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Author: Claire Barbillon Publisher: Ecole du Louvre ISBN: Category : Art, French Languages : fr Pages : 764
Book Description
"Le présent volume rassemble les contributions du colloque international Histoire de l'art du X1Xe siècle (1848-1914). Bilans et perspectives qui s'est tenu à l'École du Louvre, au musée d'Orsay et à l'Institut national d'histoire de l'art à l'occasion des vingt ans du musée d'Orsay. Ces XXIes Rencontres de l'École du Louvre, organisées en dix sessions, s'intéressant à des questions transversales mais traitant aussi des différents domaines de la production artistique, ont réuni soixante-seize contributeurs, issus du monde des musées comme de celui des universités, et se sont déroulées devant quelque six cents auditeurs. Douze nationalités de chercheurs étaient représentées. Ce colloque a été l'occasion de créer, en partenariat avec l'Institut national d'histoire de l'art, un Forum des jeunes chercheurs, manifestation originale qui trouve désormais sa place dans tous les colloques organisés par l'École du Louvre. Cette programmation particulière offre la possibilité à des élèves de 3e cycle, des doctorants ou jeunes docteurs de croiser leurs premières recherches avec celles de personnes plus confirmées. Ce colloque a été l'occasion d'esquisser un bilan, ou du moins de brosser un tableau de l'évolution des études dix-neuviémistes durant ces vingt dernières années, de souligner l'émergence de thématiques, de questions et de méthodes nouvelles. Les lecteurs trouveront dans ces actes à la fois des confirmations, mais aussi des interrogations, l'ouverture de nouveaux champs, auxquels le musée d'Orsay a contribué par ses choix d'accrochage, d'expositions et de manifestations."--P. [4] of cover.
Author: Claire Barbillon Publisher: Ecole du Louvre ISBN: Category : Art, French Languages : fr Pages : 764
Book Description
"Le présent volume rassemble les contributions du colloque international Histoire de l'art du X1Xe siècle (1848-1914). Bilans et perspectives qui s'est tenu à l'École du Louvre, au musée d'Orsay et à l'Institut national d'histoire de l'art à l'occasion des vingt ans du musée d'Orsay. Ces XXIes Rencontres de l'École du Louvre, organisées en dix sessions, s'intéressant à des questions transversales mais traitant aussi des différents domaines de la production artistique, ont réuni soixante-seize contributeurs, issus du monde des musées comme de celui des universités, et se sont déroulées devant quelque six cents auditeurs. Douze nationalités de chercheurs étaient représentées. Ce colloque a été l'occasion de créer, en partenariat avec l'Institut national d'histoire de l'art, un Forum des jeunes chercheurs, manifestation originale qui trouve désormais sa place dans tous les colloques organisés par l'École du Louvre. Cette programmation particulière offre la possibilité à des élèves de 3e cycle, des doctorants ou jeunes docteurs de croiser leurs premières recherches avec celles de personnes plus confirmées. Ce colloque a été l'occasion d'esquisser un bilan, ou du moins de brosser un tableau de l'évolution des études dix-neuviémistes durant ces vingt dernières années, de souligner l'émergence de thématiques, de questions et de méthodes nouvelles. Les lecteurs trouveront dans ces actes à la fois des confirmations, mais aussi des interrogations, l'ouverture de nouveaux champs, auxquels le musée d'Orsay a contribué par ses choix d'accrochage, d'expositions et de manifestations."--P. [4] of cover.
Author: Henri Labrouste Publisher: The Museum of Modern Art ISBN: 0870708392 Category : Architecture Languages : en Pages : 274
Book Description
Henri Labrouste is one of the few nineteenth-century architects consistently lionized as a precursor of modern architecture throughout the twentieth century and into our own time. The two magisterial glass-and-iron reading rooms he built in Paris gave form to the idea of the modern library as a collective civic space. His influence was both immediate and long-lasting, not only on the development of the modern library but also on the exploration of new paradigms of space, materials and luminosity in places of great public assembly. Published to accompany the first exhibition devoted to Labrouste in the United States--and the first anywhere in the world in nearly 40 years--this publication presents nearly 225 works in all media, including drawings, watercolors, vintage and modern photographs, film stills and architectural models. Essays by a range of international architecture scholars explore Labrouste's work and legacy through a variety of approaches.
Author: Michael Minkenberg Publisher: Berghahn Books ISBN: 1782380108 Category : Architecture Languages : en Pages : 320
Book Description
Capital cities have been the seat of political power and central stage for their state’s political conflicts and rituals throughout the ages. In the modern era, they provide symbols for and confer meaning to the state, thereby contributing to the “invention” of the nation. Capitals capture the imagination of natives, visitors and outsiders alike, yet also express the outcomes of power struggles within the political systems in which they operate. This volume addresses the reciprocal relationships between identity, regime formation, urban planning, and public architecture in the Western world. It examines the role of urban design and architecture in expressing (or hiding) ideological beliefs and political agenda. Case studies include “old” capitals such as Rome, Vienna, Berlin and Warsaw; “new” ones such as Washington DC, Ottawa, Canberra, Ankara, Bonn, and Brasília; and the “European” capital Brussels. Each case reflects the authors’ different disciplinary backgrounds in architecture, history, political science, and urban studies, demonstrating the value of an interdisciplinary approach to studying cities.
Author: Thomas Moser Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110767163 Category : Art Languages : en Pages : 196
Book Description
Throughout the fin de siècle, "energy" was a buzzword that was used far beyond the boundaries of the sciences to negotiate the formative scope as well as limits of Western modernity. The human body was positioned at the center of the visualization of this enigmatic drive of all movement in discourses on labor and economics, physical culture, sport, art, and literature. It was through the body that this all-pervading and conditioning physical principle as well as its perceptual qualities were to be made tangible. This volume is dedicated to these "energetic bodies." The transdisciplinary individual contributions trace body scenarios of force and energy over the course of history from 1800 to the peak phase around 1900 and up to the present.
Author: Gloria Lynn Groom Publisher: Yale University Press ISBN: 0300217013 Category : Art Languages : en Pages : 336
Book Description
An unprecedented exploration of Gauguin's works in various media, from works on paper to clay and furniture Paul Gauguin (1848-1903) was a creative force above and beyond his legendary work as a painter. Surveying the full scope of his career-spanning experiments in different media and formats--clay, works on paper, wood, and paint, as well as furniture and decorative friezes--this volume delves into his enduring interest in craft and applied arts, reflecting on their significance to his creative process. Gauguin: Artist as Alchemist draws on extensive new research into the artist's working methods, presenting him as a consummate craftsman--one whose transmutations of the ordinary yielded new and remarkable forms. Beautifully designed and illustrated, this book includes essays by an international team of scholars who offer a rich analysis of Gauguin's oeuvre beyond painting. By embracing other art forms, which offered fewer dominant models to guide his work, Gauguin freed himself from the burden of artistic precedent. In turn, these groundbreaking creative forays, especially in ceramics, gave new direction to his paintings. The authors' insightful emphasis on craftsmanship deepens our understanding of Gauguin's considerable achievements as a painter, draftsman, sculptor, ceramist, and printmaker within the history of modern art.
Author: Debora L. Silverman Publisher: Univ of California Press ISBN: 0520913280 Category : History Languages : en Pages : 446
Book Description
Winner, 1990 Berkshire Conference Book Award Art Nouveau in Fin-de-Siecle France: Politics, Psychology, and Style explores the shift in the locus of modernity from technological monument to private interior. It examines the political, economic, social, intellectual and artistic factors, specific to late 19th century France, that interacted in the development of art nouveau.
Author: Willa Z. Silverman Publisher: University of Toronto Press ISBN: 144269145X Category : Design Languages : en Pages : 337
Book Description
The late-nineteenth century in Europe was a period of profound political, social, and technological change. One result of these changes was the rise in France of an upper-bourgeois bohemian class. Many of its members stimulated interest in unique forms of artistic expression such as illustrated books. On account of their influence, an atmosphere of intense bibliophilic activity came to define French culture at the turn of the century. The New Bibliopolis explores the role of amateurs in promoting the book arts in France during this period. Drawing on extensive original research, Willa Z. Silverman looks at the ways in which book collectors supported print culture. She shows how, through the admiration demonstrated by collectors for this medium, print came to be a crucial part of popular conceptions of aesthetics. As collectors, publishers, authors, designers, and directors of bibliophile societies, reviews, and small presses, these book lovers became passionate and prolific interlocutors of the printed word in a uniquely artistic epoch. Silverman analyzes subjects as diverse as the relationship between book collecting and aesthetic and cultural currents such as Symbolism; the gendered nature of book collecting; the increased collaboration between authors and illustrators; and the marketing of fine books at international exhibits. The New Bibliopolis is an important contribution to the study of book history, French sociocultural history, and fine and decorative arts.
Author: Martin Bressani Publisher: Routledge ISBN: 1317179323 Category : Architecture Languages : en Pages : 624
Book Description
Hailed as one of the key theoreticians of modernism, Eugène-Emmanuel Viollet-le-Duc was also the most renowned restoration architect of his age, a celebrated medieval archaeologist and a fervent champion of Gothic revivalism. He published some of the most influential texts in the history of modern architecture such as the Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle and Entretiens sur l’architecture, but also studies on warfare, geology and racial history. Martin Bressani expertly traces Viollet-le-Duc’s complex intellectual development, mapping the attitudes he adopted toward the past, showing how restoration, in all its layered meaning, shaped his outlook. Through his life journey, we follow the route by which the technological subject was born out of nineteenth-century historicism.
Author: Robert Tombs Publisher: Routledge ISBN: 1317871421 Category : History Languages : en Pages : 608
Book Description
Here is an incomparably rich portrait of France in the years when the disparate elements that made up the fragmented kingdom of the ancien regime were forged into the modern nation. The survey begins with an exploration of national obsessions and attitudes. It considers the tendency to revolution and war, the preoccupation with the idea of a New Order and the deep strain of national paranoia that was to be intensified by the dramatic debacle of the Franco-Prussian War. Robert Tombs then investigates the structures of power and in Part Three he turns his attention to social identities, from the individual and family to the nation at large. When every aspect of the period has been put under the microscope, Robert Tombs draws them all into the broad political narrative that brings the book to its rousing conclusion. Bursting with life as well as learning, this is, quite simply, a tour de force.
Author: Claire Barbillon
Author: Claire Barbillon
Author: Henri Labrouste
Author: Michael Minkenberg
Author: Thomas Moser
Author: Gloria Lynn Groom
Author: Debora L. Silverman
Author: Willa Z. Silverman
Author: Martin Bressani
Author: Robert Tombs
Author: Anne Pingeot