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Author: Long Vang Publisher: ISBN: 9781484914182 Category : Music Languages : en Pages : 472
Book Description
The Hmong Qeej Music Textbook is providing the best tools for those who seriously want to learn how to play Hmong Qeej Instrument without an instructor or a mentor.
Author: Long Vang Publisher: ISBN: 9781484914182 Category : Music Languages : en Pages : 472
Book Description
The Hmong Qeej Music Textbook is providing the best tools for those who seriously want to learn how to play Hmong Qeej Instrument without an instructor or a mentor.
Author: Victoria Vorreiter Publisher: ISBN: 9780998123905 Category : Languages : en Pages :
Book Description
The Hmong Songs of Memory: Traditional Secular and Sacred Hmong Music book and ethnographic film offer the reader, viewer, and listener an absorbing multi-sensory experience to explore the age-old music, ceremonies, and beliefs of the Hmong. Vivid accounts of Hmong shamans, healers, ritual specialists, headmen, musicians, and villagers are brought to life by over 350 color photographs and an enclosed 75-minute DVD in Hmong and English.The Hmong have developed an astonishingly rich culture over millennia as they migrated from their source in Mongolia and Siberia, moving from mountaintop to mountaintop along the great rivers of China to the foothills of Vietnam, Laos, Thailand, and Myanmar, and, presently, to the four corners of the world.An agrarian people keenly attuned to the cycles of seasons and the wheel of life, the Hmong have created a complex, all-encompassing belief system rooted in animism, where everything in nature possesses a soul and the universe is organized by supernatural powers. Frequent rituals, ceremonies, and festivals are performed throughout the year to maintain harmony between the world of man and realm of spirits, be they benevolent or malevolent.The medium propelling these rites is music, which springs from a vast repository of songs, chants, invocations, and instrumental pieces that chart the human experience. This soundscape pervades daily life as it does sacred enactments. For a culture that historically had no literary tradition, music also serves as the most powerful channel for transmitting everything the Hmong know about their inner and outer lives, linking the first ancestors with present generations and beyond.Hmong Songs of Memory: Traditional Secular and Sacred Hmong Music. Text, photographs, and film by Victoria Vorreiter. Summary: Hmong Songs of Memory: Traditional Secular and Sacred Hmong Music, a book of essays and photographs accompanied by an ethnographic film, explores the Hmong vocal and instrumental musical heritage and the Hmong beliefs, traditions, and rituals that music animates. The lyrics of all pieces are cited in both the Hmong and English languages. (281 pages)
Author: Lonán Ó Briain Publisher: Oxford University Press ISBN: 0190626968 Category : Music Languages : en Pages : 233
Book Description
Musical Minorities is the first English-language monograph on the performing arts of an ethnic minority in Vietnam. Living primarily in the northern mountains, the Hmong have strategically maintained their cultural distance from foreign invaders and encroaching state agencies for almost two centuries. They use cultural heritage as a means of maintaining a resilient community identity, one which is malleable to their everyday needs and to negotiations among themselves and with others in the vicinity. Case studies of revolutionary songs, countercultural rock, traditional vocal and instrumental styles, tourist shows, animist and Christian rituals, and light pop from the diaspora illustrate the diversity of their creative outputs. This groundbreaking study reveals how performing arts shape understandings of ethnicity and nationality in contemporary Vietnam. Based on three years of fieldwork, Lon n Briain traces the circulation of organized sounds that contribute to the adaptive capacities of this diverse social group. In an original investigation of the sonic materialization of social identity, the book outlines the full multiplicity of Hmong music-making through a fascinating account of music, minorities, and the state in a post-socialist context.
Author: Anne Fadiman Publisher: Macmillan ISBN: 0374533407 Category : Family & Relationships Languages : en Pages : 370
Book Description
Winner of the National Book Critics Circle Award for Nonfiction, this brilliantly reported and beautifully crafted book explores the clash between a medical center in California and a Laotian refugee family over their care of a child.
Author: Mai Kou Xiong Publisher: ISBN: 9780988453951 Category : Hmong American children Languages : en Pages : 32
Book Description
"Phengxue was always too busy with soccer and friends to take an interest in the ancient Hmong qeej, until his two best friends encounter the instrument during a visit. Their curiosity brings them to Grandfather, whose wisdom teaches the three boys the importance of the qeej during Hmong funerals. Not only does this instrument play beautiful melodies, it also guides a loved one's soul back to the land of the ancestors. Phengxue's heart is pulled by its soft music, as if the qeej is speaking to him, nudging him to learn this special instrument. Will he answer its call to become a great qeej player?"--Page 4 of cover.
Author: Jonas Braasch Publisher: Springer ISBN: 3030150461 Category : Technology & Engineering Languages : en Pages : 212
Book Description
This book presents a novel method of grafting musical wind instruments by exchanging an instrument’s standard mouthpiece with different tone generators. Using the concrete example of the soprano saxophone, it describes how, with six other tone generators, including brass, double reed, and free reed mechanisms, the saxophone can be extended to nearly every wind instrument category in the von Hornbostel and Sachs classification system. The book demonstrates how it is possible to play these instrument variations with high proficiency, and describes the method of hyper-specialization, including acoustical insights, conservatory training methods and the underlying philosophy. The latter is based on the cultural traditions of the different wind instrument prototypes and the Deep Listening philosophy of cultivating internal diversity, and approach that leads to a new level of wind instrument virtuosity that offers great timbral variety combined with the flexibility of a regular acoustic wind instrument.
Author: Gavin Douglas Publisher: Oxford University Press, USA ISBN: Category : Music Languages : en Pages : 216
Book Description
Mainland Southeast Asia is a culturally diverse and musically intriguing area, yet the ethnomusicological record lacks coverage of many of its musical and cultural traditions. Placing the music of this region within a social, cultural, and historical context, Music in Mainland Southeast Asia is the first brief, stand-alone volume to profile the under-represented musical traditions of Burma, Cambodia, Thailand, and Vietnam. It also contains the first introduction to Burmese music ever presented in a music textbook.
Author: Lonán Ó Briain PhD Publisher: Oxford University Press ISBN: 0190626992 Category : Music Languages : en Pages : 233
Book Description
Musical Minorities is the first English-language monograph on the performing arts of an ethnic minority in Vietnam. Living primarily in the northern mountains, the Hmong have strategically maintained their cultural distance from foreign invaders and encroaching state agencies for almost two centuries. They use cultural heritage as a means of maintaining a resilient community identity, one which is malleable to their everyday needs and to negotiations among themselves and with others in the vicinity. Case studies of revolutionary songs, countercultural rock, traditional vocal and instrumental styles, tourist shows, animist and Christian rituals, and light pop from the diaspora illustrate the diversity of their creative outputs. This groundbreaking study reveals how performing arts shape understandings of ethnicity and nationality in contemporary Vietnam. Based on three years of fieldwork, Lonán Ó Briain traces the circulation of organized sounds that contribute to the adaptive capacities of this diverse social group. In an original investigation of the sonic materialization of social identity, the book outlines the full multiplicity of Hmong music-making through a fascinating account of music, minorities, and the state in a post-socialist context.
Author: Long Vang
Author: Long Vang
Author: Houa Lor
Author: Victoria Vorreiter
Author: Lonán Ó Briain
Author: Anne Fadiman
Author: Mai Kou Xiong
Author: Jonas Braasch
Author: Gavin Douglas
Author: Lonán Ó Briain PhD
Author: Robert George Cooper