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Author: Publisher: Greenwood ISBN: Category : Social Science Languages : en Pages : 294
Book Description
With the rapid increase of the Hispanic population in the United States, the Spanish cultural heritage has begun to achieve greater visibility and attract widespread interest. This directory reflects the efforts of states, museums, and other institutions, communities, and individuals to preserve and promote Hispanic material culture. It offers detailed information on depositories of Hispanic-American arts and crafts, photographic collections, museums, historic sites, and festivals, as well as folklore and oral history archives. The oldest and most numerous repositories are those that preserve Mexican-American culture in New Mexico, Texas, and California. These include many fine museum collections; historic churches, missions, plazas, government buildings, and houses; religious and secular festivals held at various times of the year; and collections of the work of traditional craftsmen such as the santeros, who in some parts of the Southwest still carve wooden statuettes of saints for churches and home altars. The primary repositories for Cuban materials are in Florida and New York; Puerto Rican materials have been collected mainly in Puerto Rico and the industrial northeast. This extensive bibliography provides information on studies dealing with architecture, foodways, arts and crafts, costume, festivals, and other topics. The subject index provides easy access to the book contents. This book will be an appropriate selection for regional, ethnic, and historical reference collections and a useful resource for academics and students with an interest in Hispanic-American history or culture.
Author: Publisher: Greenwood ISBN: Category : Social Science Languages : en Pages : 294
Book Description
With the rapid increase of the Hispanic population in the United States, the Spanish cultural heritage has begun to achieve greater visibility and attract widespread interest. This directory reflects the efforts of states, museums, and other institutions, communities, and individuals to preserve and promote Hispanic material culture. It offers detailed information on depositories of Hispanic-American arts and crafts, photographic collections, museums, historic sites, and festivals, as well as folklore and oral history archives. The oldest and most numerous repositories are those that preserve Mexican-American culture in New Mexico, Texas, and California. These include many fine museum collections; historic churches, missions, plazas, government buildings, and houses; religious and secular festivals held at various times of the year; and collections of the work of traditional craftsmen such as the santeros, who in some parts of the Southwest still carve wooden statuettes of saints for churches and home altars. The primary repositories for Cuban materials are in Florida and New York; Puerto Rican materials have been collected mainly in Puerto Rico and the industrial northeast. This extensive bibliography provides information on studies dealing with architecture, foodways, arts and crafts, costume, festivals, and other topics. The subject index provides easy access to the book contents. This book will be an appropriate selection for regional, ethnic, and historical reference collections and a useful resource for academics and students with an interest in Hispanic-American history or culture.
Author: Nicolàs Kanellos Publisher: Arte Publico Press ISBN: 9781611921618 Category : Literary Collections Languages : en Pages : 384
Book Description
Recovering the U.S. Hispanic Literary Project is a national project to locate, identify, preserve and make accessible the literary contributions of U.S. Hispanics from colonial times through 1960 in what today comprises the fifty states of the United States.
Author: Andrew Reynolds Publisher: Bucknell University Press ISBN: 1611484693 Category : Literary Criticism Languages : en Pages : 201
Book Description
This study explores how Spanish American modernista writers incorporated journalistic formalities and industry models through the crónica genre to advance their literary preoccupations. Through a variety of modernista writers, including José Martí, Amado Nervo, Manuel Gutiérrez Nájera and Rubén Darío, Reynolds argues that extra-textual elements – such as temporality, the material formats of the newspaper and book, and editorial influence – animate the modernista movement’s literary ambitions and aesthetic ideology. Thus, instead of being stripped of an esteemed place in the literary sphere due to participation in the market-based newspaper industry, journalism actually brought modernismo closer to the writers’ desired artistic autonomy. Reynolds uncovers an original philosophical and sociological dimension of the literary forms that govern modernista studies, situating literary journalism of the movement within historical, economic and temporal contexts. Furthermore, he demonstrates that journalism of the movement was eventually consecrated in book form, revealing modernista intentionality for their mass-produced, seemingly utilitarian journalistic articles. The Spanish American Crónica Modernista, Temporality, and Material Culture thereby enables a better understanding of how the material textuality of the crónica impacts its interpretation and readership.
Author: Jeb J. Card Publisher: SIU Press ISBN: 0809333163 Category : Social Science Languages : en Pages : 495
Book Description
In recent years, archaeologists have used the terms hybrid and hybridity with increasing frequency to describe and interpret forms of material culture. Hybridity is a way of viewing culture and human action that addresses the issue of power differentials between peoples and cultures. This approach suggests that cultures are not discrete pure entities but rather are continuously transforming and recombining. The Archaeology of Hybrid Material Culture discusses this concept and its relationship to archaeological classification and the emergence of new ethnic group identities. This collection of essays provides readers with theoretical and concrete tools for investigating objects and architecture with discernible multiple influences. The twenty-one essays are organized into four parts: ceramic change in colonial Latin America and the Caribbean; ethnicity and material culture in pre-Hispanic and colonial Latin America; culture contact and transformation in technological style; and materiality and identity. The media examined include ceramics, stone and glass implements, textiles, bone, architecture, and mortuary and bioarchaeological artifacts from North, South, and Central America, Hawai‘i, the Caribbean, Europe, and Mesopotamia. Case studies include Bronze Age Britain, Iron Age and Roman Europe, Uruk-era Turkey, African diasporic communities in the Caribbean, pre-Spanish and Pueblo revolt era Southwest, Spanish colonial impacts in the American Southeast, Central America, and the Andes, ethnographic Amazonia, historic-era New England and the Plains, the Classic Maya, nineteenth-century Hawai‘i, and Upper Paleolithic Europe. The volume is carefully detailed with more than forty maps and figures and over twenty tables. The work presented in The Archaeology of Hybrid Material Culture comes from researchers whose questions and investigations recognized the role of multiple influences on the people and material they study. Case studies include experiments in bone working in middle Missouri; images and social relationships in prehistoric and Roman Europe; technological and material hybridity in colonial Peruvian textiles; ceramic change in colonial Latin America and the Caribbean; and flaked glass tools from the leprosarium at Kalawao, Moloka‘i. The essays provide examples and approaches that may serve as a guide for other researchers dealing with similar issues.
Author: María Mercedes Andrade Publisher: Rowman & Littlefield ISBN: 161148734X Category : Literary Criticism Languages : en Pages : 243
Book Description
From the cabinets of wonderof the Renaissance to the souvenir collections of today, selecting, accumulating, and organizing objects are practices that are central to our notions of who we are and what we value. Collecting, both private and institutional, has been instrumental in the consolidation of modern notions of the individual and of the nation, and numerous studies have discussed its complex political, social, economic, anthropological, and psychological implications. However, studies of collecting as practiced in colonized cultures are few, since the role of these cultures has usually been understood as that of purveyors of objects for the metropolitan collector. Collecting from the Margins: Material Culture in a Latin American Context seeks to counter the historical understanding of collecting that posits the metropolis as collecting subject and the colonial or postcolonial society as supplier of collectible objects by asking instead how collecting has been practiced and understood in Latin America. Has collecting been viewed or portrayed differently in a Latin American context? Does the act of collecting, when viewed from a Latin American perspective, unsettle the way we have become accustomed to think about it? What differences, if any, arise in the activity of collecting in colonized or previously colonial societies? Spanning the period after the independence wars until the 1980s, this collection of ten essays addresses a broad range of examples of collecting practices in Latin America. Collecting during the nineteenth century is addressed in discussions of the creation of the first national museums of Argentina and Colombia in the post-independence period, as well as in analyses of the private collections of modernistas such as Enrique Gómez Carrillo, Rubén Darío, José Asunción Silva, and Delmira Agustini at the end of the nineteenth century and the beginning of the twentieth. The practice of collecting in the twentieth century is discussed in analyses of the self-described revolutionary practices of Oswald de Andrade, Augusto de Campos and the films of Ruy Guerra, as well as the polemical collections of Pablo Neruda, and the unsettling collections portrayed in Gabriel García Márquez’s One Hundred Years of Solitude.
Author: Lucy Bollington Publisher: University of Florida Press ISBN: 9781683401490 Category : Art and society Languages : en Pages : 0
Book Description
This volume explores works from Latin American literary and visual culture that question what it means to be human and examine the ways humans and nonhumans shape one another. In doing so, it provides new perspectives on how the region challenges and adds to global conversations about humanism and the posthuman. Contributors identify posthumanist themes across a range of different materials, including an anecdote about a plague of rabbits in Historia de las Indias by Spanish historian Bartolom de las Casas, photography depicting desert landscapes at the site of Brazil's War of Canudos, and digital and installation art portraying victims of state-sponsored and drug violence in Colombia and Mexico. The essays illuminate how these cultural texts broach the limits between life and death, human and animal, technology and the body, and people and the environment. They also show that these works use the category of the human to address issues related to race, gender, inequality, necropolitics, human rights, and the role of the environment. Latin American Culture and the Limits of the Human demonstrates that by focusing on the boundary between the human and nonhuman, writers, artists, and scholars can open up new dimensions to debates about identity and difference, the local and the global, and colonialism and power.
Author: Carlos Manuel Salomon Publisher: Routledge ISBN: 1317449290 Category : History Languages : en Pages : 480
Book Description
The Routledge History of Latin American Culture delves into the cultural history of Latin America from the end of the colonial period to the twentieth century, focusing on the formation of national, racial, and ethnic identity, the culture of resistance, the effects of Eurocentrism, and the process of cultural hybridity to show how the people of Latin America have participated in the making of their own history. The selections from an interdisciplinary group of scholars range widely across the geographic spectrum of the Latin American world and forms of cultural production. Exploring the means and meanings of cultural production, the essays illustrate the myriad ways in which cultural output illuminates political and social themes in Latin American history. From religion to food, from political resistance to artistic representation, this handbook showcases the work of scholars from the forefront of Latin American cultural history, creating an essential reference volume for any scholar of modern Latin America.
Author: Richard Aste Publisher: The Monacelli Press, LLC ISBN: 1580933653 Category : Art Languages : en Pages : 225
Book Description
A critical contribution to the burgeoning field of Spanish colonial art, Behind Closed Doors reveals how art and luxury goods together signaled the identity and status of Spanish Americans struggling to claim their place in a fluid New World hierarchy. By the early sixteenth century, the Spanish practice of defining status through conspicuous consumption and domestic display was established in the Americas by Spaniards who had made the transatlantic crossing in search of their fortunes. Within a hundred years, Spanish Americans of all heritages had amassed great wealth and had acquired luxury goods from around the globe. Nevertheless, the Spanish crown denied the region’s new moneyed class the same political and economic opportunities as their European-born counterparts. New World elites responded by asserting their social status through the display of spectacular objects at home as pointed reminders of the empire’s dependence on silver and other New World resources. The private residences of elite Spaniards, Creoles (American-born white Spaniards), mestizos, and indigenous people rivaled churches as principal repositories for the fine and decorative arts. Drawing principally on the Brooklyn Museum’s renowned colonial holdings, among the country’s finest, this book presents magnificent domestic works in a broad New World (Spanish and British) context. In the essays within, the authors lead the reader through the elite Spanish American home, illuminating along the way a dazzling array of both imported and domestic household goods. There, visitors would encounter European-inspired portraiture, religious paintings used for private devotion and also as signifiers of status, and objects that spoke to the owner’s social and racial identity.
Author: Alanson Skinner Publisher: Forgotten Books ISBN: 9781330167397 Category : Social Science Languages : en Pages : 594
Book Description
Excerpt from Material Culture of the Menomini This series of Indian Notes and Monographs is devoted primarily to the publication of the results of studies by members of the staff of the Museum of the American Indian, Heye Foundation, and is uniform with Hispanic Notes and Monographs, published by the Hispanic Society of America, with which organization this Museum is in cordial cooperation. A list of the publications of the Museum will be sent upon request. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Author: Arnold J. Bauer
Author: Nicolàs Kanellos
Author: Andrew Reynolds
Author: Jeb J. Card
Author: María Mercedes Andrade
Author: Lucy Bollington
Author: Carlos Manuel Salomon
Author: Richard Aste
Author: Alanson Skinner