who's who of the NFL Hall Fame. Names such as quarterback Norm "The Dutchman" Van Brocklin, wide receiver Elroy "Crazy Legs" Hirsch, Bob Waterfield, Tom Fears, defensive back Dick "Night Train" Lane, and linebacker Les Richter. Other notables from the era include a wunderkind public relations man named Pete Rozelle who would go on to become the boy commissioner of the NFL at age thirty-three. Head coach Sid Gillman was an architect ofthe modern passing game. Owner Dan Reeves was a genius in business, but troubled by alcohol. Heck, even the iconic comedian Bob Hope was a partial owner of the Rams at the time. The Rams were Hollywood's team. This is their story.
Author: Ryan Jay Friedman Publisher: Rutgers University Press ISBN: 0813550483 Category : Performing Arts Languages : en Pages : 265
Book Description
In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most lucrative first-run theaters. Capitalizing on highbrow associations with white "slumming" in African American cabarets and on the cultural linkage between popular black musical styles and "natural" acoustics, studios produced a series of African American-cast and white-cast films featuring African American sequences. Ryan Jay Friedman asserts that these transitional films reflect contradictions within prevailing racial ideologies--arising most clearly in the movies' treatment of African American characters' decisions to migrate. Regardless of how the films represent these choices, they all prompt elaborate visual and narrative structures of containment that tend to highlight rather than suppress historical tensions surrounding African American social mobility, Jim Crow codes, and white exploitation of black labor.
Author: Deborah V. Tudor
Author: Deborah V. Tudor
Author: Jim Hock
Author: James Robert Parish
Author: Yannis Tzioumakis
Author: Jim Hock
Author: 
Author: 
Author: Laurance Landreth Hill
Author: Tony Shaw
Author: Ryan Jay Friedman