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Author: Winnie Wong Publisher: Mercury Learning and Information ISBN: 1938549740 Category : Performing Arts Languages : en Pages : 300
Book Description
This book provides the in-depth information, exercises, and worksheets that will provide readers with the tools to become successful, enlightened filmmakers. Most novices are unaware of the “business” aspects of the film world or that producing Hollywood films will involve contracts, budget constraints, personnel, scheduling, legal issues, insurance, and safety regulations. Many first time filmmakers spend all their time on their “creative endeavors” and often forget to establish production management strategies or consider business ethics as integral parts of the process. In many cases the result is litigation or insurance problems that can lead to financial hardship and/or the inability to distribute the film. The book includes a companion CD-ROM containing the forms and documents covered in the text. Solutions to exercises and PowerPoint slides are available to instructors.
Author: Winnie Wong Publisher: Mercury Learning and Information ISBN: 1938549740 Category : Performing Arts Languages : en Pages : 300
Book Description
This book provides the in-depth information, exercises, and worksheets that will provide readers with the tools to become successful, enlightened filmmakers. Most novices are unaware of the “business” aspects of the film world or that producing Hollywood films will involve contracts, budget constraints, personnel, scheduling, legal issues, insurance, and safety regulations. Many first time filmmakers spend all their time on their “creative endeavors” and often forget to establish production management strategies or consider business ethics as integral parts of the process. In many cases the result is litigation or insurance problems that can lead to financial hardship and/or the inability to distribute the film. The book includes a companion CD-ROM containing the forms and documents covered in the text. Solutions to exercises and PowerPoint slides are available to instructors.
Author: Joshua Gleich Publisher: Rutgers University Press ISBN: 0813586275 Category : Performing Arts Languages : en Pages : 227
Book Description
Location shooting has always been a vital counterpart to soundstage production, and at times, the primary form of Hollywood filmmaking. But until now, the industrial and artistic development of this production practice has been scattered across the margins of larger American film histories. Hollywood on Location is the first comprehensive history of location shooting in the American film industry, showing how this mode of filmmaking changed Hollywood business practices, production strategies, and visual style from the silent era to the present. The contributors explore how location filmmaking supplemented and later, supplanted production on the studio lots. Drawing on archival research and in-depth case studies, the seven contributors show how location shooting expanded the geography of American film production, from city streets and rural landscapes to far-flung territories overseas, invoking a new set of creative, financial, technical, and logistical challenges. Whereas studio filmmaking sought to recreate nature, location shooting sought to master it, finding new production values and production economies that reshaped Hollywood’s modus operandi.
Author: David Bordwell Publisher: Routledge ISBN: 1134988087 Category : Social Science Languages : en Pages : 1338
Book Description
'A dense, challenging and important book.' Philip French Observer 'At the very least, this blockbuster is probably the best single volume history of Hollywood we're likely to get for a very long time.' Paul Kerr City Limits 'Persuasively argued, the book is also packed with facts, figures and photographs.' Nigel Andrews Financial Times Acclaimed for their breakthrough approach, Bordwell, Staiger and Thompson analyze the basic conditions of American film-making as a historical institution and consider to what extent Hollywood film production constitutes a systematic enterprise, in both its style and its business operations. Despite differences of director, genre or studio, most Hollywood films operate within a set of shared assumptions about how a film should look and sound. Such assumptions are neither natural nor inevitable; but because classical-style films have been the type most widely seen, they have come to be accepted as the 'norm' of film-making and viewing. The authors show how these classical conventions were formulated and standardized, and how they responded to the arrival of sound, colour, widescreen ratios and stereophonic sound. They argue that each new technological development has served a function within an existing narrational system. The authors also examine how the Hollywood cinema standardized the film-making process itself. They describe how, over the course of its history, Hollywood developed distinct modes of production in a constant search for maximum efficiency, predictability and novelty. Set apart by its combination of theoretical analysis and empirical evidence, this book is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s. Now available in paperback, it is a 'must' for film students, lecturers and all those seriously interested in the development of the film industry.
Author: Daniel Steinhart Publisher: Univ of California Press ISBN: 0520970691 Category : Performing Arts Languages : en Pages : 296
Book Description
After World War II, as cultural and industry changes were reshaping Hollywood, movie studios shifted some production activities overseas, capitalizing on frozen foreign earnings, cheap labor, and appealing locations. Hollywood unions called the phenomenon “runaway” production to underscore the outsourcing of employment opportunities. Examining this period of transition from the late 1940s to the early 1960s, Runaway Hollywood shows how film companies exported production around the world and the effect this conversion had on industry practices and visual style. In this fascinating account, Daniel Steinhart uses an array of historical materials to trace the industry’s creation of a more international production operation that merged filmmaking practices from Hollywood and abroad to produce movies with a greater global scope.
Author: Donald L Diefenbach Publisher: Routledge ISBN: 1351051687 Category : Art Languages : en Pages : 308
Book Description
Video Production Techniques is an essential guide to the art and craft of video production. It introduces students to the theoretical foundations as well as the practical skills needed to make a successful video project. The opening chapter introduces the reader to the language of motion pictures and sets the stage for effective visual storytelling. Unit I guides students through the theory, techniques, and processes of writing, shooting, and editing video productions. Unit II expands on these basic principles to explore the crafts of sound recording/design, lighting, and directing. Unit III surveys the industries, formats, and methods for creating fiction and nonfiction programs. The final unit of the text examines options for distribution and career opportunities in video production. Newly updated and revised, the second edition of Video Production Techniques unifies theory and practice for instructors and students. It is a great tool for use in introductory-level video production courses and for the independent learner. The accompanying companion website features instructor resources including a sample syllabus, quiz bank, sample assignments, and PowerPoint slides for each chapter, alongside illustrative video demonstrations for students.
Author: Derek Long (Ph. D.) Publisher: ISBN: 9781477328958 Category : Motion picture industry Languages : en Pages : 0
Book Description
"In the early 1910s through the 1930s, as developing studios embodied the cinema landscape, distribution played a significant role in defining the structure of the American film industry. Playing the Percentages addresses the material history of distribution from the early days of short films to the sound features that dominated the silver screen. While many histories of this time period account for the ascent of the studio system and the Golden Age of film, there is a tendency to encourage a teleological view of an oligopolistic studio system as inevitable. Studying the material history of distribution in the growth of Hollywood, Long makes a case for the domination of the studio system as the unforeseen result of multiple battling distribution practices. He argues that distribution, with roots in other methods of media production, was a complex and diverse system of ever-shifting wrangling between distributors and exhibitors that allowed for, but did not determine, the domination of the studio system"--
Author: Thomas Schatz Publisher: McGraw-Hill Humanities/Social Sciences/Languages ISBN: Category : Language Arts & Disciplines Languages : en Pages : 324
Book Description
The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema. Taking into account not only the formal and aesthetic aspects of feature filmmaking, but various other cultural aspects as well, the genre approach treats movie production as a dynamic process of exchange between the film industry and its audience. This process, embodied by the Hollywood studio system, has been sustained primarily through genres, those popular narrative formulas like the Western, musical and gangster film, which have dominated the screen arts throughout this century.
Author: Jason Tomaric Publisher: Taylor & Francis ISBN: 1136039139 Category : Performing Arts Languages : en Pages : 534
Book Description
Filmmaking the definitive resource for filmmakers, blows the doors off the secretive film industry and shows you how to adapt the Hollywood system for your production. Full of thousands of tips, tricks, and techniques from Emmy-winning director Jason Tomaric, Filmmaking systematically takes you through every step of how to produce a successful movie - from developing a marketable idea through selling your completed movie. Whether you're on a budget of $500 or $50 million, Filmmaking reveals some of Hollywood's best-kept secrets. Make your movie and do it right. The companion site includes: Over 30 minutes of high-quality video tutorials featuring over a dozen working Hollywood professionals. Industry-standard forms and contracts you can use for your production Sample scripts, storyboards, schedules, call sheets, contracts, letters from the producer, camera logs, and press kits 45-minute video that takes you inside the movie that launched Jason's career. 3,000 extras, 48 locations, 650 visual effects-all made from his parent's basement for $25,000.
Author: Joshua Gleich Publisher: University of Texas Press ISBN: 1477316450 Category : Performing Arts Languages : en Pages : 360
Book Description
One of the country’s most picturesque cities and conveniently located just a few hours’ drive from Hollywood, San Francisco became the most frequently and extensively filmed American city beyond the production hubs of Los Angeles and New York in the three decades after World War II. During those years, the cinematic image of the city morphed from the dreamy beauty of Vertigo to the nightmarish wasteland of Dirty Harry, although San Francisco itself experienced no such decline. This intriguing disconnect gives impetus to Hollywood in San Francisco, the most comprehensive study to date of Hollywood’s move from studio to location production in the postwar era. In this thirty-year history of feature filmmaking in San Francisco, Joshua Gleich tracks a sea change in Hollywood production practices, as location shooting overtook studio-based filming as the dominant production method by the early 1970s. He shows how this transformation intersected with a precipitous decline in public perceptions of the American city, to which filmmakers responded by developing a stark, realist aesthetic that suited America’s growing urban pessimism and superseded a fidelity to local realities. Analyzing major films set in San Francisco, ranging from Dark Passage and Vertigo to The Conversation, The Towering Inferno, and Bullitt, as well as the TV show The Streets of San Francisco, Gleich demonstrates that the city is a physical environment used to stage urban fantasies that reveal far more about Hollywood filmmaking and American culture than they do about San Francisco.
Author: Winnie Wong
Author: Winnie Wong
Author: Joshua Gleich
Author: Emil Richards
Author: David Bordwell
Author: Daniel Steinhart
Author: Donald L Diefenbach
Author: Derek Long (Ph. D.)
Author: Thomas Schatz
Author: Jason Tomaric
Author: Joshua Gleich