Hogarth, Gillray, Rowlandson; Picture-writers of the Eighteenth Century PDF Download

Author: Roger B. Goodman
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages :

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Author: Adrian Teal
Publisher:
ISBN: 9781783520817
Category : Great Britain
Languages : en
Pages : 128

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Many of us think of the ill-behaved celebrity and the tabloid splash as modern inventions, but the antics of footballers and soap stars are as nothing when set alongside the hell-raising of the 18th century celebs. The Gin Lane Gazette is stuffed with true stories of boozy MPs who settled their political differences with duels in Hyde Park; peers of the realm who sat the unburied corpses of their cherished mistresses at their dinner tables; entertainers who rode horses standing upright in the saddle, while wearing a mask of bees; and famous courtesans who ate 1,000-guinea banknotes stuffed into sandwiches, simply to make a point. Before it was dashed from their lips by the Victorian party-poopers, our Georgian forebears drank deep from the cup of life.

Author: Stanford Art Gallery
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 40

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Author: Matthew Payne
Publisher: Paul Holberton Publishing
ISBN: 9780955406355
Category : Art
Languages : en
Pages : 0

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This story of one of the great graphic satirists and watercolour artists of the British School is based upon a mass of new research. Rowlandson kept no diary, wrote few letters, and occurs only infrequently in the memoirs of others. Source material is not abundant. But in more than a decade's research, using church and official records, newspaper reports, contemporary accounts, sales catalogues and consideration of his pictures, the authors shed new light on Rowlandson's family background, his education and art training in London and Paris, his personal and professional associations, his travels in Britain and abroad, and the work itself. Fully illustrated, this contribution to scholarship will appeal to the general reader and specialist alike and is destined to become the standard work on this benchmark British artist.

Author: Fiona Haslam
Publisher: Liverpool University Press
ISBN: 9780853236306
Category : Medical
Languages : en
Pages : 364

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Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.

Author: David Bindman
Publisher: Univ of California Press
ISBN: 9780520213005
Category : Art
Languages : en
Pages : 216

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The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century. The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century.

Author: Leo Braudy
Publisher: University of Chicago Press
ISBN: 9780226071565
Category : Performing Arts
Languages : en
Pages : 292

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The World in a Frame covers the history of popular American films from the 1930s to the 1970s. Braudy gives an account of the histories of visual style and film genres, as well as techniques of characterisation, in an evolving cultural context.

Author: William Guynn
Publisher: Routledge
ISBN: 1136899405
Category : History
Languages : en
Pages : 294

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The Routledge Companion to Film History is an indispensible guide for anyone studying film history for the first time. Incorporating a series of 11 introductory, critical essays on key subject areas, with a dictionary of key names and terms, it serves to introduce the reader to the field of film history in a comprehensive and well-rounded manner.

Author: Joseph Monteyne
Publisher: Paul Mellon Centre
ISBN: 9780300196351
Category : Art
Languages : en
Pages : 0

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From Still Life to the Screen explores the print culture of 18th-century London, focusing on the correspondences between images and consumer objects. In his lively and insightful text, Joseph Monteyne considers such themes as the display of objects in still lifes and markets, the connoisseur's fetishistic gaze, and the fusion of body and ornament in satires of fashion. The desire for goods emerged in tandem with modern notions of identity, in which things were seen to mirror and symbolize the self. Prints, particularly graphic satires by such artists as Matthew and Mary Darly, James Gillray, William Hogarth, Thomas Rowlandson, and Paul Sandby, were actively involved in this shift. Many of these images play with the boundaries between the animate and the inanimate, self and thing. They also reveal the recurring motif of image display, whether on screens, by magic lanterns, or in "raree-shows" and print-shop windows. The author links this motif to new conceptions of the self, specifically through the penetration of spectacle into everyday experience. Published for the Paul Mellon Centre for Studies in British Art