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Author: Giuliano Mori Publisher: Oxford University Press ISBN: 0198885938 Category : History Languages : en Pages : 262
Book Description
While humanists agreed on identifying the main requirement of the historical genre with truthfulness, they disagreed on their notions of historical truth. Some authors equated historical truth with verisimilitude, thus harmonizing the quest for truth with other ingredients of their histories, such as their political utility and rhetorical aptness. Others, instead, rejected the notion of verisimilitude, identifying historical truth with factuality. Accordingly, they sought to produce bare and exhaustive accounts of all the things that pertained to their historical explorations, often resorting to innovative disciplines, such as archeology, philology, and the history of institutions. The humanist historiographical debate is especially significant because the notion of verisimilitude encompassed crucial elements required for the development of methods of critical assessment. By perceiving verisimilitude and factuality as irreconcilable, Quattrocento humanists reached a critical impasseâ€"those who were interested in factual truth mostly lacked the means to ascertain it, while those that developed embryonic notions of historical criticism were not eminently concerned with the factual account of the past. This critical weakness exposed humanists to considerable risks, including that of accepting non-verisimilar historical forgeries passed off as factual. Such forgeries eventually served as a testing ground for sixteenth- and seventeenth-century scholars, who sought to restore factual truth by means of critical criteria grounded in verisimilitude, thus overcoming the humanist impasse. Historical Truth in Fifteenth-Century Italy addresses Renaissance history, philosophy, rhetoric, and jurisprudence to shed light on how humanists conceptualized truth and, more specifically, historical truth.
Author: Giuliano Mori Publisher: Oxford University Press ISBN: 0198885938 Category : History Languages : en Pages : 262
Book Description
While humanists agreed on identifying the main requirement of the historical genre with truthfulness, they disagreed on their notions of historical truth. Some authors equated historical truth with verisimilitude, thus harmonizing the quest for truth with other ingredients of their histories, such as their political utility and rhetorical aptness. Others, instead, rejected the notion of verisimilitude, identifying historical truth with factuality. Accordingly, they sought to produce bare and exhaustive accounts of all the things that pertained to their historical explorations, often resorting to innovative disciplines, such as archeology, philology, and the history of institutions. The humanist historiographical debate is especially significant because the notion of verisimilitude encompassed crucial elements required for the development of methods of critical assessment. By perceiving verisimilitude and factuality as irreconcilable, Quattrocento humanists reached a critical impasseâ€"those who were interested in factual truth mostly lacked the means to ascertain it, while those that developed embryonic notions of historical criticism were not eminently concerned with the factual account of the past. This critical weakness exposed humanists to considerable risks, including that of accepting non-verisimilar historical forgeries passed off as factual. Such forgeries eventually served as a testing ground for sixteenth- and seventeenth-century scholars, who sought to restore factual truth by means of critical criteria grounded in verisimilitude, thus overcoming the humanist impasse. Historical Truth in Fifteenth-Century Italy addresses Renaissance history, philosophy, rhetoric, and jurisprudence to shed light on how humanists conceptualized truth and, more specifically, historical truth.
Author: Michael Baxandall Publisher: Oxford Paperbacks ISBN: 9780192821447 Category : Art Languages : en Pages : 200
Book Description
An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.
Author: Adrian W. B. Randolph Publisher: ISBN: 9780300204780 Category : ART Languages : en Pages : 0
Book Description
This groundbreaking book spans the fields of art history, material culture, and gender studies in its examination of a range of objects from Italian Renaissance society. Addressing painted and sculpted portraits, marriage and betrothal gifts, and paxes, Adrian W. B. Randolph uses themes such as family and individual memory, windows, perspectival space, and touch to investigate how these items were experienced at the time, particularly by women. Rather than focusing on the social contexts of the objects, this original study deals with the objects themselves, asking how individuals lived with, looked at, and responded to complex things that at the time hovered between the nascent category of art and the everyday. Accompanied by beautiful and engaging accounts and illustrations of late-14th- and 15th-century Italian art, this compelling and thought-provoking argument makes the case for an alternate account of art and experience that challenges many conceptions about Renaissance art.
Author: Amy R. Bloch Publisher: Cambridge University Press ISBN: 9781108428842 Category : Art Languages : en Pages : 350
Book Description
Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.
Author: Jill Kraye Publisher: Cambridge University Press ISBN: 9780521436243 Category : History Languages : en Pages : 350
Book Description
From the fourteenth to the seventeenth century, humanism played a key role in European culture. Beginning as a movement based on the recovery, interpretation and imitation of ancient Greek and Roman texts and the archaeological study of the physical remains of antiquity, humanism turned into a dynamic cultural programme, influencing almost every facet of Renaissance intellectual life. The fourteen essays in this 1996 volume deal with all aspects of the movement, from language learning to the development of science, from the effect of humanism on biblical study to its influence on art, from its Italian origins to its manifestations in the literature of More, Sidney and Shakespeare. A detailed biographical index, and a guide to further reading, are provided. Overall, The Cambridge Companion to Renaissance Humanism provides a comprehensive introduction to a major movement in the culture of early modern Europe.
Author: Publisher: Penn State Press ISBN: 9780271048147 Category : Art Languages : en Pages : 304
Book Description
To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.
Author: Graham Hollister-Short Publisher: Bloomsbury Publishing ISBN: 1350018937 Category : History Languages : en Pages : 290
Book Description
The technical problems confronting different societies and periods, and the measures taken to solve them, form the concern of this annual collection of essays. History of Technology, Volume 22 deals with the history of technical discovery and change and explores the relation of technology to other aspects of life - social, cultural and economic - and shows how technological development has shaped, and been shaped by, the society in which it occurred.Published under the auspices of the Institute of Historical Research, University of London
Author: J. W. Allen Publisher: Routledge ISBN: 1135026947 Category : Political Science Languages : en Pages : 561
Book Description
This presentation of the main phases and features of political thought in the sixteenth century is based on an exhaustive study of contemporary writings in Latin, English, French, German and Italian. The book is divided into four parts. The first part deals with the new thought of Protestantism. The rest describes special ideas that emerged in England, France and Italy.
Author: Julius Kirshner Publisher: University of Chicago Press ISBN: 0226437701 Category : History Languages : en Pages : 220
Book Description
The beginnings of the state in Europe is a central topic of contemporary historical research. The making of such early modern Italian regional states as Florence, the kingdom of Naples, Milan, and Venice exemplifies a decisive turn in the state tradition of Western Europe. The Origins of the State in Italy, 1300-1600 represents the best in American, British, and Italian scholarship and offers a valuable and critical overview of the key problems of the emergence of the state in Europe. Some of the topics covered include the political legitimacy of the aborning regional states, the changing legal culture, the conflict between church and state, the forces shaping public finances, and the creation of the Italian League. The eight essays in this collection originally appeared in the Journal of Modern History. Contributors include Roberto Bizzocchi, Giorgio Chittolini, Trevor Dean, Riccardo Fubini, Elena Fasano Guarini, Aldo Mazzacane, Anthony Molho, and Pierangelo Schiera. This volume will appeal to historians, historical sociologists, and historians of political thought.
Author: Giuliano Mori
Author: Giuliano Mori
Author: Michael Baxandall
Author: Adrian W. B. Randolph
Author: Amy R. Bloch
Author: Jill Kraye
Author: 
Author: Coser, Lewis A.
Author: Graham Hollister-Short
Author: J. W. Allen
Author: Julius Kirshner