Author: Iván MoralesPublisher:
ISBN: 9789875587649
Category :
Languages : es
Pages : 0
Book Description
Hollywood en el cine argentino
Author: Iván MoralesPublisher:
ISBN: 9789875587649
Category :
Languages : es
Pages : 0
Book Description
Hollywood, del esplendor al ocaso ; El cine argentino
Author: Alberto J. GiudiciPublisher:
ISBN:
Category : Hollywood (Los Angeles, Calif.)
Languages : es
Pages : 79
Book Description
Civilización y barbarie
Author: Ana Laura LusnichPublisher:
ISBN:
Category : Motion pictures
Languages : es
Pages : 198
Book Description
The Film Industry in Argentina
Author: Jorge FinkielmanPublisher: McFarland
ISBN: 9780786483440
Category : Performing Arts
Languages : en
Pages : 282
Book Description
Argentina fell in love with movies as soon as they were first exhibited in 1896. Even before World War I, Argentina was one of the biggest film markets in the world and continues to be a major film market today. This history of the Argentine film industry--starting with the earliest film exhibitions in 1897--covers film music, broadcasting, the introduction of film with sound, the impact of the American film industry on the Argentine, the industrialization of Argentine film, Hollywood films in Spanish, the tango in film and local stars. Reference material includes filmographic information and reviews from numerous publications. Photographs offer a look at film stills, promotions, and the people involved in the industry, and an index provides quick access to names and titles.
Cine argentino
Author: Octavio GetinoPublisher: Fundacion Ciccus
ISBN:
Category : Technology & Engineering
Languages : es
Pages : 398
Book Description
Cine argentino
Author: Infancia y melancolía en el cine argentino
Author: Sophie DufaysPublisher: Editorial Biblos
ISBN: 9876919369
Category : Art
Languages : es
Pages : 382
Book Description
Este libro ofrece un análisis detallado del personaje infantil y de su percepción en dos obras maestras del cine argentino reciente: La ciénaga de Lucrecia Martel (2001) y La rabia de Albertina Carri (2008). Por una parte, se inscribe la mirada monstruosa y melancólica de la infancia que proyectan estas obras en una tradición narrativa argentina previa, una tradición sobre todo literaria, con la excepción de La caída de Torre Nilsson (1959). Por otra parte, Sophie Dufays propone que los films de Martel y de Carri, si bien ponen en escena un universo natural aparentemente atemporal, presentan una nueva articulación alegórica entre infancia y pasado histórico. El análisis, centrado en la estructura familiar y narrativa de las obras y en sus efectos sonoros, se apoya en una serie de conceptos psicoanalíticos (oralidad, repetición, melancolía y obscenidad) y en la noción de alegoría moderna para describir y comentar un nuevo modelo de representación de los niños en el cine argentino de la posdictadura.
La época de oro
Author: Domingo di NúbilaPublisher: Siglo XXI Ediciones
ISBN:
Category : Performing Arts
Languages : es
Pages : 452
Book Description
Hollywood Goes Latin
Author: María de las CarrerasPublisher: FIAF
ISBN: 2960029682
Category : Performing Arts
Languages : en
Pages : 229
Book Description
In the 1920s, Los Angeles enjoyed a buoyant homegrown Spanish-language culture comprised of local and itinerant stock companies that produced zarzuelas, stage plays, and variety acts. After the introduction of sound films, Spanish-language cinema thrived in the city's downtown theatres, screening throughout the 1930s, 1940s, and 1950s in venues such as the Teatro Eléctrico, the California, the Roosevelt, the Mason, the Azteca, the Million Dollar, and the Mayan Theater, among others. With the emergence and growth of Mexican and Argentine sound cinema in the early to mid-1930s, downtown Los Angeles quickly became the undisputed capital of Latin American cinema culture in the United States. Meanwhile, the advent of talkies resulted in the Hollywood studios hiring local and international talent from Latin America and Spain for the production of films in Spanish. Parallel with these productions, a series of Spanish-language films were financed by independent producers. As a result, Los Angeles can be viewed as the most important hub in the United States for the production, distribution, and exhibition of films made in Spanish for Latin American audiences. In April 2017, the International Federation of Film Archives organized a symposium, "Hollywood Goes Latin: Spanish-Language Cinema in Los Angeles," which brought together scholars and film archivists from all of Latin America, Spain, and the United States to discuss the many issues surrounding the creation of Hollywood's "Cine Hispano." The papers presented in this two-day symposium are collected and revised here. This is a joint publication of FIAF and UCLA Film & Television Archive.
Author: Theodore Schroeder