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Author: Ana R. Alonso-Minutti Publisher: Oxford University Press ISBN: 0197638341 Category : Music Languages : en Pages : 385
Book Description
Composer, pianist, editor, writer, and pedagogue Mario Lavista (1943-2021) was a central figure of the cultural and artistic scene in Mexico and one of the leading Ibero-American composers of his generation. His music is often described as evocative and poetic, noted for his meticulous attention to timbre and motivic permutation, and his creative trajectory was characterized by its intersections with the other arts, particularly poetry and painting. Lavista was a relational composer; he did not write music as a private enterprise but for and alongside people with whom he established close relations. Understanding analysis as an affective practice, author Ana R. Alonso-Minutti explores the intertextual connections between the multiple texts--musical or otherwise--that are present in Lavista's music. Alonso-Minutti argues that, through adopting an interdisciplinary and transhistorical approach to music composition, Lavista forged a cosmopolitan imaginary that challenged stereotypes of what Mexican music should sound like. This imaginary becomes a strategy of resistance against imperialist agendas placed upon postcolonial peripheries. Departing from traditional biographical and chronological frameworks that exalt masters and masterworks, the author offers a nuanced, personal narrative informed by conversations with composers, performers, artists, choreographers, poets, writers, and filmmakers. Through an innovative mosaic of methodologies, from archival work, to musical and intertextual analysis, oral history, and (auto)ethnography, this book is the first in-depth study of Lavista's compositional career and offers a contextual panorama of the contemporary music scene in Mexico
Author: Juan Angel Vela del Campo Publisher: ISBN: Category : Music Languages : es Pages : 564
Book Description
Esta obra ofrece un análisis particularizado de un capítulo clave de la historia litúrgica peninsular, la transición del rito hispano al rito francorromano. El marco temporal comprendido entre los siglos IX-XII remite a un período de profunda transformación de las estructuras políticas, religiosas y socioculturales de la Península Ibérica, que coincide en el tiempo con la reforma litúrgica impulsada desde Roma y canalizada a través de una amplia red de centros del Imperio carolingio. Debido a esta renovación, el rito litúrgico-musical peninsular, que hasta entonces seguía la tradición visigótica, va modificándose lentamente hacia el modelo francorromano, lo que puede apreciarse con todo detalle en el selectivo recorrido por las fuentes que realiza esta obra.Hispania Vetus -de la que se editan dos versiones: una en inglés y otra en español- constituye un auténtico tesoro histórico-artístico, al acompañarse la descripción catalográfica de las fuentes de cuidadas reproducciones en color, a toda página. Por este motivo, aunque inicialmente destinada a especialistas, interesará sin duda también a todo público interesado en este período histórico tan particular, marcado por el protagonismo eclesiástico y por la gestación de una nueva conciencia europeísta.
Author: Publisher: ISBN: 9788437507149 Category : Languages : es Pages : 0
Book Description
Octavo volumen de la Historia de la música en España e Hispanoamérica, dedicado al siglo XX, en el que se explica la evolución de la música en este siglo como proceso cultural vinculado con las corrientes del pensamiento estético, los movimientos sociopolíticos e identitarios y los avances científicos y tecnológicos.
Author: Ana R. Alonso-Minutti Publisher: Oxford University Press ISBN: 0197638341 Category : Music Languages : en Pages : 385
Book Description
Composer, pianist, editor, writer, and pedagogue Mario Lavista (1943-2021) was a central figure of the cultural and artistic scene in Mexico and one of the leading Ibero-American composers of his generation. His music is often described as evocative and poetic, noted for his meticulous attention to timbre and motivic permutation, and his creative trajectory was characterized by its intersections with the other arts, particularly poetry and painting. Lavista was a relational composer; he did not write music as a private enterprise but for and alongside people with whom he established close relations. Understanding analysis as an affective practice, author Ana R. Alonso-Minutti explores the intertextual connections between the multiple texts--musical or otherwise--that are present in Lavista's music. Alonso-Minutti argues that, through adopting an interdisciplinary and transhistorical approach to music composition, Lavista forged a cosmopolitan imaginary that challenged stereotypes of what Mexican music should sound like. This imaginary becomes a strategy of resistance against imperialist agendas placed upon postcolonial peripheries. Departing from traditional biographical and chronological frameworks that exalt masters and masterworks, the author offers a nuanced, personal narrative informed by conversations with composers, performers, artists, choreographers, poets, writers, and filmmakers. Through an innovative mosaic of methodologies, from archival work, to musical and intertextual analysis, oral history, and (auto)ethnography, this book is the first in-depth study of Lavista's compositional career and offers a contextual panorama of the contemporary music scene in Mexico
Author: Ana R. Alonso-Minutti
Author: Juan Angel Vela del Campo
Author: 
Author: 
Author: Juan Angel Vela del Campo
Author: Juan Angel Vela del Campo
Author: 
Author: 
Author: Juan Angel Vela del Campo
Author: Ana R. Alonso-Minutti
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