Hiroshige 53 Stations of the Tōkaidō Vertical: Premium PDF Download

Author: Cristina Berna
Publisher: Missys Clan
ISBN: 9781649454799
Category : Art
Languages : en
Pages : 290

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Book Description
Hiroshige produced these prints for the Vertica; Tokaido in 1855 more than 20 years after his first horizontal Hoeidō edition published 1833-34, which is included for comparison.

Author: Cristina Berna
Publisher: BOD GmbH DE
ISBN: 8411748219
Category : Art
Languages : en
Pages : 300

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Book Description
The official title for this work is "Pictures from the Famous Places of the Fifty-three Stations". Hiroshige produced these prints in 1855 more than 20 years after his first horizontal Hoeido series published 1833-34, which is included as thumbnails for comparison. It is instructive to see Hiroshiges use of his now mature experience as he develops the vertical format for the narrative. He does designs as he would do a photograph. He set the standard for landscape photography, without a camera. The Tokaido series was the most popular print series ever made in Japan. Hiroshige returned to this theme again and again, with delightful results. It is possible to travel the same road today and some villages are still looking quite like they did back then. The postal stations were constructed between 1601 and 1624.

Author: Cristina Berna
Publisher: Missys Clan
ISBN: 9781649454843
Category :
Languages : en
Pages : 290

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Book Description
Hiroshige produced these prints for the Vertica; Tokaido in 1855 more than 20 years after his first horizontal Hoeidō edition published 1833-34, which is included for comparison.

Author: Melanie Trede
Publisher: Taschen America Llc
ISBN: 9783836556590
Category : Art
Languages : en
Pages : 584

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A dazzling reprint of Hiroshige's views of Edo (modern-day Tokyo), one of the masterpieces of the ukiyo-e woodblock tradition and a paradigm of the Japonisme that inspired Impressionist, Post-Impressionist and Art Nouveau artists, from Vincent van Gogh to James McNeill Whistler.

Author: Eric Thomsen
Publisher:
ISBN: 9781637526507
Category : Art
Languages : en
Pages : 320

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Book Description
The Aritaya Fifty-three Stations of the Tokaido Road, Tōkaidō gojūsan tsugi no uchi, 東海道五十三次之内, is one of the most beautiful of Hiroshige's huge production of landscape print series in spite of its small size. It is only abt 10 x 15 cm (with variations), Yotsugiri yokoban (quarter ōban). It is also unusual in that it is a veritable full course and manual in landscape print design. It is a very rewarding study. All the way through Hiroshige follows certain design principles of proportion of elements, arranging elements and views by diagonals and parallels and balancing of color elements. Compared to most of his other Tōkaidō series Hiroshige in Aritaya focus on letting the landscape tell the story instead of letting people or legend do that, although this is not followed through completely. Utagawa Hiroshige (Japanese: 歌川広重), also called Andō Hiroshige (in Japanese: 安藤広重;) was a Japanese ukiyo-e artist, considered the last great master of that tradition. He was born 1797 and died 12 October 1858. Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term ukiyo-e (浮世絵) translates as "picture[s] of the floating world". Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō, which is the subject of this book, and for his vertical-format landscape series One Hundred Famous Views of Edo.

Author: Cristina Berna
Publisher:
ISBN: 9781637526637
Category : Art
Languages : en
Pages : 226

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Book Description
Come on the journey from Edo, modern day Tokyo, to Kyoto, as experienced by Utagawa Hiroshige in, when he travelled the road to participate in an important procession in 1832. There were 53 post stations along this important road, apart from the start and terminus, in all 55 prints, which are all here in the order from Edo to Kyoto, In the Hoeidō edition (1833-34). This was the most popular print series ever made in Japan. It was even more popular than Hokusai's series Thirty-six Views of Mount Fuji, which had been recently published and which had influenced Hiroshige tremendously (ISBN 9782919787159 as hard cover). It is possible to travel the same road today and some villages are still looking quite like they did back then. The postal stations were constructed between 1601 and 1624. Utagawa Hiroshige (in Japanese: 歌川広重), also called Andō Hiroshige (in Japanese: 安藤広重;), was a Japanese ukiyo-e artist, considered the last great master of that tradition. He was born 1797 and died 12 October 1858. Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term ukiyo-e (浮世絵) translates as "picture[s] of the floating world". Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō, which is the subject of this book, and for his vertical-format landscape series One Hundred Famous Views of Edo. The main subjects of his work are considered atypical of the ukiyo-e genre, whose focus was more on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603-1868).

Author: Cristina Berna
Publisher:
ISBN: 9781637526569
Category :
Languages : en
Pages : 324

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Book Description

Author: Cristina Berna
Publisher:
ISBN: 9781637526699
Category : Art
Languages : en
Pages : 304

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Book Description
The Jinbutso Fifty-three Stations of the Tokaido Road, Gojūsan tsugi, 五十三次 is one of the most original of Hiroshige's huge production. It is a hot fantasy full of secret clues. The complete name of the series in Japanese is Tokaido Goju-san Tsugi Jinbutsu In English it is usually called Figure Tōkaidō or Jinbutsu or Jimbutsu (Figure) Tōkaidō because all the designs show people not just as tiny decorations but as important elements in the foreground of the design, like as if Hiroshige had already invented the zoom lens. Hiroshige's designs would have a huge impact on the later landscape and portrait photography. The "people" are mostly beautiful women and the audience for this series is men dreaming of women they could in theory meet when travelling in the "floating world", ukiyo-e, of the Tōkaidō road seeking adventure and pleasure. Utagawa Hiroshige (Japanese: 歌川広重), also called Andō Hiroshige (in Japanese: 安藤広重;) was a Japanese ukiyo-e artist, considered the last great master of that tradition. He was born 1797 and died 12 October 1858. Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term ukiyo-e (浮世絵) translates as "picture[s] of the floating world". Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō, which is the subject of this book, and for his vertical-format landscape series One Hundred Famous Views of Edo.

Author: Cristina Berna
Publisher: BoD – Books on Demand
ISBN: 3756853942
Category : Art
Languages : en
Pages : 322

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Book Description
The Aritaya Fifty Three Stations of the Tokaido Road is one of the most beautiful of Hiroshiges huge production of landscape print series in spite of its small size. It is only abt 10 x 15 cm (with variations), Yotsugiri yokoban (quarter oban). It is also unusual in that it is a veritable full course and manual in landscape print design. It is a very rewarding study. All the way through Hiroshige follows certain design principles of proportion of elements, arranging elements and views by diagonals and parallels and balancing of color elements. Compared to most of his other Tokaido series Hiroshige in Aritaya focus on letting the landscape tell the story instead of letting people or legend do that, although this is not followed through completely.

Author: Sarah Thompson
Publisher: MFA Publications
ISBN: 9780878468669
Category : Art
Languages : en
Pages : 224

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Book Description
A beautiful collection of Hokusai's prints, all from the largest collection of Japanese prints from outside of Japan The best known of all Japanese artists, Katsushika Hokusai was active as a painter, book illustrator and print designer throughout his ninety-year lifespan. Yet his most famous works of all - the colour woodblock landscape prints issued in series, beginning with Thirty-Six Views of Mount Fuji - were produced within a relatively short time, in an amazing burst of creative energy that lasted from about 1830 to 1836. Hokusai's landscapes not only revolutionized Japanese printmaking but within a few decades of his death had become icons of world art as well. With stunning colour reproductions of works from the largest collection of Japanese prints outside Japan, this book examines the magnetic appeal of Hokusai's designs and the circumstances of their creation. All published prints of his eight major landscape series are included.