Author: Pierre Louis Duchartre
Publisher: Courier Corporation
ISBN: 0486138526
Category : Performing Arts
Languages : en
Pages : 385
Book Description
Illustrated history of the beginnings, growth and influence of the commedia dell’ arte. Describes improvisations, staging, marks, scenarios, acting troupes, and origins.
The Italian Comedy
Author: Pierre Louis Duchartre
Publisher: Courier Corporation
ISBN: 0486138526
Category : Performing Arts
Languages : en
Pages : 385
Book Description
Illustrated history of the beginnings, growth and influence of the commedia dell’ arte. Describes improvisations, staging, marks, scenarios, acting troupes, and origins.
Publisher: Courier Corporation
ISBN: 0486138526
Category : Performing Arts
Languages : en
Pages : 385
Book Description
Illustrated history of the beginnings, growth and influence of the commedia dell’ arte. Describes improvisations, staging, marks, scenarios, acting troupes, and origins.
Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1104
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1104
Book Description
A Catalogue of ... [books] ...
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1062
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1062
Book Description
Bibliotheca Dramatica
Author: William Evans Burton
Publisher:
ISBN:
Category : Book auctions
Languages : en
Pages : 492
Book Description
Publisher:
ISBN:
Category : Book auctions
Languages : en
Pages : 492
Book Description
Old Age, Masculinity, and Early Modern Drama
Author: Anthony Ellis
Publisher: Routledge
ISBN: 1351914022
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
This first book-length study to trace the evolution of the comic old man in Italian and English Renaissance comedy shows how English dramatists adopted and reimagined an Italian model to reflect native concerns about and attitudes toward growing old. Anthony Ellis provides an in-depth study of the comic old man in the erudite comedy of sixteenth-century Florence; the character's parallel development in early modern Venice, including the commedia dell'arte; and, along with a consideration of Anglo-Italian intertextuality, the character's subsequent flourishing on the Elizabethan and Jacobean stage. In outlining the character's development, Ellis identifies and describes the physical and behavioral characteristics of the comic old man and situates these traits within early modern society by considering prevailing medical theories, sexual myths, and intergenerational conflict over political and economic circumstances. The plays examined include Italian dramas by Bernardo Dovizi da Bibbiena, Niccolò Machiavelli, Donato Giannotti, Lorenzino de' Medici, Andrea Calmo, and Flaminio Scala, and English works by William Shakespeare, Ben Jonson, and Thomas Dekker, along with Middleton, Rowley, and Heywood's The Old Law. Besides providing insight into stage representations of aging, this book illuminates how early modern people conceived of and responded to the experience of growing old and its social, economic, and physical challenges.
Publisher: Routledge
ISBN: 1351914022
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
This first book-length study to trace the evolution of the comic old man in Italian and English Renaissance comedy shows how English dramatists adopted and reimagined an Italian model to reflect native concerns about and attitudes toward growing old. Anthony Ellis provides an in-depth study of the comic old man in the erudite comedy of sixteenth-century Florence; the character's parallel development in early modern Venice, including the commedia dell'arte; and, along with a consideration of Anglo-Italian intertextuality, the character's subsequent flourishing on the Elizabethan and Jacobean stage. In outlining the character's development, Ellis identifies and describes the physical and behavioral characteristics of the comic old man and situates these traits within early modern society by considering prevailing medical theories, sexual myths, and intergenerational conflict over political and economic circumstances. The plays examined include Italian dramas by Bernardo Dovizi da Bibbiena, Niccolò Machiavelli, Donato Giannotti, Lorenzino de' Medici, Andrea Calmo, and Flaminio Scala, and English works by William Shakespeare, Ben Jonson, and Thomas Dekker, along with Middleton, Rowley, and Heywood's The Old Law. Besides providing insight into stage representations of aging, this book illuminates how early modern people conceived of and responded to the experience of growing old and its social, economic, and physical challenges.
The Harlequin Eaters
Author: Janet Beizer
Publisher: U of Minnesota Press
ISBN: 1452970467
Category : Social Science
Languages : en
Pages : 422
Book Description
How representations of the preparation, sale, and consumption of leftovers in nineteenth-century urban France link socioeconomic and aesthetic history The concept of the “harlequin” refers to the practice of reassembling dinner scraps cleared from the plates of the wealthy to sell, replated, to the poor in nineteenth-century Paris. In The Harlequin Eaters, Janet Beizer investigates how the alimentary harlequin evolved in the nineteenth and early twentieth centuries from the earlier, similarly patchworked Commedia dell’arte Harlequin character and can be used to rethink the entangled place of class, race, and food in the longer history of modernism. By superimposing figurations of the edible harlequin taken from a broad array of popular and canonical novels, newspaper articles, postcard photographs, and lithographs, Beizer shows that what is at stake in nineteenth-century discourses surrounding this mixed meal are representations not only of food but also of the marginalized people—the “harlequin eaters”—who consume it at this time when a global society is emerging. She reveals the imbrication of kitchen narratives and intellectual–aesthetic practices of thought and art, presenting a way to integrate socioeconomic history with the history of literature and the visual arts. The Harlequin Eaters also offers fascinating background to today’s problems of food inequity as it unpacks stories of the for-profit recycling of excess food across class and race divisions.
Publisher: U of Minnesota Press
ISBN: 1452970467
Category : Social Science
Languages : en
Pages : 422
Book Description
How representations of the preparation, sale, and consumption of leftovers in nineteenth-century urban France link socioeconomic and aesthetic history The concept of the “harlequin” refers to the practice of reassembling dinner scraps cleared from the plates of the wealthy to sell, replated, to the poor in nineteenth-century Paris. In The Harlequin Eaters, Janet Beizer investigates how the alimentary harlequin evolved in the nineteenth and early twentieth centuries from the earlier, similarly patchworked Commedia dell’arte Harlequin character and can be used to rethink the entangled place of class, race, and food in the longer history of modernism. By superimposing figurations of the edible harlequin taken from a broad array of popular and canonical novels, newspaper articles, postcard photographs, and lithographs, Beizer shows that what is at stake in nineteenth-century discourses surrounding this mixed meal are representations not only of food but also of the marginalized people—the “harlequin eaters”—who consume it at this time when a global society is emerging. She reveals the imbrication of kitchen narratives and intellectual–aesthetic practices of thought and art, presenting a way to integrate socioeconomic history with the history of literature and the visual arts. The Harlequin Eaters also offers fascinating background to today’s problems of food inequity as it unpacks stories of the for-profit recycling of excess food across class and race divisions.
Universal Catalogue of Books on Art: L to Z
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1140
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1140
Book Description
The First Proofs of the Universal Catalogue of Books on Art
Author: John Hungerford Pollen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1142
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1142
Book Description
Love's Labour's Lost
Author: Felicia Hardison Londré
Publisher: Psychology Press
ISBN: 9780815309840
Category : Drama
Languages : en
Pages : 498
Book Description
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
Publisher: Psychology Press
ISBN: 9780815309840
Category : Drama
Languages : en
Pages : 498
Book Description
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
Love's Labour's Lost
Author: Felicia Hardison Londre
Publisher: Routledge
ISBN: 1317954262
Category : Literary Criticism
Languages : en
Pages : 498
Book Description
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
Publisher: Routledge
ISBN: 1317954262
Category : Literary Criticism
Languages : en
Pages : 498
Book Description
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.