Histoire de la Musique: Des origines à Jean-Sébastien PDF Download

Author: Roland-Manuel
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2262

View

Book Description

Author: Claude Fernandez
Publisher: fernandez claude
ISBN:
Category : Music
Languages : en
Pages : 45

View

Book Description
General synthesis essay trying to consider, as an example, the causes of the notoriety of Johann Sebastian Bach, particularly in comparison whit his contemporary Vivaldi. Is the notoriety of the greats composers due to the real musical interest of their masterpieces for the people or to the result of a complex alchemy in which ideology mainly intervenes ? The name of Bach seems particularly to illustrate the influence of extra-musicals factors in the recognition of genius, real or supposed. The comparison with his contemporary Vivaldi allow to show the importance of such factors.

Author: Maria Incoronata Colantuono
Publisher: ohDigital
ISBN:
Category : History
Languages : en
Pages : 175

View

Book Description
This publication edited by Dr. Maria Incoronata Colantuono presents an accurate selection of musical and liturgical medieval texts from the 9th to 13th century, preserved at the Biblioteca de Catalunya. By means of this compilation, the different authors of this work introduce and explain fundamental concepts about the relationship between music and church such as neumes, Gregorian chants, the ecclesiastical centres in Catalonia or the main architectural styles of the moment. The work contains interviews with specialists who provide a wide vision of the music and liturgy; among them, Jesús Alturo, Juan Carlos Asensio, Joaquim Garrigosa i Massana, Katarina Livljanic and Eduardo Carrero. The book, which encompasses musical performances by Juan Carlos Asensio and Antoni Rossell, concludes with an extensive bibliography and a list of digital resources that contribute to improve the research and scholar studies.

Author: Jonathan Wainwright
Publisher: Routledge
ISBN: 1351566253
Category : Music
Languages : en
Pages : 507

View

Book Description
Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.

Author: Pauline A. LeVen
Publisher: Cambridge University Press
ISBN: 1009028391
Category : History
Languages : en
Pages : 291

View

Book Description
Where does music come from? What kind of agency does a song have? What is at the root of musical pleasure? Can music die? These are some of the questions the Greeks and the Romans asked about music, song, and the soundscape within which they lived, and that this book examines. Focusing on mythical narratives of metamorphosis, it investigates the aesthetic and ontological questions raised by fantastic stories of musical origins. Each chapter opens with an ancient text devoted to a musical metamorphosis (of a girl into a bird, a nymph into an echo, men into cicadas, etc.) and reads that text as a meditation on an aesthetic and ontological question, in dialogue with 'contemporary' debates – contemporary with debates in the Greco-Roman culture that gave rise to the story, and with modern debates in the posthumanities about what it means to be a human animal enmeshed in a musicking environment.

Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 948

View

Book Description

Author: Rachel Mundy
Publisher: Wesleyan University Press
ISBN: 0819578088
Category : Music
Languages : en
Pages : 281

View

Book Description
Over the past century and a half, the voices and bodies of animals have been used by scientists and music experts as a benchmark for measures of natural difference. Animal Musicalities traces music's taxonomies from Darwin to digital bird guides to show how animal song has become the starting point for enduring evaluations of species, races, and cultures. By examining the influential efforts made by a small group of men and women to define human diversity in relation to animal voices, this book raises profound questions about the creation of modern human identity, and the foundations of modern humanism.

Author: Lawrence Earp
Publisher: Routledge
ISBN: 1136781773
Category : Music
Languages : en
Pages : 680

View

Book Description
First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Fernand Braudel
Publisher: Europa Editions
ISBN: 1609455355
Category : History
Languages : en
Pages : 197

View

Book Description
From the author of Memory and the Mediterranean, a comprehensive history of the Italian city states from 1450 to 1650. In the fifteenth century, even before the city states of the Apennine Peninsula began to coalesce into what would become, several centuries later, a nation, “Italy” exerted enormous influence over all of Europe and throughout the Mediterranean. Its cultural, economic, and political dominance is utterly astonishing and unique in world history. Viewing the Italy?the many Italies?of that time through the lens of today allows us to gather a fragmented, multi-faceted, and seemingly contradictory history into a single unifying narrative that speaks to our current reality as much as it does to a specific historical period. This is what the acclaimed French historian, Fernand Braudel, achieves here. He brings to life the two extraordinary centuries that span the Renaissance, Mannerism, and the Baroque and analyzes the complex interaction between art, science, politics, and commerce during Italy’s extraordinary cultural flowering.

Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2236

View

Book Description