Author: Thomas Lean
Publisher:
ISBN:
Category : Steam-engines
Languages : en
Pages : 182
Book Description
Historical Statement of the Improvements Made in the Duty Performed by the Steam Engines in Cornwall
Author: Thomas Lean
Publisher:
ISBN:
Category : Steam-engines
Languages : en
Pages : 182
Book Description
Publisher:
ISBN:
Category : Steam-engines
Languages : en
Pages : 182
Book Description
Historical Statement of the Improvements Made in the Duty Performed by the Steam Engines in Cornwall
Author: Thomas Lean
Publisher: BoD – Books on Demand
ISBN: 3385141559
Category : Fiction
Languages : en
Pages : 173
Book Description
Reprint of the original, first published in 1839.
Publisher: BoD – Books on Demand
ISBN: 3385141559
Category : Fiction
Languages : en
Pages : 173
Book Description
Reprint of the original, first published in 1839.
Historical statement of the principles and practice of the British and Foreign School Society, etc
Valley Forge National Historical Park, Statement for Management (1977) B1; Revised Statement for Management B2; Draft General Management Plan (GMP), Environmental Assessment (EA) B3; Draft General Management Plan (GMP), Environmental Assessment (EA) Summary B4; Draft General Management Plan (GMP) (1981)
Statements
Author: Jean de Climont
Publisher: Editions d Assailly
ISBN: 2902425376
Category : Philosophy
Languages : en
Pages : 193
Book Description
This essay is a critique of the hermeneutical theories of Searle and Gadamer. It shows that there cannot be two approaches to the comprehension of texts. Hermeneutics cannot differentiate between statements in the sciences of Nature, such as physics and biology, and statements in the sciences of man, such as history and law.
Publisher: Editions d Assailly
ISBN: 2902425376
Category : Philosophy
Languages : en
Pages : 193
Book Description
This essay is a critique of the hermeneutical theories of Searle and Gadamer. It shows that there cannot be two approaches to the comprehension of texts. Hermeneutics cannot differentiate between statements in the sciences of Nature, such as physics and biology, and statements in the sciences of man, such as history and law.
Harpers Ferry National Historical Park, Statement for Management B1; Interpretive Prospectus B2; Assessment of Alternatives, Development Concept (1978) B3; Environmental Review of Assessment of Alternatives (1979) B4; Development Concept Plan (1980)
Trade and Taboo
Author: Sarah Bond
Publisher: University of Michigan Press
ISBN: 0472130080
Category : Business & Economics
Languages : en
Pages : 335
Book Description
Applies new methodological approaches to the study of ancient history
Publisher: University of Michigan Press
ISBN: 0472130080
Category : Business & Economics
Languages : en
Pages : 335
Book Description
Applies new methodological approaches to the study of ancient history
The American Historical Magazine
The Narrator
Author: Sylvie Patron
Publisher: U of Nebraska Press
ISBN: 1496236963
Category : Literary Criticism
Languages : en
Pages : 295
Book Description
The narrator (the answer to the question "who speaks in the text?") is a commonly used notion in teaching literature and in literary criticism, even though it is the object of an ongoing debate in narrative theory. Do all fictional narratives have a narrator, or only some of them? Can narratives thus be "narratorless"? This question divides communicational theories (based on the communication between real or fictional narrator and narratee) and noncommunicational or poetic theories (which aim to rehabilitate the function of the author as the creator of the fictional narrative). Clarifying the notion of the narrator requires a historical and epistemological approach focused on the opposition between communicational theories of narrative in general and noncommunicational or poetic theories of the fictional narrative in particular. The Narrator offers an original and critical synthesis of the problem of the narrator in the work of narratologists and other theoreticians of narrative communication from the French, Czech, German, and American traditions and in representations of the noncommunicational theories of fictional narrative. Sylvie Patron provides linguistic and pragmatic tools for interrogating the concept of the narrator based on the idea that fictional narrative has the power to signal, by specific linguistic marks, that the reader must construct a narrator; when these marks are missing, the reader is able to perceive other forms and other narrative effects, specially sought after by certain authors.
Publisher: U of Nebraska Press
ISBN: 1496236963
Category : Literary Criticism
Languages : en
Pages : 295
Book Description
The narrator (the answer to the question "who speaks in the text?") is a commonly used notion in teaching literature and in literary criticism, even though it is the object of an ongoing debate in narrative theory. Do all fictional narratives have a narrator, or only some of them? Can narratives thus be "narratorless"? This question divides communicational theories (based on the communication between real or fictional narrator and narratee) and noncommunicational or poetic theories (which aim to rehabilitate the function of the author as the creator of the fictional narrative). Clarifying the notion of the narrator requires a historical and epistemological approach focused on the opposition between communicational theories of narrative in general and noncommunicational or poetic theories of the fictional narrative in particular. The Narrator offers an original and critical synthesis of the problem of the narrator in the work of narratologists and other theoreticians of narrative communication from the French, Czech, German, and American traditions and in representations of the noncommunicational theories of fictional narrative. Sylvie Patron provides linguistic and pragmatic tools for interrogating the concept of the narrator based on the idea that fictional narrative has the power to signal, by specific linguistic marks, that the reader must construct a narrator; when these marks are missing, the reader is able to perceive other forms and other narrative effects, specially sought after by certain authors.