Author: Matthias KoopsPublisher:
ISBN:
Category :
Languages : en
Pages : 290
Book Description
Historical Account of the Substances which Have Been Used to Describe Events, and to Convey Ideas, from the Earliest Date to the Invention of Paper by Matthias Koops, Esq
Author: Matthias KoopsHistorical Account of the Substances which Have Been Used to Describe Events and to Convey Ideas from the Earliest Date to the Invention of Paper
Author: Matthias KoopsPublisher:
ISBN:
Category : Paper industry
Languages : en
Pages : 96
Book Description
Historical Account of the Substances which Have Been Used to Describe Events, and to Convey Ideas, from the Earliest Date, to the Invention of Paper. Printed on the First Useful Paper Manufactured Soley [sic] from Straw
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Author: Historical Account of the Substances which Have Been Used to Describe Events, and to Convey Ideas from the Earliest Date to the Invention of Paper
Author: Matthias KoopsPublisher:
ISBN:
Category : Paper industry
Languages : en
Pages : 273
Book Description
Historical Account of the Substances
Author: Matthias KoopsPublisher:
ISBN: 9781332136957
Category : Crafts & Hobbies
Languages : en
Pages : 278
Book Description
Excerpt from Historical Account of the Substances: Which Have Been Used to Describe Events, and to Convey Ideas From the Earliest Date to the Invention of Paper Historical Account of the Substances: Which Have Been Used to Describe Events, and to Convey Ideas from the Earliest Date to the Invention of Paper was written by Matthias Koops in 1801. This is a 274 page book, containing 42954 words. Search Inside is enabled for this title. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Historical Account of the Substances which Have Been Used to Describe Events, and to Convey Ideas, from the Earliest Date to the Invention of Paper. Printed on Paper Re-made from Old Printed and Written Paper
Author: Matthias KoopsHistorical Account of the Substances which Have Been Used to Describe Events and to Describe Events and to Convey Ideas, from the Earliest Date to the Invention of Paper
Author: Charles Fenerty and His Paper Invention
Author: Peter BurgerPublisher: Peter Burger
ISBN: 0978331818
Category : Biography & Autobiography
Languages : en
Pages : 226
Book Description
Historical Perspectives in the Conservation of Works of Art on Paper
Author: Margaret Holben EllisPublisher: Getty Publications
ISBN: 1606064320
Category : Art
Languages : en
Pages : 548
Book Description
This book is the seventh in the Readings in Conservation series, which gathers and publishes texts that have been influential in the development of thinking about the conservation of cultural heritage. The present volume provides a selection of more than ninety-five texts tracing the development of the conservation of works of art on paper. Comprehensive and thorough, the book relates how paper conservation has responded to the changing place of prints and drawings in society. The readings include a remarkable range of historical selections from texts such as Renaissance printmaker Ugo da Carpi’s sixteenth-century petition to the Venetian senate on his invention of chiaroscuro, Thomas Churchyard’s 1588 essay in verse “A Sparke of Frendship and Warme Goodwill,” and Robert Bell’s 1773 piece “Observations Relative to the Manufacture of Paper and Printed Books in the Province of Pennsylvania.” These are complemented by influential writings by such figures as A. H. Munsell, Walter Benjamin, and Jacques Derrida, along with a generous representation of recent scholarship. Each reading is introduced by short remarks explaining the rationale for its selection and the principal matters covered, and the book is supplemented with a helpful bibliography. This volume is an indispensable tool for museum curators, conservators, and students and teachers of the conservation of works of art on paper.
Author: