Author: Ulrich FinkePublisher: Manchester University Press
ISBN: 9780719004131
Category : Art and literature
Languages : en
Pages : 420
Book Description
French 19th Century Painting and Literature: with Special Reference to the Relevance of Literary Subject-matter to French Painting
Author: Ulrich FinkePublisher: Manchester University Press
ISBN: 9780719004131
Category : Art and literature
Languages : en
Pages : 420
Book Description
Encyclopedia of Modern French Thought
Author: Christopher John MurrayPublisher: Taylor & Francis
ISBN: 1579583849
Category : History
Languages : en
Pages : 748
Book Description
This work covers not only philosophy, but also all the other major disciplines, including literary theory, sociology, linguistics, political thought, theology, and more. The 240 analytical entries examine individuals such as Bergson, Durkheim, Mauss, Sartre, Beauvoir, Foucault, Levi-Strauss, Lacan, Kristeva, and Derrida; specific disciplines such as the arts, anthropology, historiography, psychology, and sociology; key beliefs and methodologies such as Catholicism, deconstruction, feminism, Marxism, and phenomenology; themes and concepts such as freedom, language, media, and sexuality; and istorical, political, social, and intellectual context. --From publisher's decription.
Masters in Art: French school. Lebrun through Watteau
Author: Nineteenth Century Painters and Painting
Author: Geraldine NormanPublisher: Univ of California Press
ISBN: 0520326687
Category : Art
Languages : en
Pages : 1030
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.
French Art of the Eighteenth Century
Author: Heather Eleanor MacDonaldPublisher: Yale University Press
ISBN: 0300220170
Category : Art
Languages : en
Pages : 193
Book Description
"Since 2004, the Dallas Museum of Art has been the repository of the renowned collection of eighteenth-century French art assembled by the late Michael Rosenberg. The long-term loan of these masterpieces greatly enhances the collection of European art at the Museum, and the series of scholarly lectures funded by the Foundation, the Michael L. Rosenberg Lecture Series, gives a powerful boost to its European art program. Those lectures, presented by top scholars in the field of European art history, are re-presented in this volume"--
France in the Golden Age
Author: Pierre RosenbergPublisher: Metropolitan Museum of Art
ISBN: 0870992953
Category : Classicism in art
Languages : en
Pages : 420
Book Description
French Painting in the Seventeenth Century
Author: Alain MérotPublisher: Yale University Press
ISBN: 0300065507
Category : Art
Languages : en
Pages : 336
Book Description
Recent studies and exhibitions, combined with the discovery of work by hitherto little-known artists have enabled Merot to take a fresh look at the period and to suggest a new configuration. The great names of the period - Poussin, Vouet, Le Sueur, de La Tour, Mignard - are located in relation to other developments. Merot includes discussion of the impact of contemporary literature and political, philosophical and social influences. The foundation of the Royal Academy of Painting in 1648, and the influence of Mazarin on artistic developments are considered with other issues of status, patronage and connoisseurship. The book provides a panorama of the period; the text is profusely illustrated in colour, and accompanied by a comprehensive bibliography.
French Painting of the Nineteenth Century
Author: Samuel RocheblavePublisher:
ISBN:
Category : Painting
Languages : en
Pages : 456
Book Description
France and the Visual Arts Since 1945
Author: Catherine DossinPublisher: Bloomsbury Publishing USA
ISBN: 1501341529
Category : Art
Languages : en
Pages : 305
Book Description
Taking on the myth of France's creative exhaustion following World War II, this collection of essays brings together an international team of scholars, whose research offers English readers a rich and complex overview of the place of France and French artists in the visual arts since 1945. Addressing a wide range of artistic practices, spanning over seven decades, and using different methodologies, their contributions cover ground charted and unknown. They introduce greater depth and specificity to familiar artists and movements, such as Lettrism, Situationist International or Nouveau Réalisme, while bringing to the fore lesser known artists and groups, including GRAPUS, the Sociological Art Collective, and Nicolas Schöffer. Collectively, they stress the political dimensions and social ambitions of the art produced in France at the time, deconstruct the traditional geography of the French art world, and highlight the multiculturalism of the French art scene that resulted from its colonial past and the constant flux of artistic travels and migrations. Ultimately, the book contributes to a story of postwar art in which France can be inscribed not as a main or sub chapter, but rather as a vector in the wider constellation of modern and contemporary art.
Emulation
Author: Thomas CrowPublisher: Yale University Press
ISBN: 9780300117394
Category : Art
Languages : en
Pages : 392
Book Description
This fascinating and elegant book tells the story of five painters at the center of events in Revolutionary France: Jacques-Louis David and his first cohort of precocious pupils, including the meteoric Jean-Germain Drouais and the astonishingly gifted but deeply troubled Anne-Louis Girodet. Written by a major art historian, it interprets in a new and original way the relationships between these men and the paintings they created. This new edition includes a revised introduction and incorporates the fruit of recent new research. "Crow combines excellent formal and stylistic analysis of particular paintings with close attention to the psychological complexities and political and social contexts of the artists’ lives. He delves deeply into David’s and his students’ thematic choices, compositional strategies and personal relations in order to make his overarching political and aesthetic arguments.”--Lynn Hunt, New Republic "A magisterial contribution to the history of art.”--Richard Cobb, The Spectator