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Author: Geneviève Fabre Publisher: Oxford University Press, USA ISBN: 0195083962 Category : African American arts Languages : en Pages : 332
Book Description
The relation between history and memory has become an object of increasing attention among historians and literary critics. Through a team of leading scholars, this volume offers a complex picture of the dynamic ways in which an African-American historical identity constantly invents and transmits itself in books, art, performance, and oral documents.
Author: Geneviève Fabre Publisher: Oxford University Press, USA ISBN: 0195083962 Category : African American arts Languages : en Pages : 332
Book Description
The relation between history and memory has become an object of increasing attention among historians and literary critics. Through a team of leading scholars, this volume offers a complex picture of the dynamic ways in which an African-American historical identity constantly invents and transmits itself in books, art, performance, and oral documents.
Author: Genevieve Fabre Publisher: Oxford University Press ISBN: 019802455X Category : Literary Criticism Languages : en Pages : 332
Book Description
As Nathan Huggins once stated, altering American history to account fully for the nation's black voices would change the tone and meaning--the frame and the substance--of the entire story. Rather than a sort of Pilgrim's Progress tale of bold ascent and triumph, American history with the black parts told in full would be transmuted into an existential tragedy, closer, Huggins said, to Sartre's No Exit than to the vision of life in Bunyan. The relation between memory and history has received increasing attention both from historians and from literary critics. In this volume, a group of leading scholars has come together to examine the role of historical consciousness and imagination in African-American culture. The result is a complex picture of the dynamic ways in which African-American historical identity constantly invents and transmits itself in literature, art, oral documents, and performances. Each of the scholars represented has chosen a different "site of memory"--from a variety of historical and geographical points, and from different ideological, theoretical, and artistic perspectives. Yet the book is unified by a common concern with the construction of an emerging African-American cultural memory. The renowned group of contributors, including Hazel Carby, Werner Sollors, Vèvè Clark, Catherine Clinton, and Nellie McKay, among others, consists of participants of the five-year series of conferences at the DuBois Institute at Harvard University, from which this collection originated. Conducted under the leadership of Geneviève Fabre, Melvin Dixon, and the late Nathan Huggins, the conferences--and as a result, this book--represent something of a cultural moment themselves, and scholars and students of American and African-American literature and history will be richer as a result.
Author: Genevieve Fabre Professor of American Literature University of Paris Publisher: Oxford University Press, USA ISBN: 0195359240 Category : Social Science Languages : en Pages : 334
Book Description
As Nathan Huggins once stated, altering American history to account fully for the nation's black voices would change the tone and meaning--the frame and the substance--of the entire story. Rather than a sort of Pilgrim's Progress tale of bold ascent and triumph, American history with the black parts told in full would be transmuted into an existential tragedy, closer, Huggins said, to Sartre's No Exit than to the vision of life in Bunyan. The relation between memory and history has received increasing attention both from historians and from literary critics. In this volume, a group of leading scholars has come together to examine the role of historical consciousness and imagination in African-American culture. The result is a complex picture of the dynamic ways in which African-American historical identity constantly invents and transmits itself in literature, art, oral documents, and performances. Each of the scholars represented has chosen a different "site of memory"--from a variety of historical and geographical points, and from different ideological, theoretical, and artistic perspectives. Yet the book is unified by a common concern with the construction of an emerging African-American cultural memory. The renowned group of contributors, including Hazel Carby, Werner Sollors, Veve Clark, Catherine Clinton, and Nellie McKay, among others, consists of participants of the five-year series of conferences at the DuBois Institute at Harvard University, from which this collection originated. Conducted under the leadership of Genevieve Fabre, Melvin Dixon, and the late Nathan Huggins, the conferences--and as a result, this book--represent something of a cultural moment themselves, and scholars and students of American and African-American literature and history will be richer as a result.
Author: Renee Christine Romano Publisher: University of Georgia Press ISBN: 0820325384 Category : Political Science Languages : en Pages : 408
Book Description
The movement for civil rights in America peaked in the 1950s and1960s; however, a closely related struggle, this time over themovement's legacy, has been heatedly engaged over the past twodecades. How the civil rights movement is currently being rememberedin American politics and culture - and why it matters - is the commontheme of the thirteen essays in this unprecedented collection.Memories of the movement are being created and maintained - in waysand for purposes we sometimes only vaguely perceive - throughmemorials, art exhibits, community celebrations, and even streetnames.
Author: Karlos K. Hill Publisher: Cambridge University Press ISBN: 1107044138 Category : History Languages : en Pages : 157
Book Description
This book tells the story of African Americans' evolving attitudes towards lynching from the 1880s to the present. Unlike most histories of lynching, it explains how African Americans were both purveyors and victims of lynch mob violence and how this dynamic has shaped the meaning of lynching in black culture.
Author: Elizabeth Clark-Lewis Publisher: Smithsonian Institution ISBN: 1588344428 Category : Social Science Languages : en Pages : 257
Book Description
This oral history portrays the lives of African American women who migrated from the rural South to work as domestic servants in Washington, DC in the early decades of the twentieth century. In Living In, Living Out Elizabeth Clark-Lewis narrates the personal experiences of eighty-one women who worked for wealthy white families. These women describe how they encountered—but never accepted—the master-servant relationship, and recount their struggles to change their status from “live in” servants to daily paid workers who “lived out.” With candor and passion, the women interviewed tell of leaving their families and adjusting to city life “up North,” of being placed as live-in servants, and of the frustrations and indignities they endured as domestics. By networking on the job, at churches, and at penny savers clubs, they found ways to transform their unending servitude into an employer-employee relationship—gaining a new independence that could only be experienced by living outside of their employers' homes. Clark-Lewis points out that their perseverance and courage not only improved their own lot but also transformed work life for succeeding generations of African American women. A series of in-depth vignettes about the later years of these women bears poignant witness to their efforts to carve out lives of fulfillment and dignity.
Author: Jeffrey Aaron Snyder Publisher: University of Georgia Press ISBN: 0820351849 Category : Social Science Languages : en Pages : 258
Book Description
In the Jim Crow era, along with black churches, schools, and newspapers, African Americans also had their own history. Making Black History focuses on the engine behind the early black history movement, Carter G. Woodson and his Association for the Study of Negro Life and History (ASNLH). Author Jeffrey Aaron Snyder shows how the study and celebration of black history became an increasingly important part of African American life over the course of the early to mid-twentieth century. It was the glue that held African Americans together as “a people,” a weapon to fight racism, and a roadmap to a brighter future. Making Black History takes an expansive view of the historical enterprise, covering not just the production of black history but also its circulation, reception, and performance. Woodson, the only professional historian whose parents had been born into slavery, attracted a strong network of devoted members to the ASNLH, including professional and lay historians, teachers, students, “race” leaders, journalists, and artists. They all grappled with a set of interrelated questions: Who and what is “Negro”? What is the relationship of black history to American history? And what are the purposes of history? Tracking the different answers to these questions, Snyder recovers a rich public discourse about black history that took shape in journals, monographs, and textbooks and sprang to life in the pages of the black press, the classrooms of black schools, and annual celebrations of Negro History Week. By lining up the Negro history movement’s trajectory with the wider arc of African American history, Snyder changes our understanding of such signal aspects of twentieth-century black life as segregated schools, the Harlem Renaissance, and the emerging modern civil rights movement.
Author: Earl Ofari Hutchinson Publisher: ISBN: Category : History Languages : en Pages : 360
Book Description
In this important study, Hutchinson examines in detail the American Communist party's largely unsuccessful effort to win the allegiance of black Americans in the 20th century. While Communism may have appealed to some, Hutchinson shows that most blacks were not interested in the party, its penchant for theoretical abstraction, or its call for proletarian revolt.
Author: James Oliver Horton Publisher: The New Press ISBN: 1595587446 Category : History Languages : en Pages : 374
Book Description
“A fascinating collection of essays” by eminent historians exploring how we teach, remember, and confront the history and legacy of American slavery (Booklist Online). In recent years, the culture wars have called into question the way America’s history of slavery is depicted in books, films, television programs, historical sites, and museums. In the first attempt to examine the historiography of slavery, this unique collection of essays looks at recent controversies that have played out in the public arena, with contributions by such noted historians as Ira Berlin, David W. Blight, and Gary B. Nash. From the cancellation of the Library of Congress’s “Back of the Big House” slavery exhibit at the request of the institution’s African American employees, who found the visual images of slavery too distressing, to the public reaction to DNA findings confirming Thomas Jefferson’s relationship with his slave Sally Hemings, Slavery and Public History takes on contemporary reactions to the fundamental contradiction of American history—the existence of slavery in a country dedicated to freedom—and offers a bracing analysis of how Americans choose to remember the past, and how those choices influence our politics and culture. “Americans seem perpetually surprised by slavery—its extent (North as well as South), its span (over half of our four centuries of Anglo settlement), and its continuing influence. The wide-ranging yet connected essays in [this book] will help us all to remember and understand.” —James W. Loewen, author of Sundown Towns
Author: Anissa J. Wardi Publisher: ISBN: 9780813062501 Category : Languages : en Pages : 0
Book Description
"This cutting-edge text not only increases our understanding of African American literature and film; it also enlarges the accessibility and the possibilities of the field of ecocriticism."--Yvonne Atkinson, Mt. San Jacinto College and president of the Toni Morrison Society While there is no lack of scholarship on the trans-Atlantic voyage and the Middle Passage as tropes in African diasporic writing, to date there has not been a comprehensive analysis of bodies of water in African American literature and culture. In Water and African American Memory, Anissa Wardi offers the first sustained treatise on watercourses in the African American expressive tradition. Her holistic approach especially highlights the ways that water acts not only as a metaphorical site of trauma, memory, and healing but also as a material site. Using the trans-Atlantic voyage as a starting point and ending with a discussion of Hurricane Katrina, this pioneering ecocritical study delves deeply into the environmental dimension of African American writing. Beyond proposing a new theoretical map for conceptualizing the African Diaspora, Wardi offers a series of engaging and original close readings of major literary, filmic, and blues texts, including the works of Toni Morrison, Ntozake Shange, Julie Dash, Henry Dumas, and Kasi Lemmon.
Author: Geneviève Fabre
Author: Geneviève Fabre
Author: Genevieve Fabre
Author: Genevieve Fabre Professor of American Literature University of Paris
Author: Renee Christine Romano
Author: Karlos K. Hill
Author: Elizabeth Clark-Lewis
Author: Jeffrey Aaron Snyder
Author: Earl Ofari Hutchinson
Author: James Oliver Horton
Author: Anissa J. Wardi