Author: Lilian Karina
Publisher: Berghahn Books
ISBN: 9781571816887
Category : History
Languages : en
Pages : 400
Book Description
The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.
Hitler's Dancers
Author: Lilian Karina
Publisher: Berghahn Books
ISBN: 9781571816887
Category : History
Languages : en
Pages : 400
Book Description
The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.
Publisher: Berghahn Books
ISBN: 9781571816887
Category : History
Languages : en
Pages : 400
Book Description
The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.
The Jewish Kulturbund Theatre Company in Nazi Berlin
Author: Rebecca Rovit
Publisher: University of Iowa Press
ISBN: 1609381246
Category : History
Languages : en
Pages : 304
Book Description
"Revealing the complex interplay between history and human lives under conditions of duress, Rebecca Rovit focuses on the eight-year odyssey of Berlin's Jewish Kulturbund Theatre. By examining why and how an all-Jewish repertory theatre could coexist with the Nazi regime. Rovit raises broader questions about the nature of art in an environment of coercion and isolation, artistic integrity and adaptability, and community and identity."--BACK COVER.
Publisher: University of Iowa Press
ISBN: 1609381246
Category : History
Languages : en
Pages : 304
Book Description
"Revealing the complex interplay between history and human lives under conditions of duress, Rebecca Rovit focuses on the eight-year odyssey of Berlin's Jewish Kulturbund Theatre. By examining why and how an all-Jewish repertory theatre could coexist with the Nazi regime. Rovit raises broader questions about the nature of art in an environment of coercion and isolation, artistic integrity and adaptability, and community and identity."--BACK COVER.
Hitler's State Architecture
Author: Alex Scobie
Publisher: Penn State Press
ISBN: 9780271042688
Category :
Languages : en
Pages : 178
Book Description
Adolf Hitler admired ancient Rome as the "crystallization point of a world empire," a capital with massive public monuments that reflected the supremacy of the State and the political might of the ancient world's "master-race." He also admired the way Mussolini turned the monuments of imperial Rome into validatory symbols of Fascism. Hitler planned a Reich that would be a as durable as the Roman Empire. Its capital, Berlin, would surpass the architectural magnificence of ancient Rome before the advent of Christianity as its official religion. This book examines Hitler's views on Roman imperialism, town planning, and architecture, and shows how Albert Speer, though a self-confessed student of "Doric" architecture, planned and sometimes built structures that were intended to rival such monuments as Nero's Golden House, Hadrian's Pantheon, and the Stadium of Herodes Atticus at Athens. Other architects, such as Ludwig Ruff and Cäsar Pinnau, were to plan structures inspired by the Colosseum and the Baths of Caracalla. The ancient Roman obsession with order, discipline, and the domination of the environment is clearly reflected in the town plans and public buildings conceived by Hitler and his architects. We see that "neoclassical" state architecture in Nazi Germany was intended to signify more than stability and the persistence of tradition. It was only one aspect of the Nazi attempt to re-create a "pagan" totalitarian state based on clearly defined forms of hierarchy that divided society into slaves and slave-owners, those with and those without human rights.
Publisher: Penn State Press
ISBN: 9780271042688
Category :
Languages : en
Pages : 178
Book Description
Adolf Hitler admired ancient Rome as the "crystallization point of a world empire," a capital with massive public monuments that reflected the supremacy of the State and the political might of the ancient world's "master-race." He also admired the way Mussolini turned the monuments of imperial Rome into validatory symbols of Fascism. Hitler planned a Reich that would be a as durable as the Roman Empire. Its capital, Berlin, would surpass the architectural magnificence of ancient Rome before the advent of Christianity as its official religion. This book examines Hitler's views on Roman imperialism, town planning, and architecture, and shows how Albert Speer, though a self-confessed student of "Doric" architecture, planned and sometimes built structures that were intended to rival such monuments as Nero's Golden House, Hadrian's Pantheon, and the Stadium of Herodes Atticus at Athens. Other architects, such as Ludwig Ruff and Cäsar Pinnau, were to plan structures inspired by the Colosseum and the Baths of Caracalla. The ancient Roman obsession with order, discipline, and the domination of the environment is clearly reflected in the town plans and public buildings conceived by Hitler and his architects. We see that "neoclassical" state architecture in Nazi Germany was intended to signify more than stability and the persistence of tradition. It was only one aspect of the Nazi attempt to re-create a "pagan" totalitarian state based on clearly defined forms of hierarchy that divided society into slaves and slave-owners, those with and those without human rights.
Hitler's 'National Community'
Author: Lisa Pine
Publisher: Bloomsbury Publishing
ISBN: 1474238807
Category : History
Languages : en
Pages : 385
Book Description
Lisa Pine's Hitler's 'National Community' explores German culture and society during the Nazi era and analyses how this impacted upon the Germany that followed this fateful regime. Drawing on a range of significant scholarly works on the subject, Pine informs us as to the major historiographical debates surrounding the subject whilst establishing her own original, interpretative arc. The book is divided into four parts. The first section explores the attempts of the Nazi regime to create a Volksgemeinschaft ('national community'). The second part examines men, women, the family, the churches and religion. The third section analyses the fate of those groups that were excluded from the Volksgemeinschaft. The final section of the book considers the impact of the Nazi government upon German culture, in particular focusing on the radio and press, cinema and theatre, art and architecture, music and literature. This new edition includes historiographical updates throughout, an additional chapter on the early Nazi movement and brand new primary source excerpt boxes and illustrations. There is also expanded material on key topics like resistance, women and family, men and masculinity and religion. A crucial text for all students of Nazi Germany, this book provides a sophisticated window into the social and cultural aspects of life under Hitler's rule.
Publisher: Bloomsbury Publishing
ISBN: 1474238807
Category : History
Languages : en
Pages : 385
Book Description
Lisa Pine's Hitler's 'National Community' explores German culture and society during the Nazi era and analyses how this impacted upon the Germany that followed this fateful regime. Drawing on a range of significant scholarly works on the subject, Pine informs us as to the major historiographical debates surrounding the subject whilst establishing her own original, interpretative arc. The book is divided into four parts. The first section explores the attempts of the Nazi regime to create a Volksgemeinschaft ('national community'). The second part examines men, women, the family, the churches and religion. The third section analyses the fate of those groups that were excluded from the Volksgemeinschaft. The final section of the book considers the impact of the Nazi government upon German culture, in particular focusing on the radio and press, cinema and theatre, art and architecture, music and literature. This new edition includes historiographical updates throughout, an additional chapter on the early Nazi movement and brand new primary source excerpt boxes and illustrations. There is also expanded material on key topics like resistance, women and family, men and masculinity and religion. A crucial text for all students of Nazi Germany, this book provides a sophisticated window into the social and cultural aspects of life under Hitler's rule.
Artists Under Hitler
Author: Jonathan Petropoulos
Publisher: Yale University Press
ISBN: 0300197470
Category : Biography & Autobiography
Languages : en
Pages : 424
Book Description
'Artists Under Hitler' closely examines cases of artists who failed in their attempts to find accommodation in the Nazi regime as well as others whose desire for official acceptance was realised. They illuminate the complex cultural history of this period and provide haunting portraits of people facing excruciating choices and grave moral questions.
Publisher: Yale University Press
ISBN: 0300197470
Category : Biography & Autobiography
Languages : en
Pages : 424
Book Description
'Artists Under Hitler' closely examines cases of artists who failed in their attempts to find accommodation in the Nazi regime as well as others whose desire for official acceptance was realised. They illuminate the complex cultural history of this period and provide haunting portraits of people facing excruciating choices and grave moral questions.
Hitler's Wave-Breaker Concept
Author: Henrik O. Lunde
Publisher: Casemate Publishers
ISBN: 1612001629
Category : History
Languages : en
Pages : 164
Book Description
A strategic analysis of the Nazi high command’s decisions in the north, from “an established scholar of the Scandinavian theater” (Publishers Weekly). One of the prominent controversies of World War II remains the debate over Germany’s strategy in the north of the Soviet Union as the tide of war turned and gigantic Russian armies began to close in on Berlin. Here, Henrik Lunde—former US Special Forces officer and author of renowned works on the campaigns in Norway and Finland—turns his sights to the withdrawal of Army Group North. Applying cool-headed analysis to the problem, the author first acknowledges that Hitler—often accused of holding on to ground for the sake of it—had valid reasons in this instance to maintain control of the Baltic coast. Without it, his supply of iron ore from Sweden would have been cut off, German naval U-boat bases would have been compromised, and an entire simpatico area of Europe—including East Prussia—would have been forsaken. On the other hand, Germany’s maintaining control of the Baltic would have meant convenient supply for forces on the coast—or evacuation if necessary—and, perhaps most important, remaining German defensive pockets behind the Soviets’ main drive to Europe would tie down disproportionate offensive forces. Stalwart German forces remaining on the coast and on their flank could break the Soviet tidal wave. However, unlike during today’s military planning, the German high command, in a situation that changed by the month, had to make quick decisions and gamble, the fate of hundreds of thousands of troops and the entire nation at stake on quickly decided throws of the dice. In this book, both combat and strategy are described in the final stages of the fighting in the Northern Theater with Lunde’s even-handed, thought-provoking analysis of the campaign a reward to every student of World War II. Includes maps.
Publisher: Casemate Publishers
ISBN: 1612001629
Category : History
Languages : en
Pages : 164
Book Description
A strategic analysis of the Nazi high command’s decisions in the north, from “an established scholar of the Scandinavian theater” (Publishers Weekly). One of the prominent controversies of World War II remains the debate over Germany’s strategy in the north of the Soviet Union as the tide of war turned and gigantic Russian armies began to close in on Berlin. Here, Henrik Lunde—former US Special Forces officer and author of renowned works on the campaigns in Norway and Finland—turns his sights to the withdrawal of Army Group North. Applying cool-headed analysis to the problem, the author first acknowledges that Hitler—often accused of holding on to ground for the sake of it—had valid reasons in this instance to maintain control of the Baltic coast. Without it, his supply of iron ore from Sweden would have been cut off, German naval U-boat bases would have been compromised, and an entire simpatico area of Europe—including East Prussia—would have been forsaken. On the other hand, Germany’s maintaining control of the Baltic would have meant convenient supply for forces on the coast—or evacuation if necessary—and, perhaps most important, remaining German defensive pockets behind the Soviets’ main drive to Europe would tie down disproportionate offensive forces. Stalwart German forces remaining on the coast and on their flank could break the Soviet tidal wave. However, unlike during today’s military planning, the German high command, in a situation that changed by the month, had to make quick decisions and gamble, the fate of hundreds of thousands of troops and the entire nation at stake on quickly decided throws of the dice. In this book, both combat and strategy are described in the final stages of the fighting in the Northern Theater with Lunde’s even-handed, thought-provoking analysis of the campaign a reward to every student of World War II. Includes maps.
Hitler's War Poets
Author: Jay W. Baird
Publisher: Cambridge University Press
ISBN: 0521876893
Category : History
Languages : en
Pages : 15
Book Description
Jay W. Baird demonstrates how poets and writers responded enthusiastically to Hitler's summons to artists to create a cultural revolution commensurate with the political radicalism of the new state.
Publisher: Cambridge University Press
ISBN: 0521876893
Category : History
Languages : en
Pages : 15
Book Description
Jay W. Baird demonstrates how poets and writers responded enthusiastically to Hitler's summons to artists to create a cultural revolution commensurate with the political radicalism of the new state.
Hi Hitler!
Author: Gavriel D. Rosenfeld
Publisher: Cambridge University Press
ISBN: 1107073995
Category : Biography & Autobiography
Languages : en
Pages : 477
Book Description
Analyzes how the Nazi past has become increasingly normalized within western memory since the start of the new millennium.
Publisher: Cambridge University Press
ISBN: 1107073995
Category : Biography & Autobiography
Languages : en
Pages : 477
Book Description
Analyzes how the Nazi past has become increasingly normalized within western memory since the start of the new millennium.
Five Years Behind Hitler's Barbed Wire
Author: Henri Natter
Publisher: McFarland
ISBN: 078649980X
Category : History
Languages : en
Pages : 266
Book Description
On July 3, 1940, 5,000 exhausted and hungry French officers reached a high plateau of the Moravian Mountain range in Austria. Prisoners of war of the Third Reich, they had arrived at Oflag XVIIA, a quad of grim looking barracks encircled by barbed wire, their new home for the next five years. Determined to maintain their dignity and show their "fierce will" to resist, they immediately organized and within a year created a dynamic community, complete with a university, library, newspaper, theater, orchestra and sport teams. More than 20 clandestine radios connected them with the outside world. In 1943, they executed the largest Allied POW escape of the war with 132 escapees, twice as many as the famed "Great Escape" from Colditz. Seventy years after their liberation, this translation with commentary of two officers' diaries reveals a never before told story of struggle and triumph.
Publisher: McFarland
ISBN: 078649980X
Category : History
Languages : en
Pages : 266
Book Description
On July 3, 1940, 5,000 exhausted and hungry French officers reached a high plateau of the Moravian Mountain range in Austria. Prisoners of war of the Third Reich, they had arrived at Oflag XVIIA, a quad of grim looking barracks encircled by barbed wire, their new home for the next five years. Determined to maintain their dignity and show their "fierce will" to resist, they immediately organized and within a year created a dynamic community, complete with a university, library, newspaper, theater, orchestra and sport teams. More than 20 clandestine radios connected them with the outside world. In 1943, they executed the largest Allied POW escape of the war with 132 escapees, twice as many as the famed "Great Escape" from Colditz. Seventy years after their liberation, this translation with commentary of two officers' diaries reveals a never before told story of struggle and triumph.
Hitler as Political Artist
Author: Peter G. Clark
Publisher: Outskirts Press
ISBN: 1977225551
Category : History
Languages : en
Pages : 1199
Book Description
“What Hitler was able to do to a crowd in 2-1/2 hours will never be repeated in 10,000 years!” —Ernst Hanfstaengl, Hitler’s early confidant “Hitler was one of the first great rock stars. He was no politician; he was a great media artist. How he worked his audience! ... The world will never see anything like that again. He made an entire country a stage show.” —David Bowie, British rock legend As a young man in Vienna, Adolf Hitler was sleeping on park benches in 1909, just a real “Nowhere Man” making all his “Nowhere Plans” and who would soon haunt homeless shelters while trying to hawk his unimaginative and banal paintings. Yet in 1933, this mommy’s boy and self-centered dilettante was appointed Chancellor of Germany after discovering his artistic-political calling as a charismatic orator and stage actor in the 1920s—and then dazzled Germans and foreigners alike with the color and pageantry of the Nuremberg rallies and other grand spectacles in the 1930s. As a virtuoso in the art of presenting dramatic performances, Hitler inspired the same type of emotional ecstasy that the Beatles, the Rolling Stones and Elvis Presley aroused from their frenzied fans. Even after clearly revealing the monstrous side of his murderous character in World War II by exterminating Jews and Slavs by the millions before committing suicide on April 30, 1945, he still emerged from the ashes and rubble of the Third Reich to seduce later generations. To the present generation, he has morphed from a murderous villain into a comical figure on many Internet platforms, particularly the hundreds of humorous YouTube parodies of his fanatical ranting and raving. This book examines Hitler’s extraordinary political-artistic talents to explain his nearly unfathomable rise from a homeless nobody into the most influential and demonic creature on the vast stage of modern history.
Publisher: Outskirts Press
ISBN: 1977225551
Category : History
Languages : en
Pages : 1199
Book Description
“What Hitler was able to do to a crowd in 2-1/2 hours will never be repeated in 10,000 years!” —Ernst Hanfstaengl, Hitler’s early confidant “Hitler was one of the first great rock stars. He was no politician; he was a great media artist. How he worked his audience! ... The world will never see anything like that again. He made an entire country a stage show.” —David Bowie, British rock legend As a young man in Vienna, Adolf Hitler was sleeping on park benches in 1909, just a real “Nowhere Man” making all his “Nowhere Plans” and who would soon haunt homeless shelters while trying to hawk his unimaginative and banal paintings. Yet in 1933, this mommy’s boy and self-centered dilettante was appointed Chancellor of Germany after discovering his artistic-political calling as a charismatic orator and stage actor in the 1920s—and then dazzled Germans and foreigners alike with the color and pageantry of the Nuremberg rallies and other grand spectacles in the 1930s. As a virtuoso in the art of presenting dramatic performances, Hitler inspired the same type of emotional ecstasy that the Beatles, the Rolling Stones and Elvis Presley aroused from their frenzied fans. Even after clearly revealing the monstrous side of his murderous character in World War II by exterminating Jews and Slavs by the millions before committing suicide on April 30, 1945, he still emerged from the ashes and rubble of the Third Reich to seduce later generations. To the present generation, he has morphed from a murderous villain into a comical figure on many Internet platforms, particularly the hundreds of humorous YouTube parodies of his fanatical ranting and raving. This book examines Hitler’s extraordinary political-artistic talents to explain his nearly unfathomable rise from a homeless nobody into the most influential and demonic creature on the vast stage of modern history.