Author: Neville H. Fletcher
Publisher: Springer Science & Business Media
ISBN: 0387216030
Category : Science
Languages : en
Pages : 763
Book Description
While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.
The Physics of Musical Instruments
Author: Neville H. Fletcher
Publisher: Springer Science & Business Media
ISBN: 0387216030
Category : Science
Languages : en
Pages : 763
Book Description
While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.
Publisher: Springer Science & Business Media
ISBN: 0387216030
Category : Science
Languages : en
Pages : 763
Book Description
While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.
Acoustics of Musical Instruments
Author: Antoine Chaigne
Publisher: Springer
ISBN: 1493936794
Category : Science
Languages : en
Pages : 855
Book Description
This book, the first English-language translation of Acoustique des instruments de musique, Second Edition, presents the necessary foundations for understanding the complex physical phenomena involved in musical instruments. What is the function of the labium in a flute? Which features of an instrument allow us to make a clear audible distinction between a clarinet and a trumpet? With the help of numerous examples, these questions are addressed in detail. The authors focus in particular on the significant results obtained in the field during the last fifteen years. Their goal is to show that elementary physical models can be used with benefit for various applications in sound synthesis, instrument making, and sound recording. The book is primarily addressed to graduate students and researchers; however it could also be of interest for engineers, musicians, craftsmen, and music lovers who wish to learn about the basics of musical acoustics.
Publisher: Springer
ISBN: 1493936794
Category : Science
Languages : en
Pages : 855
Book Description
This book, the first English-language translation of Acoustique des instruments de musique, Second Edition, presents the necessary foundations for understanding the complex physical phenomena involved in musical instruments. What is the function of the labium in a flute? Which features of an instrument allow us to make a clear audible distinction between a clarinet and a trumpet? With the help of numerous examples, these questions are addressed in detail. The authors focus in particular on the significant results obtained in the field during the last fifteen years. Their goal is to show that elementary physical models can be used with benefit for various applications in sound synthesis, instrument making, and sound recording. The book is primarily addressed to graduate students and researchers; however it could also be of interest for engineers, musicians, craftsmen, and music lovers who wish to learn about the basics of musical acoustics.
Springer Handbook of Acoustics
Author: Thomas Rossing
Publisher: Springer
ISBN: 1493907557
Category : Science
Languages : en
Pages : 1280
Book Description
Acoustics, the science of sound, has developed into a broad interdisciplinary field encompassing the academic disciplines of physics, engineering, psychology, speech, audiology, music, architecture, physiology, neuroscience and others. Here is an unparalleled modern handbook reflecting this richly interdisciplinary nature edited by one of the acknowledged masters in the field, Thomas Rossing. Researchers and students benefit from the comprehensive contents spanning: animal acoustics including infrasound and ultrasound, environmental noise control, music and human speech and singing, physiological and psychological acoustics, architectural acoustics, physical and engineering acoustics, medical acoustics and ocean acoustics. The Springer Handbook of Acoustics reviews the most important areas of acoustics, with emphasis on current research. The authors of the various chapters are all experts in their fields. Each chapter is richly illustrated with figures and tables. The latest research and applications are incorporated throughout, e.g. computer recognition and synthesis of speech, physiological acoustics, psychological acoustics, thermoacoustics, diagnostic imaging and therapeutic applications and acoustical oceanography. This new edition of the Handbook features over 11 revised and expanded chapters, new illustrations and two new chapters covering microphone arrays, acoustic metamaterials and acoustic emission. These improvements will make the handbook even more useful as a reference and a guide for researchers and students in every branch of acoustics. Praise for the first edition: "This treatise is a successful attempt to cover in one book the diverse field of acoustics, which ranges from physics to music and from formal mathematics to technological applications. ... It is this reviewer's opinion that a handbook like Rossing's, which covers the whole field of acoustics, serves a real purpose because it not only gives one a chance to see how one's specialty is covered but it also permits one to make a quick survey of other acoustical areas." (Leo Beranek, American Journal of Physics, Vol. 77 (12), December, 2009) "The Springer Handbook of Acoustics falls into that exceptional list. ...every physics department should have a copy available." (John L. Hubisz, The Physics Teacher, Vol. 48, March, 2010) "This handbook is an excellent addition to the acoustics literature. ... The handbook nicely covers both basics and advances in several areas of acoustics. Several chapters provide good mathematical depth, making the handbook useful as a research and technical resource. ...Overall, a very useful educational and research resource. Summing Up: Recommended. Upper-division undergraduates through professionals." (M. G. Prasad, CHOICE, Vol. 45 (5), January, 2008) "This book covers a wide range of topics and the inclusion of musical acoustics, computer and electronic music appeal to me (singer, song-writer, performer and recording studio co-owner). This handbook is probably well suited for an undergraduate-level introduction to an acoustics course. ... The wide range of topics, inclusion of music-related chapters, eye-pleasing presentations and other useful features make this a very good book to have on your shelf." (Tim Casey, International Journal of Acoustics and Vibration, Vol. 13 (1), 2008) "The Springer Handbook of Acoustics comprises 28 chapters written by 33 authors. The Handbook of Acoustics is useful as a source book for anyone who needs or wants to become familiar with the jargon and issues related to a specific subfield of acoustics ... ." (Robert I. Odom, Siam Review, Vol. 50 (3), 2008) The Springer Handbook of Acoustics reviews the most important areas of acoustics, with emphasis on current research. The authors of the various chapters are all experts in their fields. Each chapter is richly illustrated with figures and tables. The latest research and applications are incorporated throughout, e.g. computer recognition and synthesis of speech, physiological acoustics, psychological acoustics, thermoacoustics, diagnostic imaging and therapeutic applications and acoustical oceanography. This new edition of the Handbook features over 13 revised and expanded chapters, new illustrations and 3 new chapters covering microphone arrays, acoustic metamaterials and acoustic emission. These improvements will make the handbook even more useful as a reference and a guide for researchers and students in every branch of acoustics.
Publisher: Springer
ISBN: 1493907557
Category : Science
Languages : en
Pages : 1280
Book Description
Acoustics, the science of sound, has developed into a broad interdisciplinary field encompassing the academic disciplines of physics, engineering, psychology, speech, audiology, music, architecture, physiology, neuroscience and others. Here is an unparalleled modern handbook reflecting this richly interdisciplinary nature edited by one of the acknowledged masters in the field, Thomas Rossing. Researchers and students benefit from the comprehensive contents spanning: animal acoustics including infrasound and ultrasound, environmental noise control, music and human speech and singing, physiological and psychological acoustics, architectural acoustics, physical and engineering acoustics, medical acoustics and ocean acoustics. The Springer Handbook of Acoustics reviews the most important areas of acoustics, with emphasis on current research. The authors of the various chapters are all experts in their fields. Each chapter is richly illustrated with figures and tables. The latest research and applications are incorporated throughout, e.g. computer recognition and synthesis of speech, physiological acoustics, psychological acoustics, thermoacoustics, diagnostic imaging and therapeutic applications and acoustical oceanography. This new edition of the Handbook features over 11 revised and expanded chapters, new illustrations and two new chapters covering microphone arrays, acoustic metamaterials and acoustic emission. These improvements will make the handbook even more useful as a reference and a guide for researchers and students in every branch of acoustics. Praise for the first edition: "This treatise is a successful attempt to cover in one book the diverse field of acoustics, which ranges from physics to music and from formal mathematics to technological applications. ... It is this reviewer's opinion that a handbook like Rossing's, which covers the whole field of acoustics, serves a real purpose because it not only gives one a chance to see how one's specialty is covered but it also permits one to make a quick survey of other acoustical areas." (Leo Beranek, American Journal of Physics, Vol. 77 (12), December, 2009) "The Springer Handbook of Acoustics falls into that exceptional list. ...every physics department should have a copy available." (John L. Hubisz, The Physics Teacher, Vol. 48, March, 2010) "This handbook is an excellent addition to the acoustics literature. ... The handbook nicely covers both basics and advances in several areas of acoustics. Several chapters provide good mathematical depth, making the handbook useful as a research and technical resource. ...Overall, a very useful educational and research resource. Summing Up: Recommended. Upper-division undergraduates through professionals." (M. G. Prasad, CHOICE, Vol. 45 (5), January, 2008) "This book covers a wide range of topics and the inclusion of musical acoustics, computer and electronic music appeal to me (singer, song-writer, performer and recording studio co-owner). This handbook is probably well suited for an undergraduate-level introduction to an acoustics course. ... The wide range of topics, inclusion of music-related chapters, eye-pleasing presentations and other useful features make this a very good book to have on your shelf." (Tim Casey, International Journal of Acoustics and Vibration, Vol. 13 (1), 2008) "The Springer Handbook of Acoustics comprises 28 chapters written by 33 authors. The Handbook of Acoustics is useful as a source book for anyone who needs or wants to become familiar with the jargon and issues related to a specific subfield of acoustics ... ." (Robert I. Odom, Siam Review, Vol. 50 (3), 2008) The Springer Handbook of Acoustics reviews the most important areas of acoustics, with emphasis on current research. The authors of the various chapters are all experts in their fields. Each chapter is richly illustrated with figures and tables. The latest research and applications are incorporated throughout, e.g. computer recognition and synthesis of speech, physiological acoustics, psychological acoustics, thermoacoustics, diagnostic imaging and therapeutic applications and acoustical oceanography. This new edition of the Handbook features over 13 revised and expanded chapters, new illustrations and 3 new chapters covering microphone arrays, acoustic metamaterials and acoustic emission. These improvements will make the handbook even more useful as a reference and a guide for researchers and students in every branch of acoustics.
Directivity Patterns for Room Acoustical Measurements and Simulations
Author: Martin Pollow
Publisher: Logos Verlag Berlin GmbH
ISBN: 3832540903
Category : Technology & Engineering
Languages : en
Pages : 192
Book Description
The acoustics of rooms can be objectively described by the room impulse responses obtained for given transfer paths using measurement or simulation. In practice, the directionally dependent behavior of sources and receivers is often disregarded and thus assumed to be of omnidirectional type. In reality, however, these sources and receivers have specific directivity patterns, which are reported to induce audible differences. In this work a methodology to capture, analyze and process directivity patterns of sources and receivers is described. With the help of surrounding spherical microphone and loudspeaker arrays these directivity patterns are measured to be used in room acoustic applications. Room impulse responses with respect to specific directivity patterns can be realized using compact loudspeaker arrays with known directivity. Applying the results of directivity superposition to the set of measured room impulse responses, the acoustics for specific directivity patterns are found. Using a simulation of the room instead, source and receiver directivity patterns can be included in both wave based and particle based methods. The results of this work facilitate more authentic descriptions of room acoustics for specific source and receiver directivity patterns.
Publisher: Logos Verlag Berlin GmbH
ISBN: 3832540903
Category : Technology & Engineering
Languages : en
Pages : 192
Book Description
The acoustics of rooms can be objectively described by the room impulse responses obtained for given transfer paths using measurement or simulation. In practice, the directionally dependent behavior of sources and receivers is often disregarded and thus assumed to be of omnidirectional type. In reality, however, these sources and receivers have specific directivity patterns, which are reported to induce audible differences. In this work a methodology to capture, analyze and process directivity patterns of sources and receivers is described. With the help of surrounding spherical microphone and loudspeaker arrays these directivity patterns are measured to be used in room acoustic applications. Room impulse responses with respect to specific directivity patterns can be realized using compact loudspeaker arrays with known directivity. Applying the results of directivity superposition to the set of measured room impulse responses, the acoustics for specific directivity patterns are found. Using a simulation of the room instead, source and receiver directivity patterns can be included in both wave based and particle based methods. The results of this work facilitate more authentic descriptions of room acoustics for specific source and receiver directivity patterns.
Handbook of Force Transducers
Author: Dan Mihai Stefanescu
Publisher: Springer Science & Business Media
ISBN: 3642182968
Category : Science
Languages : en
Pages : 634
Book Description
Part I introduces the basic "Principles and Methods of Force Measurement" according to a classification into a dozen of force transducers types: resistive, inductive, capacitive, piezoelectric, electromagnetic, electrodynamic, magnetoelastic, galvanomagnetic (Hall-effect), vibrating wires, (micro)resonators, acoustic and gyroscopic. Two special chapters refer to force balance techniques and to combined methods in force measurement. Part II discusses the "(Strain Gauge) Force Transducers Components", evolving from the classical force transducer to the digital / intelligent one, with the incorporation of three subsystems (sensors, electromechanics and informatics). The elastic element (EE) is the "heart" of the force transducer and basically determines its performance. A 12-type elastic element classification is proposed (stretched / compressed column or tube, bending beam, bending and/or torsion shaft, middle bent bar with fixed ends, shear beam, bending ring, yoke or frame, diaphragm, axial-stressed torus, axisymmetrical and voluminous EE), with emphasis on the optimum location of the strain gauges. The main properties of the associated Wheatstone bridge, best suited for the parametrical transducers, are examined, together with the appropriate electronic circuits for SGFTs. The handbook fills a gap in the field of Force Measurement, both experts and newcomers, no matter of their particular interest, finding a lot of useful and valuable subjects in the area of Force Transducers; in fact, it is the first specialized monograph in this inter- and multidisciplinary field.
Publisher: Springer Science & Business Media
ISBN: 3642182968
Category : Science
Languages : en
Pages : 634
Book Description
Part I introduces the basic "Principles and Methods of Force Measurement" according to a classification into a dozen of force transducers types: resistive, inductive, capacitive, piezoelectric, electromagnetic, electrodynamic, magnetoelastic, galvanomagnetic (Hall-effect), vibrating wires, (micro)resonators, acoustic and gyroscopic. Two special chapters refer to force balance techniques and to combined methods in force measurement. Part II discusses the "(Strain Gauge) Force Transducers Components", evolving from the classical force transducer to the digital / intelligent one, with the incorporation of three subsystems (sensors, electromechanics and informatics). The elastic element (EE) is the "heart" of the force transducer and basically determines its performance. A 12-type elastic element classification is proposed (stretched / compressed column or tube, bending beam, bending and/or torsion shaft, middle bent bar with fixed ends, shear beam, bending ring, yoke or frame, diaphragm, axial-stressed torus, axisymmetrical and voluminous EE), with emphasis on the optimum location of the strain gauges. The main properties of the associated Wheatstone bridge, best suited for the parametrical transducers, are examined, together with the appropriate electronic circuits for SGFTs. The handbook fills a gap in the field of Force Measurement, both experts and newcomers, no matter of their particular interest, finding a lot of useful and valuable subjects in the area of Force Transducers; in fact, it is the first specialized monograph in this inter- and multidisciplinary field.
Handbook of Materials for String Musical Instruments
Author: Voichita Bucur
Publisher: Springer
ISBN: 3319320807
Category : Technology & Engineering
Languages : en
Pages : 977
Book Description
This book addresses core questions about the role of materials in general and of wood in particular in the construction of string instruments used in the modern symphony orchestra – violins, violas, cellos and basses. Further attention is given to materials for classical guitars, harps, harpsichords and pianos. While some of the approaches discussed are traditional, most of them depend upon new scientific approaches to the study of the structure of materials, such as for example wood cell structure, which is visible only using modern high resolution microscopic techniques. Many examples of modern and classical instruments are examined, together with the relevance of classical techniques for the treatment of wood. Composite materials, especially designed for soundboards could be a good substitute for some traditional wood species. The body and soundboard of the instrument are of major importance for their acoustical properties, but the study also examines traditional and new wood species used for items such as bows, the instrument neck, string pegs, etc. Wood species’ properties for musical instruments and growth origins of woods used by great makers such as Antonio Stradivari are examined and compared with more recently grown woods available to current makers. The role of varnish in the appearance and acoustics of the final instrument is also discussed, since it has often been proposed as a ‘secret ingredient’ used by great makers. Aspects related to strings are commented.As well as discussing these subjects, with many illustrations from classical and contemporary instruments, the book gives attention to conservation and restoration of old instruments and the physical results of these techniques. There is also discussion of the current value of old instruments both for modern performances and as works of art having great monetary value.The book will be of interest and value to researchers, advanced students, music historians, and contemporary string instrument makers. Musicians in general, particularly those playing string instruments, will also find its revelations fascinating. It will also attract the attention of those using wood for a variety of other purposes, for its use in musical instruments uncovers many of its fundamental features. Professor Neville H. FletcherAustralian National University, Canberra
Publisher: Springer
ISBN: 3319320807
Category : Technology & Engineering
Languages : en
Pages : 977
Book Description
This book addresses core questions about the role of materials in general and of wood in particular in the construction of string instruments used in the modern symphony orchestra – violins, violas, cellos and basses. Further attention is given to materials for classical guitars, harps, harpsichords and pianos. While some of the approaches discussed are traditional, most of them depend upon new scientific approaches to the study of the structure of materials, such as for example wood cell structure, which is visible only using modern high resolution microscopic techniques. Many examples of modern and classical instruments are examined, together with the relevance of classical techniques for the treatment of wood. Composite materials, especially designed for soundboards could be a good substitute for some traditional wood species. The body and soundboard of the instrument are of major importance for their acoustical properties, but the study also examines traditional and new wood species used for items such as bows, the instrument neck, string pegs, etc. Wood species’ properties for musical instruments and growth origins of woods used by great makers such as Antonio Stradivari are examined and compared with more recently grown woods available to current makers. The role of varnish in the appearance and acoustics of the final instrument is also discussed, since it has often been proposed as a ‘secret ingredient’ used by great makers. Aspects related to strings are commented.As well as discussing these subjects, with many illustrations from classical and contemporary instruments, the book gives attention to conservation and restoration of old instruments and the physical results of these techniques. There is also discussion of the current value of old instruments both for modern performances and as works of art having great monetary value.The book will be of interest and value to researchers, advanced students, music historians, and contemporary string instrument makers. Musicians in general, particularly those playing string instruments, will also find its revelations fascinating. It will also attract the attention of those using wood for a variety of other purposes, for its use in musical instruments uncovers many of its fundamental features. Professor Neville H. FletcherAustralian National University, Canberra
Handbook for Sound Engineers
Author: Glen Ballou
Publisher: Taylor & Francis
ISBN: 1136122532
Category : Technology & Engineering
Languages : en
Pages : 1738
Book Description
Handbook for Sound Engineers is the most comprehensive reference available for audio engineers. All audio topics are explored: if you work on anything related to audio you should not be without this book! The 4th edition of this trusted reference has been updated to reflect changes in the industry since the publication of the 3rd edition in 2002 -- including new technologies like software-based recording systems such as Pro Tools and Sound Forge; digital recording using MP3, wave files and others; mobile audio devices such as iPods and MP3 players. Over 40 topics are covered and written by many of the top professionals for their area in the field, including Glen Ballou on interpretation systems, intercoms, assistive listening, and image projection; Ken Pohlmann on compact discs and DVDs; David Miles Huber on MIDI; Dr. Eugene Patronis on amplifier design and outdoor sound systems; Bill Whitlock on audio transformers and preamplifiers; Pat Brown on fundamentals and gain structures; Ray Rayburn on virtual systems and digital interfacing; and Dr. Wolfgang Ahnert on computer-aided sound system design and acoustics for concert halls.
Publisher: Taylor & Francis
ISBN: 1136122532
Category : Technology & Engineering
Languages : en
Pages : 1738
Book Description
Handbook for Sound Engineers is the most comprehensive reference available for audio engineers. All audio topics are explored: if you work on anything related to audio you should not be without this book! The 4th edition of this trusted reference has been updated to reflect changes in the industry since the publication of the 3rd edition in 2002 -- including new technologies like software-based recording systems such as Pro Tools and Sound Forge; digital recording using MP3, wave files and others; mobile audio devices such as iPods and MP3 players. Over 40 topics are covered and written by many of the top professionals for their area in the field, including Glen Ballou on interpretation systems, intercoms, assistive listening, and image projection; Ken Pohlmann on compact discs and DVDs; David Miles Huber on MIDI; Dr. Eugene Patronis on amplifier design and outdoor sound systems; Bill Whitlock on audio transformers and preamplifiers; Pat Brown on fundamentals and gain structures; Ray Rayburn on virtual systems and digital interfacing; and Dr. Wolfgang Ahnert on computer-aided sound system design and acoustics for concert halls.
The Journal of the Acoustical Society of America
Author: Acoustical Society of America
Publisher:
ISBN:
Category : Acoustical engineering
Languages : en
Pages : 1306
Book Description
Publisher:
ISBN:
Category : Acoustical engineering
Languages : en
Pages : 1306
Book Description
Musical Instruments
Author: Lamberto Tronchin
Publisher: MDPI
ISBN: 3039366130
Category : Technology & Engineering
Languages : en
Pages : 138
Book Description
The study of the acoustic and vibrational characteristics of musical instruments in terms of their mechanical behavior, sound emission, and characteristics started thousands of years ago, and among the physicists and mathematicians that addressed this matter, we should at least recognize Leonardo da Vinci, with his experimental water organ, and Ernst Chladni, who discovered nodal patterns on rigid surfaces such as soundboards. The growing awareness of our intangible cultural heritage and the need to better understand our roots in the field of music have contributed to increasing the efforts to extend our knowledge in this field, defining new physical parameters, extending the analysis to other musical instruments, and developing new methods to synthesize sound from musical instruments using a simple keyboard.
Publisher: MDPI
ISBN: 3039366130
Category : Technology & Engineering
Languages : en
Pages : 138
Book Description
The study of the acoustic and vibrational characteristics of musical instruments in terms of their mechanical behavior, sound emission, and characteristics started thousands of years ago, and among the physicists and mathematicians that addressed this matter, we should at least recognize Leonardo da Vinci, with his experimental water organ, and Ernst Chladni, who discovered nodal patterns on rigid surfaces such as soundboards. The growing awareness of our intangible cultural heritage and the need to better understand our roots in the field of music have contributed to increasing the efforts to extend our knowledge in this field, defining new physical parameters, extending the analysis to other musical instruments, and developing new methods to synthesize sound from musical instruments using a simple keyboard.