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Author: Grant Williams Publisher: Palgrave Macmillan ISBN: 9783031550638 Category : Literary Criticism Languages : en Pages : 0
Book Description
This edited collection reconnects the literary imagination to the early modern cognitive environment. Under the spell of post-romantic aesthetics, modernist criticism regarded the imagination as an autonomous driver of artistic production and severed its dense ties to the image, reducing the latter to a formalistic category emptied of psychological significance. But early modern writers and thinkers did not hold such views. They understood the literary image to issue from the embodied mental faculties of the author and, through its rhetorical inscription, to influence, in turn, the interiority of the reader. For both authors and readers, then, engaging with images was not a detached aesthetic experience; it was a psycho-physiological struggle fraught with ethical peril insofar as the imagination was known for its volatility and unruliness, susceptible to the dysfunction brought on by disease and bearing, at times, in Protestant England the taint of superstition and idolatry. This volume accordingly investigates the imagination’s alliances, altercations, and betrayals with rival cognitive operations based upon premodern faculty psychology.
Author: Grant Williams Publisher: Palgrave Macmillan ISBN: 9783031550638 Category : Literary Criticism Languages : en Pages : 0
Book Description
This edited collection reconnects the literary imagination to the early modern cognitive environment. Under the spell of post-romantic aesthetics, modernist criticism regarded the imagination as an autonomous driver of artistic production and severed its dense ties to the image, reducing the latter to a formalistic category emptied of psychological significance. But early modern writers and thinkers did not hold such views. They understood the literary image to issue from the embodied mental faculties of the author and, through its rhetorical inscription, to influence, in turn, the interiority of the reader. For both authors and readers, then, engaging with images was not a detached aesthetic experience; it was a psycho-physiological struggle fraught with ethical peril insofar as the imagination was known for its volatility and unruliness, susceptible to the dysfunction brought on by disease and bearing, at times, in Protestant England the taint of superstition and idolatry. This volume accordingly investigates the imagination’s alliances, altercations, and betrayals with rival cognitive operations based upon premodern faculty psychology.
Author: Publisher: BRILL ISBN: 9004464921 Category : Religion Languages : en Pages : 318
Book Description
The focus of Through Your Eyes: Religious Alterity and the Early Modern Western Imagination is the (mostly Western) understanding, representation and self-critical appropriation of the "religious other" between the sixteenth and eighteenth centuries. Mutually constitutive processes of selfing/othering are observed through the lenses of creedal Jews, a bhakti Brahmin, a widely translated Morisco historian, a collector of Western and Eastern singularia, Christian missionaries in Asia, critical converts, toleration theorists, and freethinkers: in other words, people dwelling in an 'in-between' space which undermines any binary conception of the Self and the Other. The genesis of the volume was in exchanges between eight international scholars and the two editors, intellectual historian Giovanni Tarantino and anthropologist Paola von Wyss-Giacosa, who share an interest in comparatism, debates over toleration, and history of emotions. Contributors are: Daniel Barbu, Vincent Carretta, Ananya Chakravarti, Talya Fishman, Rolando Minuti, Fernando Rodríguez Mediano, Paul Rule, Knut Martin Stünkel, Giovanni Tarantino, and Paola von Wyss-Giacosa.
Author: Deanna Smid Publisher: BRILL ISBN: 9004344047 Category : Literary Criticism Languages : en Pages : 218
Book Description
In The Imagination in Early Modern English Literature, Deanna Smid presents a literary, historical account of imagination in early modern English literature, paying special attention to its effects on the body, to its influence on women, to its restraint by reason, and to its ability to create novelty. An early modern definition of imagination emerges in the work of Robert Burton, Francis Bacon, Edward Reynolds, and Margaret Cavendish. Smid explores a variety of literary texts, from Thomas Nashe’s The Unfortunate Traveler to Francis Quarles’s Emblems, to demonstrate the literary consequences of the early modern imagination. The Imagination in Early Modern English Literature insists that, if we are to call an early modern text “imaginative,” we must recognize the unique characteristics of early modern English imagination, in all its complexity.
Author: A. Yadav Publisher: Springer ISBN: 1403981159 Category : History Languages : en Pages : 240
Book Description
Before the Empire of English offers a broad re-examination of Eighteenth-century British literary culture, centred around issues of language, nationalism, and provinciality. It revises our tendency to take for granted the metropolitan centrality of English-language writers of this period and shows, instead, how deeply these writers were conscious of the traditional marginality of their literary tradition in the European world of culture. The book focuses attention on crucial but largely overlooked aspects of Eighteenth-century English literary culture: the progress of English topos since the death of Cowley and the cultural aspirations and anxieties it condenses; the concept of the republic of letters and its implications for issues of cultural centrality and provinciality; and the importance of cultural nationalist emphases in 'Augustan' poetics in the context of these concerns about provinciality. The book examines imperial aspirations and imaginings in the English literary culture of the period, but it shows how such aspirations are responses to provincial anxieties more so than they are marks of imperial self-assurance.
Author: Gail Kern Paster Publisher: University of Pennsylvania Press ISBN: 0812218728 Category : Literary Criticism Languages : en Pages : 391
Book Description
How translatable is the language of the emotions across cultures and time? What connotations of particular emotions, strongly felt in the early modern period, have faded or shifted completely in our own? If Western culture has traditionally held emotion to be hostile to reason and the production of scientific knowledge, why and how have the passions been lauded as windows to higher truths? Assessing the changing discourses of feeling and their relevance to the cultural history of affect, Reading the Early Modern Passions offers fourteen interdisciplinary essays on the meanings and representations of the emotional universe of Renaissance Europe in literature, music, and art. Many in the early modern era were preoccupied by the relation of passion to action and believed the passions to be a natural force requiring stringent mental and physical disciplines. In speaking to the question of the historicity and variability of emotions within individuals, several of these essays investigate specific emotions, such as sadness, courage, and fear. Other essays turn to emotions spread throughout society by contemporary events, such as a ruler's death, the outbreak of war, or religious schism, and discuss how such emotions have widespread consequences in both social practice and theory. Addressing anxieties about the power of emotions; their relation to the public good; their centrality in promoting or disturbing an individual's relation to God, to monarch, and to fellow human beings, the authors also look at the ways emotion serves as a marker or determinant of gender, ethnicity, and humanity. Contributors to the volume include Zirka Filipczak, Victoria Kahn, Michael Schoenfeldt, Bruce Smith, Richard Strier, and Gary Tomlinson.
Author: Misty G. Anderson Publisher: JHU Press ISBN: 142140480X Category : Literary Criticism Languages : en Pages : 294
Book Description
In the eighteenth century, British Methodism was an object of both derision and desire. Many popular eighteenth-century works ridiculed Methodists, yet often the very same plays, novels, and prints that cast Methodists as primitive, irrational, or deluded also betrayed a thinly cloaked fascination with the experiences of divine presence attributed to the new evangelical movement. Misty G. Anderson argues that writers, actors, and artists used Methodism as a concept to interrogate the boundaries of the self and the fluid relationships between religion and literature, between reason and enthusiasm, and between theater and belief. Imagining Methodism situates works by Henry Fielding, John Cleland, Samuel Foote, William Hogarth, Horace Walpole, Tobias Smollett, and others alongside the contributions of John Wesley, Charles Wesley, and George Whitefield in order to understand how Methodism's brand of "experimental religion" was both born of the modern world and perceived as a threat to it. Anderson's analysis of reactions to Methodism exposes a complicated interlocking picture of the religious and the secular, terms less transparent than they seem in current critical usage. Her argument is not about the lives of eighteenth-century Methodists; rather, it is about Methodism as it was imagined in the work of eighteenth-century British writers and artists, where it served as a sign of sexual, cognitive, and social danger. By situating satiric images of Methodists in their popular contexts, she recaptures a vigorous cultural debate over the domains of religion and literature in the modern British imagination. Rich in cultural and literary analysis, Anderson's argument will be of interest to students and scholars of the eighteenth century, religious studies, theater, and the history of gender.
Author: Ruth Mack Publisher: Stanford University Press ISBN: 0804759111 Category : Literary Criticism Languages : en Pages : 241
Book Description
Literary Historicity explores how eighteenth-century British writers considered the past as an aspect of experience. Mack moves between close examinations of literature, historiography, and recent philosophical writing on history, offering a new view of eighteenth-century philosophies of history in Britain. Such philosophies, she argues, could be important literarily without being focused, as has been assumed, on questions of fact and fiction. Eighteenth-century writerslike many twentieth-century philosophersoften used literary form not in order to exhibit a work's fictional status but in order to consider what the relation between the past and present might be. Literary Historicity portrays a British Enlightenment that both embraces the possibility of historical experience and interrogates the terms for such experience, one deeply engaged with historical consciousness not as an inevitability of the modern world, but as something to be understood within it.
Author: Amelia Faye Rauser Publisher: Associated University Presse ISBN: 9780874139860 Category : Art Languages : en Pages : 168
Book Description
"This book is the first to examine the meaning encoded in the very form of caricature, and to explain its rise as a consequence of the emergence of modernity, especially the modern self."--BOOK JACKET.
Author: Grant Williams
Author: Grant Williams
Author: Mark Kaethler
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Author: Deanna Smid
Author: John Kerrigan
Author: A. Yadav
Author: Gail Kern Paster
Author: Misty G. Anderson
Author: Ruth Mack
Author: Amelia Faye Rauser