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Author: John Howland Publisher: Cambridge University Press ISBN: 0521764041 Category : Music Languages : en Pages : 333
Book Description
This book surveys the breadth, richness, and meaning of Duke Ellington's celebrated career, examining his impact on jazz music and its surrounding culture.
Author: John Howland Publisher: Cambridge University Press ISBN: 0521764041 Category : Music Languages : en Pages : 333
Book Description
This book surveys the breadth, richness, and meaning of Duke Ellington's celebrated career, examining his impact on jazz music and its surrounding culture.
Author: Ken Vail Publisher: Scarecrow Press ISBN: 9780810841192 Category : Biography & Autobiography Languages : en Pages : 458
Book Description
Volume II of this two-volume set traces the artist's life and career month by month from the orchestra's return from an extended European tour in June 1950, to Ellington's death in 1974. Jazz historian and graphic designer Vail presents b & w photographs, newspaper reports, advertisements, reviews, and brief diary-type entries; he includes all known club, concert, theater, television, film, and jam sessions, as well as a selected list of recordings. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Spencer Drate Publisher: Princeton Architectural Press ISBN: 9781568983585 Category : Architecture Languages : en Pages : 244
Book Description
Singles, 45s, 7-inchers: they have many names, but they only come in one package (a square of folded cardboard with a miniature poster on either side). The gold standard of Top 40 playlists for decades, these small albums have long been favourites of DJs and collectors who prize them for their small-scale graphic design.Organized chronologically, 45 RPM brings together more than 200 albums from all genres of music, chosen for their innovative design. Included are albums by Paul Anka, The Beatles, Boston Pops, Clash, Donovan, Dizzy Gillespie, Jerry Lee Lewis, Dean Martin and REM.Music historian Chuck Granada presents the history of the 45, its place in the music business and its designers. Each decade of design is introduced by a specialist of that period: Eric Kohler (1950s), Spencer Drake (1960s), Roger Dean (1970s), Bruce Licher (1980s) and Jeff Kleinsmith (1990s).
Author: Iain Anderson Publisher: University of Pennsylvania Press ISBN: 0812201124 Category : History Languages : en Pages : 262
Book Description
This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis, taking as its example the impact of 1960s free improvisation on the changing status of jazz. By examining the production, presentation, and reception of experimental music by Ornette Coleman, Cecil Taylor, John Coltrane, and others, Iain Anderson traces the strange, unexpected, and at times deeply ironic intersections between free jazz, avant-garde artistic movements, Sixties politics, and patronage networks. Anderson emphasizes free improvisation's enormous impact on jazz music's institutional standing, despite ongoing resistance from some of its biggest beneficiaries. He concludes that attempts by African American artists and intellectuals to define a place for themselves in American life, structural changes in the music industry, and the rise of nonprofit sponsorship portended a significant transformation of established cultural standards. At the same time, free improvisation's growing prestige depended in part upon traditional highbrow criteria: increasingly esoteric styles, changing venues and audience behavior, European sanction, withdrawal from the marketplace, and the professionalization of criticism. Thus jazz music's performers and supporters—and potentially those in other arts—have both challenged and accommodated themselves to an ongoing process of cultural stratification.
Author: Harvey G. Cohen Publisher: University of Chicago Press ISBN: 0226112659 Category : Music Languages : en Pages : 704
Book Description
Few American artists in any medium have enjoyed the international and lasting cultural impact of Duke Ellington. From jazz standards such as “Mood Indigo” and “Don’t Get Around Much Anymore,” to his longer, more orchestral suites, to his leadership of the stellar big band he toured and performed with for decades after most big bands folded, Ellington represented a singular, pathbreaking force in music over the course of a half-century. At the same time, as one of the most prominent black public figures in history, Ellington demonstrated leadership on questions of civil rights, equality, and America’s role in the world. With Duke Ellington’s America, Harvey G. Cohen paints a vivid picture of Ellington’s life and times, taking him from his youth in the black middle class enclave of Washington, D.C., to the heights of worldwide acclaim. Mining extensive archives, many never before available, plus new interviews with Ellington’s friends, family, band members, and business associates, Cohen illuminates his constantly evolving approach to composition, performance, and the music business—as well as issues of race, equality and religion. Ellington’s own voice, meanwhile, animates the book throughout, giving Duke Ellington’s America an intimacy and immediacy unmatched by any previous account. By far the most thorough and nuanced portrait yet of this towering figure, Duke Ellington’s America highlights Ellington’s importance as a figure in American history as well as in American music.
Author: Patrick B Mullen Publisher: University of Illinois Press ISBN: 0252050312 Category : Music Languages : en Pages : 334
Book Description
The cowboy songs and dusty Texas car rides of his youth set Patrick B. Mullen on a lifelong journey into the sprawling Arcadia of American music. That music fused so-called civilized elements with native forms to produce everything from Zydeco to Conjunto to jazz to Woody Guthrie. The civilized/native idea, meanwhile, helped develop Mullen's critical perspective, guide his love of music, and steer his life's work. Part scholar's musings and part fan's memoir, Right to the Juke Joint follows Mullen from his early embrace of country and folk to the full flowering of an idiosyncratic, omnivorous interest in music. Personal memory merges with a lifetime of fieldwork in folklore and anthropology to provide readers with a deeply informed analysis of American roots music. Mullen opens up on the world of ideas and his own tireless fandom to explore how his cultural identity--and ours--relates to concepts like authenticity and "folkness." The result is a charming musical map drawn by a gifted storyteller whose boots have traveled a thousand tuneful roads.
Author: Publisher: ISBN: Category : Languages : en Pages : 130
Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Author: John Howland
Author: John Howland
Author: Ken Vail
Author: Spencer Drate
Author: Iain Anderson
Author: Harvey G. Cohen
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Author: Patrick B Mullen
Author: Carin T. Ford
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