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Author: Ian Hacking Publisher: Harvard University Press ISBN: 9780674016071 Category : History Languages : en Pages : 292
Book Description
In this text, Ian Hacking offers his reflections on the philosophical uses of history. The focus is the historical emergence of concepts and objects.
Author: Ian Hacking Publisher: Harvard University Press ISBN: 9780674016071 Category : History Languages : en Pages : 292
Book Description
In this text, Ian Hacking offers his reflections on the philosophical uses of history. The focus is the historical emergence of concepts and objects.
Author: Ian Hacking Publisher: Harvard University Press ISBN: 0674016076 Category : Philosophy Languages : en Pages : 288
Book Description
In this text, Ian Hacking offers his reflections on the philosophical uses of history. The focus is the historical emergence of concepts and objects.
Author: Ursula Klein Publisher: MIT Press ISBN: 0262113066 Category : Chemistry Languages : en Pages : 357
Book Description
In this history of materials, the authors link chemical science with chemical technology, challenging our current understandings of objects in the history of science and the distinction between scientific and technological objects. They further show that chemits' experimental production and understanding of materials changed over time, first in the decades around 1700 and then around 1830, when mundane materials became clearly distinguished from true chemical substances.
Author: Cat Moir Publisher: BRILL ISBN: 9004272879 Category : Philosophy Languages : en Pages : 193
Book Description
In Ernst Bloch’s Speculative Materialism: Ontology, Epistemology, Politics, Cat Moir offers a new interpretation of the philosophy of Ernst Bloch. The reception of Bloch’s work has seen him variously painted as a naïve realist, a romantic nature philosopher, a totalitarian thinker, and an irrationalist whose obscure literary style stands in for a lack of systematic rigour. Moir challenges these conceptions of Bloch by reconstructing the ontological, epistemological, and political dimensions of his speculative materialism. Through a close, historically contextualised reading of Bloch’s major work of ontology, Das Materialismusproblem, seine Geschichte und Substanz (The Materialism Problem, its History and Substance), Moir presents Bloch as one of the twentieth century’s most significant critical thinkers.
Author: John L. Roberts Publisher: Routledge ISBN: 1317401654 Category : Philosophy Languages : en Pages : 246
Book Description
Recent scholarship has inquired into the socio-historical, discursive genesis of trauma. Trauma and the Ontology of the Modern Subject, however, seeks what has not been actualized in trauma studies – that is, how the necessity and unassailable intensity of trauma is fastened to its historical emergence. We must ask not only what trauma means for the individual person’s biography, but also what it means to be the historical subject of trauma. In other words, how does being human in this current period of history implicate one’s lived possibilities that are threatened, and perhaps framed, through trauma? Foucauldian sensibilities inform a critical and structural analysis that is hermeneutically grounded. Drawing on the history of ideas and on Lacan’s work in particular, John L. Roberts argues that what we mean by trauma has developed over time, and that it is intimately tied with an ontology of the subject; that is to say, what it is to be, and means to be human. He argues that modern subjectivity – as articulated by Heidegger, Levinas, and Lacan – is structurally traumatic, founded in its finitude as self-withdrawal in time, its temporal self-absence becoming the very conditions for agency, truth and knowledge. The book also argues that this fractured temporal horizon – as an effect of an interrupting Otherness or alterity – is obscured through the discourses and technologies of the psy-disciplines (psychiatry, psychology, and psychotherapy). Consideration is given to social, political, and economic consequences of this concealment. Trauma and the Ontology of the Modern Subject will be of enduring interest to psychoanalysts and psychotherapists as well as scholars of philosophy and cultural studies.
Author: Ronald E. Day Publisher: MIT Press ISBN: 0262356031 Category : Language Arts & Disciplines Languages : en Pages : 195
Book Description
A historical-conceptual account of the different genres, technologies, modes of inscription, and innate powers of expression by which something becomes evident. In this book, Ronald Day offers a historical-conceptual account of how something becomes evident. Crossing philosophical ontology with documentary ontology, Day investigates the different genres, technologies, modes of inscription, and innate powers of expression by which something comes into presence and makes itself evident. He calls this philosophy of evidence documentarity, and it is through this theoretical lens that he examines documentary evidence (and documentation) within the tradition of Western philosophy, largely understood as representational in its epistemology, ontology, aesthetics, and politics. Day discusses the expression of beings or entities as evidence of what exists through a range of categories and modes, from Plato's notion that ideas are universal types expressed in evidential particulars to the representation of powerful particulars in social media and machine learning algorithms. He considers, among other topics, the contrast between positivist and anthropological documentation traditions; the ontological and epistemological importance of the documentary index; the nineteenth-century French novel's documentary realism and the avant-garde's critique of representation; performative literary genres; expression as a form of self evidence; and the “post-documentation” technologies of social media and machine learning, described as a posteriori, real-time technologies of documentation. Ultimately, the representational means are not only information and knowledge technologies but technologies of judgment, judging entities both descriptively and prescriptively.
Author: Axel Hutter Publisher: John Wiley & Sons ISBN: 1509543937 Category : Philosophy Languages : en Pages : 255
Book Description
This book is a critical inquiry into three ideas that have been at the heart of philosophical reflection since time immemorial: freedom, God and immortality. Their inherent connection has disappeared from our thought. We barely pay attention to the latter two ideas, and the notion of freedom is used so loosely today that it has become vacuous. Axel Hutter’s book seeks to remind philosophy of its distinct task: only in understanding itself as human self-knowledge that articulates itself in these three ideas will philosophy do justice to its own concept. In developing this line of argument, Hutter finds an ally in Thomas Mann, whose novel Joseph and His Brothers has more to say about freedom, God and immortality than most contemporary philosophy does. Through his reading of Mann’s novel, Hutter explores these three ideas in a distinctive way. He brings out the intimate connection between philosophical self-knowledge and narrative form: Mann’s novel gives expression to the depth of human self-understanding and, thus, demands a genuinely philosophical interpretation. In turn, philosophical concepts are freed from abstractness by resonating with the novel’s motifs and its rich language. Narrative Ontology is both a highly original work of philosophy and a vigorous defence of humanism. It brings together philosophy and literature in a creative way, it will be of great interest to students and scholars in philosophy, literature and the humanities in general.
Author: William H. Sewell Jr. Publisher: University of Chicago Press ISBN: 0226749193 Category : Social Science Languages : en Pages : 425
Book Description
While social scientists and historians have been exchanging ideas for a long time, they have never developed a proper dialogue about social theory. William H. Sewell Jr. observes that on questions of theory the communication has been mostly one way: from social science to history. Logics of History argues that both history and the social sciences have something crucial to offer each other. While historians do not think of themselves as theorists, they know something social scientists do not: how to think about the temporalities of social life. On the other hand, while social scientists’ treatments of temporality are usually clumsy, their theoretical sophistication and penchant for structural accounts of social life could offer much to historians. Renowned for his work at the crossroads of history, sociology, political science, and anthropology, Sewell argues that only by combining a more sophisticated understanding of historical time with a concern for larger theoretical questions can a satisfying social theory emerge. In Logics of History, he reveals the shape such an engagement could take, some of the topics it could illuminate, and how it might affect both sides of the disciplinary divide.
Author: Suzi Adams Publisher: Fordham Univ Press ISBN: 0823234584 Category : Philosophy Languages : en Pages : 318
Book Description
This book is the first systematic reconstruction of Castoriadis's philosophical trajectory. It critically interprets the shifts in his ontology by reconsidering the ancient problematic of human institution(nomos) and nature(physis), on the one hand, and the question of beingand creation, on the other.Unlike the order of physis, the order of nomos has played no substantial role in the development of Western thought. The first part of the book suggests that Castoriadis sought to remedy this by elucidating the social-historical as the region of being that eludes the determinist imaginary of inherited philosophy. This ontological turn was announced in his 1975 magnum opus, The Imaginary Institution of Society.With the aid of archival sources, the second half of the book reconstructs a second ontological shift in Castoriadis's thought that occurred during the 1980s. The author argues that Castoriadis extends his notion of ontological creationbeyond the human realm and into nature. This move has implications for his overall ontology and signals a shift toward a general ontology of creative physis
Author: Ian Hacking
Author: Ian Hacking
Author: Ian Hacking
Author: Ursula Klein
Author: Cat Moir
Author: Marc A. Hight
Author: John L. Roberts
Author: Ronald E. Day
Author: Axel Hutter
Author: William H. Sewell Jr.
Author: Suzi Adams