Author: Arthur Lyman DeanPublisher:
ISBN:
Category : Agricultural experiment stations
Languages : en
Pages : 632
Book Description
Historical Sketch of the University of Hawaii
Author: Arthur Lyman DeanPublisher:
ISBN:
Category : Agricultural experiment stations
Languages : en
Pages : 632
Book Description
Hawaiian History
Author: Richard LightnerPublisher: Bloomsbury Publishing USA
ISBN: 0313072981
Category : History
Languages : en
Pages : 304
Book Description
Hawaii has been referred to as the crossroads of the Pacific. This book illustrates how many world cultures and customs meet in the Hawaiian Islands, providing a chronological overview highlighted by extracts from important works that express Hawaii's unique history. This work starts with chronological chapters on general and ancient Hawaiian history and continues through early Western contact, the 19th century, and Hawaii's annexation to the United States. Topics include politics, religion, social issues, business, ethnic groups, and race relations.
Waves of Resistance
Author: Isaiah Helekunihi WalkerPublisher: University of Hawaii Press
ISBN: 0824860918
Category : Sports & Recreation
Languages : en
Pages : 241
Book Description
Surfing has been a significant sport and cultural practice in Hawai‘i for more than 1,500 years. In the last century, facing increased marginalization on land, many Native Hawaiians have found refuge, autonomy, and identity in the waves. In Waves of Resistance Isaiah Walker argues that throughout the twentieth century Hawaiian surfers have successfully resisted colonial encroachment in the po‘ina nalu (surf zone). The struggle against foreign domination of the waves goes back to the early 1900s, shortly after the overthrow of the Hawaiian kingdom, when proponents of this political seizure helped establish the Outrigger Canoe Club—a haoles (whites)-only surfing organization in Waikiki. A group of Hawaiian surfers, led by Duke Kahanamoku, united under Hui Nalu to compete openly against their Outrigger rivals and established their authority in the surf. Drawing from Hawaiian language newspapers and oral history interviews, Walker’s history of the struggle for the po‘ina nalu revises previous surf history accounts and unveils the relationship between surfing and colonialism in Hawai‘i. This work begins with a brief look at surfing in ancient Hawai‘i before moving on to chapters detailing Hui Nalu and other Waikiki surfers of the early twentieth century (including Prince Jonah Kuhio), the 1960s radical antidevelopment group Save Our Surf, professional Hawaiian surfers like Eddie Aikau, whose success helped inspire a newfound pride in Hawaiian cultural identity, and finally the North Shore’s Hui O He‘e Nalu, formed in 1976 in response to the burgeoning professional surfing industry that threatened to exclude local surfers from their own beaches. Walker also examines how Hawaiian surfers have been empowered by their defiance of haole ideas of how Hawaiian males should behave. For example, Hui Nalu surfers successfully combated annexationists, married white women, ran lucrative businesses, and dictated what non-Hawaiians could and could not do in their surf—even as the popular, tourist-driven media portrayed Hawaiian men as harmless and effeminate. Decades later, the media were labeling Hawaiian surfers as violent extremists who terrorized haole surfers on the North Shore. Yet Hawaiians contested, rewrote, or creatively negotiated with these stereotypes in the waves. The po‘ina nalu became a place where resistance proved historically meaningful and where colonial hierarchies and categories could be transposed. 25 illus.
Historical Sketch of the Naval Administration of the Government of American Samoa
Author: Thomas F. DardenPublisher:
ISBN:
Category : Administrative procedure
Languages : en
Pages : 60
Book Description
Historical Sketch of the University of Hawaii
Author: Arthur Lyman DeanPublisher:
ISBN:
Category : Hawaii
Languages : en
Pages : 24
Book Description
The ‘Ukulele
Author: Jim TranquadaPublisher: University of Hawaii Press
ISBN: 0824865871
Category : History
Languages : en
Pages : 298
Book Description
Since its introduction to Hawai‘i in 1879, the ‘ukulele has been many things: a symbol of an island paradise; a tool of political protest; an instrument central to a rich musical culture; a musical joke; a highly sought-after collectible; a cheap airport souvenir; a lucrative industry; and the product of a remarkable synthesis of western and Pacific cultures. The ‘Ukulele: A History explores all of these facets, placing the instrument for the first time in a broad historical, cultural, and musical context. Drawing on a wealth of previously untapped sources, Jim Tranquada and John King tell the surprising story of how an obscure four-string folk guitar from Portugal became the national instrument of Hawai’i, of its subsequent rise and fall from international cultural phenomenon to “the Dangerfield of instruments,” and of the resurgence in popularity (and respect) it is currently enjoying among musicians from Thailand to Finland. The book shows how the technologies of successive generations (recorded music, radio, television, the Internet) have played critical roles in popularizing the ‘ukulele. Famous composers and entertainers (Queen Liliuokalani, Irving Berlin, Arthur Godfrey, Paul McCartney, SpongeBob SquarePants) and writers (Rudyard Kipling, Jack London, P. G. Wodehouse, Agatha Christie) wind their way through its history—as well as a host of outstanding Hawaiian musicians (Ernest Kaai, George Kia Nahaolelua, Samuel K. Kamakaia, Henry A. Peelua Bishaw). In telling the story of the ‘ukulele, Tranquada and King also present a sweeping history of modern Hawaiian music that spans more than two centuries, beginning with the introduction of western melody and harmony by missionaries to the Hawaiian music renaissance of the 1970s and 1980s.
The Arts of Kingship
Author: Stacy L. KamehiroPublisher: University of Hawaii Press
ISBN: 0824874374
Category : Art
Languages : en
Pages : 282
Book Description
The Arts of Kingship offers a sustained and detailed account of Hawaiian public art and architecture during the reign of David Kalakaua, the nativist and cosmopolitan ruler of the Hawaiian Kingdom from 1874 to 1891. Stacy Kamehiro provides visual and historical analysis of Kalakaua’s coronation and regalia, the King Kamehameha Statue, ‘Iolani Palace, and the Hawaiian National Museum, drawing them together in a common historical, political, and cultural frame. Each articulated Hawaiian national identities and navigated the turbulence of colonialism in distinctive ways and has endured as a key cultural symbol. These cultural projects were part of the monarchy’s concerted effort to promote a national culture in the face of colonial pressures, internal political divisions, and declining social conditions for Native Hawaiians, which, in combination, posed serious threats to the survival of the nation. The Kalakaua leadership endorsed images that boosted international relations and appeased foreign agitators in the kingdom while addressing indigenous political cleavages. Kamehiro interprets the images, spaces, and institutions as articulations of the complex cultural entanglements and creative engagement with international communities that occur with prolonged colonial contact. Nineteenth-century Hawaiian sovereigns celebrated Native tradition, history, and modernity by intertwining indigenous conceptions of superior chiefly leadership with the apparati and symbols of Asian, American, and European rule. The resulting symbolic forms speak to cultural intersections and historical processes, claims about distinctiveness and commonality, and the power of objects, institutions, and public display to create meaning and enable action. The Arts of Kingship pursues questions regarding the nature of cultural exchange, how precolonial visual culture engaged and shaped colonial contexts, and how colonial art informs postcolonial visualities and identities. It will be welcomed by readers with a general and scholarly interest in Hawaiian history and art. As it contributes to discussions about colonial cultures, nationalism, and globalization, this interdisciplinary work will appeal to art and architectural historians as well as those studying Pacific history, cultural and museum studies, and anthropology.
Shoal of Time
Author: Gavan DawsPublisher:
ISBN:
Category : History
Languages : en
Pages : 516
Book Description
The arrival of Captain Cook and the debates concerning the territory's admission to statehood are given equal attention in this detailed history.
Ink and Tears
Author: Rania HuntingtonPublisher: University of Hawaii Press
ISBN: 0824867122
Category : History
Languages : en
Pages : 304
Book Description
How does an extended family, bound by shared history, affection, and duty but divided by generation, gender, status, and personality, memorialize its dead? This fascinating study shows how members of the prominent Yu family passed down their personal and familial memories over five generations, through the traumatic transition from imperial to modern China and amidst the radical change and destruction of the nineteenth and twentieth centuries. Their memory writing is unusual and compelling for its quantity, variety, and resonance of themes across generations. It reflects a particular cultural moment and family, yet offers insight into universal practices of writing and remembrance. Ink and Tears begins and ends with the Yu family’s two most famous members: the late Qing writer Yu Yue and his great-great grandson Yu Pingbo, each among the most famous and prolific scholars of their respective generations. Over a span of one and a half centuries, they and their lesser-known female and male kin made use of an impressive diversity of genres—poetry, prefaces, biographies, diaries, correspondence, and strange tales—to preserve their family’s memories. During the times in which they wrote, the technologies of printing and the institutions of publication and book distribution were being transformed, and by the time of the great-grandchildren the language of education and governance, definitions of scholarship and literature, and the map of literary genres had all been remade. The Yus’ memory writing thus reveals not just how different family members remembered and mourned, but the changing tools they had with which to convey their loss. Drawing on a wealth of archival material, Rania Huntington focuses on questions of how memory was crafted, preserved, and transmitted as much as on what was remembered, tracing common tropes and shared strategies. Her beautifully observed study will interest scholars of late imperial and early Republican literature and history, as well as readers more broadly concerned with the family, women’s writing, themes of memory and bereavement, and the personal functions of literature.
When Tengu Talk
Author: Wilburn N. HansenPublisher: University of Hawaii Press
ISBN: 0824832094
Category : Religion
Languages : en
Pages : 282
Book Description
Hirata Atsutane (1776–1843) has been the subject of numerous studies that focus on his importance to nationalist politics and Japanese intellectual and social history. Although well known as an ideologue of Japanese National Learning (Kokugaku), Atsutane’s significance as a religious thinker has been largely overlooked. His prolific writings on supernatural subjects have never been thoroughly analyzed in English until now. In When Tengu Talk, Wilburn Hansen focuses on Senkyo ibun (1822), a voluminous work centering on Atsutane’s interviews with a fourteen-year-old Edo street urchin named Kozo Torakichi who claimed to be an apprentice tengu, a supernatural creature of Japanese folklore. Hansen uncovers in detail how Atsutane employed a deliberate method of ethnographic inquiry that worked to manipulate and stimulate Torakichi’s surreal descriptions of everyday existence in a supernatural realm, what Atsutane termed the Other World. Hansen’s investigation and analysis of the process begins with the hypothesis that Atsutane’s project was an early attempt at ethnographic research, a new methodological approach in nineteenth-century Japan. Hansen posits that this "scientific" analysis was tainted by Atsutane’s desire to establish a discourse on Japan not limited by what he considered to be the unsatisfactory results of established Japanese philological methods. A rough sketch of the milieu of 1820s Edo Japan and Atsutane’s position within it provides the backdrop against which the drama of Senkyo ibun unfolds. There follow chapters explaining the relationship between the implied author and the outside narrator, the Other World that Atsutane helped Torakichi describe, and Atsutane’s nativist discourse concerning Torakichi’s fantastic claims of a newly discovered Shinto holy man called the sanjin. Sanjin were partly defined by supernatural abilities similar (but ultimately more effective and thus superior) to those of the Buddhist bodhisattva and the Daoist immortal. They were seen as holders of secret and powerful technologies previously thought to have come from or been perfected in the West, such as geography, astronomy, and military technology. Atsutane sought to deemphasize the impact of Western technology by claiming these powers had come from Japan’s Other World. In doing so, he creates a new Shinto hero and, by association, asserts the superiority of native Japanese tradition. In the final portion of his book, Hansen addresses Atsutane’s contribution to the construction of modern Japanese identity. By the late Tokugawa, many intellectuals had grown uncomfortable with continued cultural dependence on Neo-Confucianism, and the Buddhist establishment was under fire from positivist historiographers who had begun to question the many contradictions found in Buddhist texts. With these traditional discourses in disarray and Western rationalism and materialism gaining public acceptance, Hansen depicts Atsutane’s creation of a new spiritual identity for the Japanese people as one creative response to the pressures of modernity. When Tengu Talk adds to the small body of work in English on National Learning. It moreover fills a void in the area of historical religious studies, which is dominated by studies of Buddhist monks and priests, by offering a glimpse of a Shinto religious figure. Finally, it counters the image of Atsutane as a forerunner of the ultra-nationalism that ultimately was deployed in the service of empire. Lucid and accessible, it will find an appreciative audience among scholars of Shinto and Japanese and world religion. In addition to religion specialists, it will be of considerable interest to anthropologists and historians of Japan.