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Author: Robert Elgood Publisher: Eburon Academic Publishers, Utrecht ISBN: Category : Armor Languages : en Pages : 320
Book Description
Most studies of Indian armor have concentrated on Mughal arms from northern India, and there has been no serious study of Hindu arms since the nineteenth century. Robert Elgood seeks to fill this scholarly gap with Hindu Arms and Ritual, a new and richly illustrated study that examines pieces from the Tanjore Palace Armory in south India. Tanjore arms reveal a wealth of information about Hindu warrior society through the intricate and symbolic iconography carved on them. As Elgood shows, inscribed gods, goddesses, and sacred animals and plants infused the weaponry with divine powers of assistance. Drawing on evidence from various sources, such as ancient manuscripts and contemporary art, Elgood also challenges the commonly held opinion that most south Indian arms date from the eighteenth and nineteenth centuries. Instead, he argues, many pieces were made during the sixteenth and seventeenth centuries and are attributable to the Vijayanagara and Nayaka courts. This beautifully illustrated work is an invaluable contribution to the historical study of Indian arms and material culture.
Author: Robert Elgood Publisher: Eburon Academic Publishers, Utrecht ISBN: Category : Armor Languages : en Pages : 320
Book Description
Most studies of Indian armor have concentrated on Mughal arms from northern India, and there has been no serious study of Hindu arms since the nineteenth century. Robert Elgood seeks to fill this scholarly gap with Hindu Arms and Ritual, a new and richly illustrated study that examines pieces from the Tanjore Palace Armory in south India. Tanjore arms reveal a wealth of information about Hindu warrior society through the intricate and symbolic iconography carved on them. As Elgood shows, inscribed gods, goddesses, and sacred animals and plants infused the weaponry with divine powers of assistance. Drawing on evidence from various sources, such as ancient manuscripts and contemporary art, Elgood also challenges the commonly held opinion that most south Indian arms date from the eighteenth and nineteenth centuries. Instead, he argues, many pieces were made during the sixteenth and seventeenth centuries and are attributable to the Vijayanagara and Nayaka courts. This beautifully illustrated work is an invaluable contribution to the historical study of Indian arms and material culture.
Author: Doris Meth Srinivasan Publisher: BRILL ISBN: 9004644970 Category : Art Languages : en Pages : 447
Book Description
One of the first things that strike the Western viewer of Indian art is the multiplicity of heads, arms and eyes. This convention grows out of imagery conceived by Vedic sages to explain creation. This book for the first time investigates into the meaning of this convention. The author concentrates on its origins in Hindu art and on preceding textual references to the phenomenon of multiplicity. The first part establishes a general definition for the convention. Examination of all Brahmanical literature up to, and sometimes beyond, the 1st - 3rd century A.D., adds more information to this basic definition. The second part applies this literary information mainly to icons of the Yaksa, Śiva, Vāsudeva-Kṛsṇa and the Goddess, and indicates how Brahmanical cultural norms, exemplified in Mathurā, can transmit textual symbols. Both Part I and Part II provide iconic modules and a methodology to generate interpretations for icons with this remarkable feature through the Gupta age.
Author: Eva Rudy Jansen Publisher: Binkey Kok ISBN: 9789074597074 Category : Body, Mind & Spirit Languages : en Pages : 164
Book Description
Hinduism is more than a religion; it is a way of life. Its rich and multicoloured history has made the structure of its mythical and philosophical principles into a highly differentiated maze, of which total knowledge is a practical impossibility. This volume cannot offer a complete survey of the meaning of Hinduism. It is an extensive compilation of important deities and their divine manifestations, so that modern students can understand the significance of the Hindu pantheon.
Author: Kaushik Roy Publisher: Cambridge University Press ISBN: 110701736X Category : History Languages : en Pages : 309
Book Description
This book traces the evolution of theories of warfare in India from the dawn of civilization, focusing on the debate between Dharmayuddha (Just War) and Kutayuddha (Unjust War) within Hindu philosophy. This debate centers around four questions: What is war? What justifies it? How should it be waged? And what are its potential repercussions?
Author: Amrutur V. Srinivasan Publisher: John Wiley & Sons ISBN: 0470878584 Category : Religion Languages : en Pages : 397
Book Description
Your hands-on guide to one of the world's major religions The dominant religion of India, "Hinduism" refers to a wide variety of religious traditions and philosophies that have developed over thousands of years. Today, the United States is home to approximately one million Hindus. If you've heard of this ancient religion and are looking for a reference that explains the intricacies of the customs, practices, and teachings of this ancient spiritual system, Hinduism For Dummies is for you! Provides a thorough introduction to this earliest and popular world belief system Information on the rites, rituals, deities, and teachings associated with the practice of Hinduism Explores the history and teachings of the Vedas, Brahmans, and Upanishads Offers insight into the modern daily practice of Hinduism around the world Continuing the Dummies tradition of making the world's religions engaging and accessible to everyone, Hinduism For Dummies is your hands-on, friendly guide to this fascinating religion.
Author: Hugh Pearce Pearson Publisher: ISBN: 9780948092572 Category : Armor Languages : en Pages : 47
Book Description
India is a vast sub-continent, with a complex history and a great array of languages, cultures and religions. This short introduction to one aspect of that great culture is intended merely as an appetiser, and is by no means intended as the last word on any aspect of Indian arms and armour. By 'India' I mean the whole Indian sub-continent rather than any political term. The history which forms a background to the story of Indian arms and armour saw empires rise and fall, but the remarkable constancy in the exquisite weapons used by their defenders and opponents marks Indian arms and armour out as something beyond mere statehood. was the catalyst to all sorts of studies of Indian culture and it is no accident that much of the pioneering work on Indian arms and armour was carried out by English scholars. The most notable of these, and the author of the first serious study of Indian armour and arms, was William Egerton, Lord Egerton of Tatton in Cheshire, whose catalogue of the collection of the Indian Museum in London (a collection now absorbed into the Victoria and Albert Museum) appeared in 1880. Yet despite a few important works in the 20th century, such as Philip Rawson's The Indian Sword and Russell Robinson's Oriental Armour, and new works such as Robert Elgood's Hindu Arms and Ritual in The 21st Century, the scientific study of Indian arms and armour has not advanced to the level, say, of Japanese arms and armour. armour in the Royal Armouries. Almost all the holdings are concentrated in the period from the formation of the Mughal empire in the 16th century to the end of the 19th century when western firearms technology had been widely adopted, and it is hoped that this small publication will help in making an important western collection of Indian armour and arms accessible.
Author: Jarrod Whitaker Publisher: Oxford University Press ISBN: 0199755701 Category : Literary Criticism Languages : en Pages : 238
Book Description
Jarrod L. Whitaker examines the ritualized poetic construction of male identity in the Rgveda, India's oldest Sanskrit text, arguing that an important aspect of early Vedic life was the sustained promotion and embodiment of what it means to be a true man. The Rgveda contains over a thousand hymns, addressed primarily to three gods: the deified ritual Fire, Agni; the war god, Indra; and Soma, who is none other than the personification of the sacred beverage soma. The hymns were sung in day-long fire rituals in which poet-priests prepared the sacred drink to empower Indra. The dominant image of Indra is that of a highly glamorized, violent, and powerful Aryan male; the three gods represent the ideals of manhood.Whitaker finds that the Rgvedic poet-priests employed a fascinating range of poetic and performative strategies--some explicit, others very subtle--to construct their masculine ideology, while justifying it as the most valid way for men to live. Poet-priests naturalized this ideology by encoding it within a man's sense of his body and physical self. Rgvedic ritual rhetoric and practices thus encode specific male roles, especially the role of man as warrior, while embedding these roles in a complex network of social, economic, and political relationships.Strong Arms and Drinking Strength is the first book in English to examine the relationship between Rgvedic gods, ritual practices, and the identities and expectations placed on men in ancient India.
Author: David G. Alexander Publisher: Metropolitan Museum of Art ISBN: 1588395707 Category : Social Science Languages : en Pages : 350
Book Description
Armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of the faith, but also as symbols of status, wealth, and power. The finest arms were made by master craftsmen working with the leading designers, goldsmiths, and jewelers, whose work transformed utilitarian military equipment into courtly works of art. This book reveals the diversity and artistic quality of one of the most important and encyclopedic collections of its kind in the West. The Metropolitan Museum's holdings span ten centuries and include representative pieces from almost every Islamic culture from Spain to the Caucasus. The collection includes rare early works, among them the oldest documented Islamic sword, and is rich in helmets and body armor, decorated with calligraphy and arabesques, that were worn in Iran and Anatolia in the late fifteenth century. Other masterpieces include a jeweled short sword (yatagan) with a blade of "watered" steel that comes from the court of Süleyman the Magnificent, a seventeenth-century gold-inlaid armor associated with Shah Jahan, and two gold-inlaid flintlock firearms belonging to the guard of Tipu Sultan of Mysore. Presenting 126 objects, each handsomely photographed and richly documented with a detailed description and discussion of its technical, historical, and artistic importance, this overview of the Met's holdings is supplemented by an introductory essay on the formation of the collection, and appendixes on iconography and on Turkman-style armor.
Author: Robert Elgood
Author: Robert Elgood
Author: Doris Meth Srinivasan
Author: Eva Rudy Jansen
Author: Kaushik Roy
Author: Nile Green
Author: Amrutur V. Srinivasan
Author: Hugh Pearce Pearson
Author: Robert Elgood
Author: Jarrod Whitaker
Author: David G. Alexander