Historia de la curancion antigua de San Pablito, Pahuatlan Pue PDF Download

Author: Alfonzo Garcia Tellez
Publisher:
ISBN:
Category :
Languages : fr
Pages :

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Author:
Publisher:
ISBN:
Category : Central America
Languages : en
Pages : 120

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Author: Bruno Nettl
Publisher: Prentice Hall
ISBN:
Category : Music
Languages : en
Pages : 280

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New edition of the text first published in 1965 (revised by Valerie Woodring Goertzeu). Presents the general characteristics of traditional music and its cultural context along with some of the methods used to study folk music. Annotation copyrighted by Book News, Inc., Portland, OR

Author: Robert M. Stevenson
Publisher: Univ of California Press
ISBN: 0520317238
Category : Music
Languages : en
Pages : 516

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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.

Author: Charles Lafayette Boilès
Publisher:
ISBN:
Category : Ethnomusicology
Languages : en
Pages : 210

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"In forest glade and street procession, in darkened concert hall and torch-lit temple court, mankind continuously sings, dances, and plays instruments of fascinating invention. For the wealth of musical events there is as rich a variety of reasons for their celebration. A birth, a harvest, an initiation rite, or a farewell ceremony-all of these occasions sometimes require music for their proper observance. It is the interesting dynamics of these musical occasions with which we are concerned in this study; especially, musical behavior with regard to magic and ritual. Magic is generally unacknowledged by Western European intellectuals to exist or function in their world. Although amusing, this attitude is understandable in light of the position adopted by Europeans and Euro-American cultures from the Age of Enlightenment to the present, i.e., any processes which cannot be replicated with a fair degree of exactitude under certain laboratory conditions or any qualities of things which cannot be objectively measured are thought to have no real existence. Thus many customs and beliefs of European cultures came to be considered invalid and were either discarded or were redefined as only being of interest to children or persons of 'child-like' mentality. At the same time, any magical acts performed by practitioners of the established Western religions were termed acts of worship, whereas similar practices found in other religions were considered superstitious, paganistic, idolatrous, or demonic. Related to that rationale was an effort to develop a 'scientific' explanation of European traditions too deeply rooted to eradicate although they defied classification under rules of the new empiricism." --from Introduction.

Author: Robert Murrell Stevenson
Publisher: Univ of California Press
ISBN: 9780520020368
Category : Music
Languages : en
Pages : 212

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Author: Frances Toor
Publisher: Crown
ISBN:
Category : Social Science
Languages : en
Pages : 730

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The customs, myths, folklore, traditions, beliefs, fiestas, dances, and songs of the Mexican people.

Author: Joseph Arbena
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 96

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This essay presents background information and suggests teaching stragegies to aid community and junior college classroom teachers of history and civilization as they develop and implement educational programs on Latin American music. It is based on the premise that Latin American music can best be understood as a reflection of other historical and cultural themes. Emphasis is placed on the music of Mexico, Brazil, and Colombia. The document is presented in six chapters. Chapter one introduces the document, identifies objectives, and presents information on major influences of Latin America's musical heritage, including indigenous, Iberian, and African. Chapters two, three, and four focus on the music of Mexico, Brazil, and Colombia, respectively. For each country, information is organized around six themes--(1) ethnic variety and fusion, (2) regionalism, (3) cultural imperialism and imitativeness, (4) nationalism, (5) protest and revolution, and (6) urbanization and cultural standardization. Titles and themes of various types of music are interwoven throughout the narrative. A brief introductory section for each of these three chapters relates the folk, popular, and art music traditions of each country to Latin American music at various times throughout history. Chapter five offers additional suggestions on relating music to nationalistic and social action themes in other Latin American nations. Chapter six suggests teaching methods, including playing musical selections in class, asking students to identify various rhythmic and stylistic differences, and directing students to identify traditional motifs while listening to nationalistic music. The document concludes with a bibliography and a discography. (DB)

Author: Harold E. Hinds
Publisher: Greenwood
ISBN:
Category : Performing Arts
Languages : en
Pages : 288

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The editors have put together a solid overview of ten areas of popular culture in Latin America. The contributors have skillfully overcome a variety of research obstacles as well as the imposing problem of dealing with many countries. Each contributor has expertly assembled scientific research, intelligent observations, and well-thought-out conclusions to offer a reliable, sophisticated study of his particular area. Popular music, sports, television, popular religion, comics, photonovels, film, newspapers, cartoons, and festivals and carnivals are covered in this much-needed volume.

Author: Gilbert Chase
Publisher: New York : Dover Publications
ISBN:
Category : Music
Languages : en
Pages : 428

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