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Author: Irina Wamsler Publisher: GRIN Verlag ISBN: 3656844100 Category : Literary Collections Languages : en Pages : 18
Book Description
Academic Paper from the year 2007 in the subject American Studies - Linguistics, grade: 2,1, University of Hannover, language: English, abstract: The scripts of comedies imitate real life and fulfill the audience’s needs in everyday lives. That means people like to relax while watching other people’s daily lives including love, friendship, or working life. They want to escape from the pressure they had during their own day and enjoy funny and easy-to-understand-shows. Additionally, humor gives, as Bärmann (1989) claims, the audience a chance to breathe. The evolution of TV series from the beginning of this genre of TV shows in the 1950s until today is important. The first TV series were comedies and variety shows but soon this concept was replaced by sitcoms. During the 1970s and the 1990s sitcoms changed as well as society. Rapidly, new issues like friends, emancipation, or the role of the family has changed. “The correspondence between reality and fiction has become in fact the most important thing for the public: present TV series want people to recognize themselves in the fictive and unreal characters.”
Author: Irina Wamsler Publisher: GRIN Verlag ISBN: 3656844100 Category : Literary Collections Languages : en Pages : 18
Book Description
Academic Paper from the year 2007 in the subject American Studies - Linguistics, grade: 2,1, University of Hannover, language: English, abstract: The scripts of comedies imitate real life and fulfill the audience’s needs in everyday lives. That means people like to relax while watching other people’s daily lives including love, friendship, or working life. They want to escape from the pressure they had during their own day and enjoy funny and easy-to-understand-shows. Additionally, humor gives, as Bärmann (1989) claims, the audience a chance to breathe. The evolution of TV series from the beginning of this genre of TV shows in the 1950s until today is important. The first TV series were comedies and variety shows but soon this concept was replaced by sitcoms. During the 1970s and the 1990s sitcoms changed as well as society. Rapidly, new issues like friends, emancipation, or the role of the family has changed. “The correspondence between reality and fiction has become in fact the most important thing for the public: present TV series want people to recognize themselves in the fictive and unreal characters.”
Author: Saul Austerlitz Publisher: Chicago Review Press ISBN: 1613743874 Category : Performing Arts Languages : en Pages : 418
Book Description
The form is so elemental, so basic, that we have difficulty imagining a time before it existed: a single set, fixed cameras, canned laughter, zany sidekicks, quirky family antics. Obsessively watched and critically ignored, sitcoms were a distraction, a gentle lullaby of a kinder, gentler America—until suddenly the artificial boundary between the world and television entertainment collapsed. In this book we can watch the growth of the sitcom, following the path that leads from Lucy to The Phil Silvers Show; from The Dick Van Dyke Show to The Mary Tyler Moore Show; from M*A*S*H to Taxi; from Cheers to Roseanne; from Seinfeld to Curb Your Enthusiasm; and from The Larry Sanders Show to 30 Rock. Each sitcom episode is a self-enclosed world, a brief overturning of the established order of its universe before returning to the precise spot from which it had begun. In twenty-four episodes, Sitcom surveys the history of the form, and functions as both a TV mixtape of fondly remembered shows that will guide us to notable series and larger trends, and a carefully curated guided tour through the history of one of our most treasured art forms. Saul Austerlitz is the author of Another Fine Mess: A History of the American Film Comedy, named by Booklist as one of the ten best arts books of 2010, and Money for Nothing: A History of the Music Video from the Beatles to the White Stripes. His work has been published in the New York Times, Los Angeles Times, Boston Globe, Slate, and elsewhere.
Author: Tison Pugh Publisher: Rutgers University Press ISBN: 0813591759 Category : Art Languages : en Pages : 259
Book Description
The Queer Fantasies of the American Family Sitcom examines the evasive depictions of sexuality in domestic and family-friendly sitcoms. Tison Pugh charts the history of increasing sexual depiction in this genre while also unpacking how sitcoms use sexuality as a source of power, as a kind of camouflage, and as a foundation for family building. The book examines how queerness, at first latent, became a vibrant yet continually conflicted part of the family-sitcom tradition. Taking into account elements such as the casting of child actors, the use of and experimentation with plot traditions, the contradictory interpretive valences of comedy, and the subtle subversions of moral standards by writers and directors, Pugh points out how innocence and sexuality conflict on television. As older sitcoms often sit on a pedestal of nostalgia as representative of the Golden Age of the American Family, television history reveals a deeper, queerer vision of family bonds.
Author: Aaron Barlow Publisher: ISBN: Category : Languages : en Pages : 0
Book Description
This book spotlights the 25 most important sitcoms to ever air on American television-shows that made generations laugh, challenged our ideas regarding gender, family, race, marital roles, and sexual identity, and now serve as time capsules of U.S. history. What was the role of The Jeffersons in changing views regarding race and equality in America in the 1970s? How did The Golden Girls affect how society views older people? Was The Office an accurate (if exaggerated) depiction of the idiosyncrasies of being employees in a modern workplace? How did the writers of The Simpsons make it acceptable to air political satire through the vehicle of an animated cartoon ostensibly for kids? Readers of this book will see how television situation comedies have consistently held up a mirror for American audiences to see themselves-and the reflections have not always been positive or purely comedic. The introduction discusses the history of sitcoms in America, identifying their origins in radio shows and explaining how sitcom programming evolved to influence the social and cultural norms of our society. The shows are addressed chronologically, in sections delineated by decade. Each entry presents background information on the show, including the dates it aired, key cast members, and the network; explains why the show represents a notable turning point in American television; and provides an analysis of each sitcom that considers how the content was received by the American public and the lasting effects on the family unit, gender roles, culture for young adults, and minority and LGBT rights. The book also draws connections between important sitcoms and other shows that were influenced by or strikingly similar to these trendsetting programs. Lastly, a section of selections for further reading points readers to additional resources.
Author: David Marc Publisher: ISBN: Category : Performing Arts Languages : en Pages : 262
Book Description
Comic Visions by David Marc is the most influential critical history of American television comedy. This Second Edition updates the subject matter and takes into account how new technology, especially cable TV, has affected this popular form of home entertainment.Marc examines the roots of television comedy beginning with the influence of Vaudeville, cinema and radio on the variety shows and sitcoms of the 1940's and 1950's. He then moves into television's response to the turbulent 1960's and the great expansion of situational comedy popular in the 1970's. A completely new chapter looks at recent developments such as Comedy Central and the proliferation of stand-up comedy and also includes an engaging analysis of why shows like Seinfeld and The Simpsons are such major hits in the 1990s.Witty, lucid, and engaging, Marc combines historical research with cultural analysis to provide a study of television comedy that is deeply rooted in the diversity in American society.
Author: Robin R. Means Coleman Publisher: Taylor & Francis ISBN: 9780815331254 Category : Biography & Autobiography Languages : en Pages : 384
Book Description
Providing new insight into key debates over race and representation in the media, this ethnographic study explores the ways in which African Americans have been depicted in Black situation comedies-from 1950's Beulah to contemporary series like Martin and Living Single.
Author: Alice Leppert Publisher: Rutgers University Press ISBN: 0813592690 Category : Performing Arts Languages : en Pages : 193
Book Description
During the 1980s, U.S. television experienced a reinvigoration of the family sitcom genre. In TV Family Values, Alice Leppert focuses on the impact the decade's television shows had on middle class family structure. These sitcoms sought to appeal to upwardly mobile “career women” and were often structured around non-nuclear families and the reorganization of housework. Drawing on Foucauldian and feminist theories, Leppert examines the nature of sitcoms such as Full House, Family Ties, Growing Pains, The Cosby Show, and Who's the Boss? against the backdrop of a time period generally remembered as socially conservative and obsessed with traditional family values.
Author: Jeremy G. Butler Publisher: Routledge ISBN: 1317530993 Category : Performing Arts Languages : en Pages : 166
Book Description
In this new Routledge Television Guidebook, Jeremy G. Butler studies our love-hate relationship with the durable sitcom, analyzing the genre’s position as a major media artefact within American culture and providing a historical overview of its evolution in the USA. Everyone loves the sitcom genre; and yet, paradoxically, everyone hates the sitcom, too. This book examines themes of gender, race, ethnicity, and the family that are always at the core of humor in our culture, tracking how those discourses are embedded in the sitcom’s relatively rigid storytelling structures. Butler pays particular attention to the sitcom’s position in today’s post-network media landscape and sample analyses of Sex and the City, Black-ish, The Simpsons, and The Andy Griffith Show illuminate how the sitcom is infused with foundational American values. At once contemporary and reflective, The Sitcom is a must-read for students and scholars of television, comedy, and broader media studies, and a great classroom text.
Author: Mark A. Robinson Publisher: Rowman & Littlefield ISBN: 1538114208 Category : Performing Arts Languages : en Pages : 240
Book Description
From I Love Lucy to Will & Grace, this book looks at the television comedies that have tackled social issues, facilitated discussion, or in some other way have broken down barriers. Other landmark shows discussed here include All in the Family, Ellen, The Golden Girls, Good Times, The Jeffersons, Maude, Modern Family, Roseanne, and Soap.
Author: Aniko Bodroghkozy Publisher: John Wiley & Sons ISBN: 1118646355 Category : Performing Arts Languages : en Pages : 512
Book Description
Presented in a single volume, this engaging review reflects on the scholarship and the historical development of American broadcasting A Companion to the History of American Broadcasting comprehensively evaluates the vibrant history of American radio and television and reveals broadcasting’s influence on American history in the twentieth and twenty-first centuries. With contributions from leading scholars on the topic, this wide-ranging anthology explores the impact of broadcasting on American culture, politics, and society from an historical perspective as well as the effect on our economic and social structures. The text’s original and accessibly-written essays offer explorations on a wealth of topics including the production of broadcast media, the evolution of various television and radio genres, the development of the broadcast ratings system, the rise of Spanish language broadcasting in the United States, broadcast activism, African Americans and broadcasting, 1950’s television, and much more. This essential resource: Presents a scholarly overview of the history of radio and television broadcasting and its influence on contemporary American history Contains original essays from leading academics in the field Examines the role of radio in the television era Discusses the evolution of regulations in radio and television Offers insight into the cultural influence of radio and television Analyzes canonical texts that helped shape the field Written for students and scholars of media studies and twentieth-century history, A Companion to the History of American Broadcasting is an essential and field-defining guide to the history and historiography of American broadcasting and its many cultural, societal, and political impacts.