Author: Sotheby Parke Bernet Inc
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 188
Book Description
Highly Important French Furniture Decorations and Extremely Fine Continental Porcelain
Author: Sotheby Parke Bernet Inc
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 188
Book Description
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 188
Book Description
Great Styles of Interior Architecture, with Their Decoration and Furniture
Author: Roger Gilman
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 426
Book Description
With their decoration and furniture.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 426
Book Description
With their decoration and furniture.
French Style and Decoration
Author: Stafford Cliff
Publisher: Thames and Hudson
ISBN: 9780500514009
Category : House & Home
Languages : en
Pages : 0
Book Description
"Originally published in larger format as: The French archive of design and decoration"--Colophon.
Publisher: Thames and Hudson
ISBN: 9780500514009
Category : House & Home
Languages : en
Pages : 0
Book Description
"Originally published in larger format as: The French archive of design and decoration"--Colophon.
French Rococo Ébénisterie in the J. Paul Getty Museum
Author: Gillian Wilson
Publisher: Getty Publications
ISBN: 1606066323
Category : Design
Languages : en
Pages : 721
Book Description
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
Publisher: Getty Publications
ISBN: 1606066323
Category : Design
Languages : en
Pages : 721
Book Description
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
European Clocks and Watches in The Metropolitan Museum of Art
Author: Clare Vincent
Publisher: Metropolitan Museum of Art
ISBN: 1588395790
Category : Antiques & Collectibles
Languages : en
Pages : 292
Book Description
Among the world's greatest technological and imaginative achievements is the invention and development of the timepiece. Examining for the first time The Metropolitan Museum of Art's unparalleled collection of European clocks and watches created from the late Renaissance through the nineteenth century, this fascinating book enriches our understanding of the origins and evolution of these ingenious works. It showcases fifty-four clocks, watches, and other timekeeping devices, each represented with an in-depth description and new photography of the exterior and the inner mechanisms. Among these masterpieces is an ornate sixteenth-century celestial timepiece that accurately predicts the trajectory of the sun, moon, and stars; an eighteenth-century longcase clock by David Roentgen that shows the time in the ten most important cities of the day; and a nineteenth-century watch featuring a penetrating portrait of Czar Nicholas I of Russia. Created by the best craftsmen in Austria, England, Flanders, France, Germany, Italy, the Netherlands, and Switzerland, these magnificent timepieces have been selected for their remarkable beauty and design, as well as their sophisticated mechanics. Built upon decades of expert research, this publication is a long-overdue survey of these stunning visual and technological marvels.
Publisher: Metropolitan Museum of Art
ISBN: 1588395790
Category : Antiques & Collectibles
Languages : en
Pages : 292
Book Description
Among the world's greatest technological and imaginative achievements is the invention and development of the timepiece. Examining for the first time The Metropolitan Museum of Art's unparalleled collection of European clocks and watches created from the late Renaissance through the nineteenth century, this fascinating book enriches our understanding of the origins and evolution of these ingenious works. It showcases fifty-four clocks, watches, and other timekeeping devices, each represented with an in-depth description and new photography of the exterior and the inner mechanisms. Among these masterpieces is an ornate sixteenth-century celestial timepiece that accurately predicts the trajectory of the sun, moon, and stars; an eighteenth-century longcase clock by David Roentgen that shows the time in the ten most important cities of the day; and a nineteenth-century watch featuring a penetrating portrait of Czar Nicholas I of Russia. Created by the best craftsmen in Austria, England, Flanders, France, Germany, Italy, the Netherlands, and Switzerland, these magnificent timepieces have been selected for their remarkable beauty and design, as well as their sophisticated mechanics. Built upon decades of expert research, this publication is a long-overdue survey of these stunning visual and technological marvels.
Arts & Decoration
Nazi-Era Provenance of Museum Collections
Author: Jacques Schuhmacher
Publisher: UCL Press
ISBN: 180008689X
Category : Art
Languages : en
Pages : 196
Book Description
When we look at the artworks on display in museums, there is always a real possibility that some of these objects once belonged to victims of the Nazis – a possibility that has remained unacknowledged for far too long. Countless artworks were seized or forcibly sold, with many ending up in museum collections around the world, even in countries which actively fought to defeat Nazi Germany. Nazi-Era Provenance of Museum Collections equips readers with the knowledge and strategies essential for confronting the shadow of the Nazi past in museum collections. Jacques Schuhmacher provides the vital historical orientation required to understand the Nazis’ complex campaign of systematic dispossession and extermination, and highlights the current environment in which museum-based Nazi-era provenance research takes place. This book introduces readers to the research methods and resources that can be used to reveal the moving stories behind the objects, highlighting the absorbing work of provenance researchers as it plays out in practice. Provenance research not only seeks to recover erased names and experiences and to reinsert them into a historical record, but also to ensure that the Nazis’ actions and worldview do not remain unchallenged in the galleries and storerooms of our museums today. Praise for Nazi-Era Provenance of Museum Collections ‘Jacques Schuhmacher has written a hugely powerful, instructive and important book, tracing the historic responsibility of the museum world in addressing the legacy of Nazi-era loot. Fluently combining extensive historical scholarship with his expert understanding of investigative tools, this study uses compelling examples of restitution cases to show how provenance research should be done and, crucially, why it must be done.’ Dr Tristram Hunt, Director of the V&A ‘A timely work drawing upon first-hand experience in Nazi-era provenance research, providing a unique insight into the difficulties thrown up by the period. This book is sure to become a point of reference for those working in the field.’ His Honour Judge Baumgartner, Deputy Chair, UK Spoliation Advisory Panel ‘It is crucially important that we continue researching the history of ownership of our museum collections. Only then can historic wrongs begin to be rectified. By providing both a broad overview and individual case studies, Schuhmacher offers invaluable guidance on the complexities of Nazi-era provenance research’. Gabriele Finaldi, Director of the National Gallery ‘A timely and user-friendly addition to the Provenance literature. Schuhmacher provides a how-to manual (complete with website addresses) and a much-needed clarification of immediate post-war restitution efforts. A must-have for all museum and art-world professionals.’ Lynn H. Nicholas, author of The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War ‘Allowing readers to understand the complex world of Nazi-era provenance research, this book is both a guide and a moving work of research in its own right. Jacques Schuhmacher is uniquely placed to write this book and to further the goal of material restitution.’ Professor Dan Stone, Director of the Holocaust Research Institute, Royal Holloway University of London ‘This is the place to start for anyone wanting to know about provenance research into looted Nazi-era works of art, or wanting to do the research themselves.’ Lord Inglewood, Chairman of the UK Advisory Group on Spoliation Matters
Publisher: UCL Press
ISBN: 180008689X
Category : Art
Languages : en
Pages : 196
Book Description
When we look at the artworks on display in museums, there is always a real possibility that some of these objects once belonged to victims of the Nazis – a possibility that has remained unacknowledged for far too long. Countless artworks were seized or forcibly sold, with many ending up in museum collections around the world, even in countries which actively fought to defeat Nazi Germany. Nazi-Era Provenance of Museum Collections equips readers with the knowledge and strategies essential for confronting the shadow of the Nazi past in museum collections. Jacques Schuhmacher provides the vital historical orientation required to understand the Nazis’ complex campaign of systematic dispossession and extermination, and highlights the current environment in which museum-based Nazi-era provenance research takes place. This book introduces readers to the research methods and resources that can be used to reveal the moving stories behind the objects, highlighting the absorbing work of provenance researchers as it plays out in practice. Provenance research not only seeks to recover erased names and experiences and to reinsert them into a historical record, but also to ensure that the Nazis’ actions and worldview do not remain unchallenged in the galleries and storerooms of our museums today. Praise for Nazi-Era Provenance of Museum Collections ‘Jacques Schuhmacher has written a hugely powerful, instructive and important book, tracing the historic responsibility of the museum world in addressing the legacy of Nazi-era loot. Fluently combining extensive historical scholarship with his expert understanding of investigative tools, this study uses compelling examples of restitution cases to show how provenance research should be done and, crucially, why it must be done.’ Dr Tristram Hunt, Director of the V&A ‘A timely work drawing upon first-hand experience in Nazi-era provenance research, providing a unique insight into the difficulties thrown up by the period. This book is sure to become a point of reference for those working in the field.’ His Honour Judge Baumgartner, Deputy Chair, UK Spoliation Advisory Panel ‘It is crucially important that we continue researching the history of ownership of our museum collections. Only then can historic wrongs begin to be rectified. By providing both a broad overview and individual case studies, Schuhmacher offers invaluable guidance on the complexities of Nazi-era provenance research’. Gabriele Finaldi, Director of the National Gallery ‘A timely and user-friendly addition to the Provenance literature. Schuhmacher provides a how-to manual (complete with website addresses) and a much-needed clarification of immediate post-war restitution efforts. A must-have for all museum and art-world professionals.’ Lynn H. Nicholas, author of The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War ‘Allowing readers to understand the complex world of Nazi-era provenance research, this book is both a guide and a moving work of research in its own right. Jacques Schuhmacher is uniquely placed to write this book and to further the goal of material restitution.’ Professor Dan Stone, Director of the Holocaust Research Institute, Royal Holloway University of London ‘This is the place to start for anyone wanting to know about provenance research into looted Nazi-era works of art, or wanting to do the research themselves.’ Lord Inglewood, Chairman of the UK Advisory Group on Spoliation Matters
National Union Catalog
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 1038
Book Description
Includes entries for maps and atlases.
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 1038
Book Description
Includes entries for maps and atlases.
Provence Style
Author: Shauna Varvel
Publisher:
ISBN: 9780865653900
Category : House & Home
Languages : en
Pages : 256
Book Description
An intimate tour of quintessential Provencal style, featuring chic homes and interior details inspired by this picturesque region Thirty years after the publication of Peter Mayle's bestselling memoir A Year in Provence, the sun-drenched southern French region continues to excite home decorators with its combination of rustic charm, elegant details, and historical influences. Provence Style showcases the best of the region, with Shauna Varvel's quintessential 18th-century Rhône valley farmhouse--Le Mas des Poiriers--as its centerpiece. Named for the working pear orchard on the grounds, the property was reimagined by noted local architect Alexandre Lafourcade, who transformed a rough structure into a luxurious expression of the Provençal aesthetic, referencing historical influences, rural traditions, and Parisian taste. Set amid a garden of allées, arbors, and terraces designed by the architect's mother, renowned landscape designer Dominique Lafourcade, this exemplar of Provençal style is the starting point for exploring the region's characteristic interior details and exterior features. The book includes chapters on the public spaces of the home, from entrances to living rooms, the private realm of bedrooms and bathrooms, and outdoor areas including patios and kitchen gardens, transporting the reader on a captivating stylistic journey.
Publisher:
ISBN: 9780865653900
Category : House & Home
Languages : en
Pages : 256
Book Description
An intimate tour of quintessential Provencal style, featuring chic homes and interior details inspired by this picturesque region Thirty years after the publication of Peter Mayle's bestselling memoir A Year in Provence, the sun-drenched southern French region continues to excite home decorators with its combination of rustic charm, elegant details, and historical influences. Provence Style showcases the best of the region, with Shauna Varvel's quintessential 18th-century Rhône valley farmhouse--Le Mas des Poiriers--as its centerpiece. Named for the working pear orchard on the grounds, the property was reimagined by noted local architect Alexandre Lafourcade, who transformed a rough structure into a luxurious expression of the Provençal aesthetic, referencing historical influences, rural traditions, and Parisian taste. Set amid a garden of allées, arbors, and terraces designed by the architect's mother, renowned landscape designer Dominique Lafourcade, this exemplar of Provençal style is the starting point for exploring the region's characteristic interior details and exterior features. The book includes chapters on the public spaces of the home, from entrances to living rooms, the private realm of bedrooms and bathrooms, and outdoor areas including patios and kitchen gardens, transporting the reader on a captivating stylistic journey.