Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 436
Book Description
Historical Portraits ...: 1700-1800
Historical Portraits ... the Lives: 1700-1800
Historical Portraits ...
Historical Portraits 1700-1850
Author: Charles Robert Leslie Fletcher
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
Book Description
Historical Portraits, 1700-1850
Author: Charles Robert Leslie Fletcher
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 492
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 492
Book Description
Historical Portraits ....
Historical portraits, 1700-1850 [vol. 4].
Author: Charles Robert Leslie Fletcher
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Historical Portraits ...: 1700-1800
Historical Portraits ... the Lives: 1800-1850. Index
Historical Portraits, Vol. 1 of 3
Author: C. R. L. Fletcher
Publisher: Forgotten Books
ISBN: 9780267984282
Category : Biography & Autobiography
Languages : en
Pages : 432
Book Description
Excerpt from Historical Portraits, Vol. 1 of 3: 1700 1850 The academic, or, as it came subsequently to be called, the classic style, carries down its roots through the humanism of the Renaissance to classical foundations. It had ceased to flourish in Italy, the land of its growth, long before the beginning of the eighteenth century, and the influence of any Italian artists who visited England about that time, mostly decorative painters who only occasionally executed portraits, contained little trace of it. But the seeds of it lingering there were gathered by Sir Joshua Reynolds and matured in his practice. Enforced by his teaching, to which his position as head of the only institute of artistic education then existing in this country gave incalculable weight, his principles became -the principles of the Royal Academy, and his successful career was the proof of their universal acceptance. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780267984282
Category : Biography & Autobiography
Languages : en
Pages : 432
Book Description
Excerpt from Historical Portraits, Vol. 1 of 3: 1700 1850 The academic, or, as it came subsequently to be called, the classic style, carries down its roots through the humanism of the Renaissance to classical foundations. It had ceased to flourish in Italy, the land of its growth, long before the beginning of the eighteenth century, and the influence of any Italian artists who visited England about that time, mostly decorative painters who only occasionally executed portraits, contained little trace of it. But the seeds of it lingering there were gathered by Sir Joshua Reynolds and matured in his practice. Enforced by his teaching, to which his position as head of the only institute of artistic education then existing in this country gave incalculable weight, his principles became -the principles of the Royal Academy, and his successful career was the proof of their universal acceptance. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.