Author: Manuel Chaves Nogales
Publisher: Garden City, N.Y., Doubleday, Doran & Company, Incorporated
ISBN:
Category : History
Languages : en
Pages : 320
Book Description
Heroes & Beasts of Spain
Author: Manuel Chaves Nogales
Publisher: Garden City, N.Y., Doubleday, Doran & Company, Incorporated
ISBN:
Category : History
Languages : en
Pages : 320
Book Description
Publisher: Garden City, N.Y., Doubleday, Doran & Company, Incorporated
ISBN:
Category : History
Languages : en
Pages : 320
Book Description
Monsters
Author: David D. Gilmore
Publisher: University of Pennsylvania Press
ISBN: 0812203224
Category : Social Science
Languages : en
Pages : 226
Book Description
The human mind needs monsters. In every culture and in every epoch in human history, from ancient Egypt to modern Hollywood, imaginary beings have haunted dreams and fantasies, provoking in young and old shivers of delight, thrills of terror, and endless fascination. All known folklores brim with visions of looming and ferocious monsters, often in the role as adversaries to great heroes. But while heroes have been closely studied by mythologists, monsters have been neglected, even though they are equally important as pan-human symbols and reveal similar insights into ways the mind works. In Monsters: Evil Beings, Mythical Beasts, and All Manner of Imaginary Terrors, anthropologist David D. Gilmore explores what human traits monsters represent and why they are so ubiquitous in people's imaginations and share so many features across different cultures. Using colorful and absorbing evidence from virtually all times and places, Monsters is the first attempt by an anthropologist to delve into the mysterious, frightful abyss of mythical beasts and to interpret their role in the psyche and in society. After many hair-raising descriptions of monstrous beings in art, folktales, fantasy, literature, and community ritual, including such avatars as Dracula and Frankenstein, Hollywood ghouls, and extraterrestrials, Gilmore identifies many common denominators and proposes some novel interpretations. Monsters, according to Gilmore, are always enormous, man-eating, gratuitously violent, aggressive, sexually sadistic, and superhuman in power, combining our worst nightmares and our most urgent fantasies. We both abhor and worship our monsters: they are our gods as well as our demons. Gilmore argues that the immortal monster of the mind is a complex creation embodying virtually all of the inner conflicts that make us human. Far from being something alien, nonhuman, and outside us, our monsters are our deepest selves.
Publisher: University of Pennsylvania Press
ISBN: 0812203224
Category : Social Science
Languages : en
Pages : 226
Book Description
The human mind needs monsters. In every culture and in every epoch in human history, from ancient Egypt to modern Hollywood, imaginary beings have haunted dreams and fantasies, provoking in young and old shivers of delight, thrills of terror, and endless fascination. All known folklores brim with visions of looming and ferocious monsters, often in the role as adversaries to great heroes. But while heroes have been closely studied by mythologists, monsters have been neglected, even though they are equally important as pan-human symbols and reveal similar insights into ways the mind works. In Monsters: Evil Beings, Mythical Beasts, and All Manner of Imaginary Terrors, anthropologist David D. Gilmore explores what human traits monsters represent and why they are so ubiquitous in people's imaginations and share so many features across different cultures. Using colorful and absorbing evidence from virtually all times and places, Monsters is the first attempt by an anthropologist to delve into the mysterious, frightful abyss of mythical beasts and to interpret their role in the psyche and in society. After many hair-raising descriptions of monstrous beings in art, folktales, fantasy, literature, and community ritual, including such avatars as Dracula and Frankenstein, Hollywood ghouls, and extraterrestrials, Gilmore identifies many common denominators and proposes some novel interpretations. Monsters, according to Gilmore, are always enormous, man-eating, gratuitously violent, aggressive, sexually sadistic, and superhuman in power, combining our worst nightmares and our most urgent fantasies. We both abhor and worship our monsters: they are our gods as well as our demons. Gilmore argues that the immortal monster of the mind is a complex creation embodying virtually all of the inner conflicts that make us human. Far from being something alien, nonhuman, and outside us, our monsters are our deepest selves.
Heroes
Author: Lucy Hughes-Hallett
Publisher: Anchor
ISBN: 0307485900
Category : Biography & Autobiography
Languages : en
Pages : 744
Book Description
Beginning beneath the walls of Troy and culminating in 1930s Europe, a magisterial exploration of the nature of heroism in Western civilization. In this riveting and insightful cultural history, Lucy Hughes-Hallett brings to life eight exceptional men from history and myth to explore our timeless need for heroes. As she re-creates these extraordinary lives, Hughes-Hallett illuminates the attractions and dangers of hero worship. This is a fascinating book about dictatorship and democracy, seduction and mass hysteria, politics and culture, and the tensions between being good and being great.
Publisher: Anchor
ISBN: 0307485900
Category : Biography & Autobiography
Languages : en
Pages : 744
Book Description
Beginning beneath the walls of Troy and culminating in 1930s Europe, a magisterial exploration of the nature of heroism in Western civilization. In this riveting and insightful cultural history, Lucy Hughes-Hallett brings to life eight exceptional men from history and myth to explore our timeless need for heroes. As she re-creates these extraordinary lives, Hughes-Hallett illuminates the attractions and dangers of hero worship. This is a fascinating book about dictatorship and democracy, seduction and mass hysteria, politics and culture, and the tensions between being good and being great.
Short Story Index
Author:
Publisher:
ISBN:
Category : Short stories
Languages : en
Pages : 1562
Book Description
Quinquennial supplements,1950/1954-1979/1983, compiled by Estelle A. Fidell, and others, published 1956-1984.
Publisher:
ISBN:
Category : Short stories
Languages : en
Pages : 1562
Book Description
Quinquennial supplements,1950/1954-1979/1983, compiled by Estelle A. Fidell, and others, published 1956-1984.
Supplement, 1953
Author: Isabel S. Monro
Publisher: H. W. Wilson
ISBN:
Category : Reference
Languages : en
Pages : 1576
Book Description
Publisher: H. W. Wilson
ISBN:
Category : Reference
Languages : en
Pages : 1576
Book Description
Spain at War
Author: James Matthews
Publisher: Bloomsbury Publishing
ISBN: 1350030112
Category : History
Languages : en
Pages : 277
Book Description
Spain's principal and most devastating war during the 20th century was, unusually for most of Europe, an internal conflict. During the Spanish Civil War of 1936 to 1939 two competing armies – the insurgent and counterrevolutionary Nationalist Army and the Republican Popular Army – engaged in a conflict to impose their version of Spanish identity and the right to shape the country's future. In its aftermath, Francoist Spain remained on a war footing for the duration of the Second World War. In spite of the unabated flood of books on the Spanish Civil War and its consequences, historians of Spain in the 20th century have focused relatively little on the interaction of society and culture, and their roles in wartime mobilization. Spain at War addresses this omission through an examination of individual experiences of conflict and the mobilization of society. This edited volume acknowledges the agency of low-ranking individuals and the impact of their choices upon the historical processes that shaped the conflict and its aftermath. In doing so, this new military history provides a more complex and nuanced understanding of Spain's most intense period of wartime cultural mobilization between the years 1936 to 1944 and challenges traditional political accounts of the period.
Publisher: Bloomsbury Publishing
ISBN: 1350030112
Category : History
Languages : en
Pages : 277
Book Description
Spain's principal and most devastating war during the 20th century was, unusually for most of Europe, an internal conflict. During the Spanish Civil War of 1936 to 1939 two competing armies – the insurgent and counterrevolutionary Nationalist Army and the Republican Popular Army – engaged in a conflict to impose their version of Spanish identity and the right to shape the country's future. In its aftermath, Francoist Spain remained on a war footing for the duration of the Second World War. In spite of the unabated flood of books on the Spanish Civil War and its consequences, historians of Spain in the 20th century have focused relatively little on the interaction of society and culture, and their roles in wartime mobilization. Spain at War addresses this omission through an examination of individual experiences of conflict and the mobilization of society. This edited volume acknowledges the agency of low-ranking individuals and the impact of their choices upon the historical processes that shaped the conflict and its aftermath. In doing so, this new military history provides a more complex and nuanced understanding of Spain's most intense period of wartime cultural mobilization between the years 1936 to 1944 and challenges traditional political accounts of the period.
The Folklore of Spain in the American Southwest
Author: Aurelio M. Espinosa
Publisher: University of Oklahoma Press
ISBN: 9780806122496
Category : Fiction
Languages : en
Pages : 330
Book Description
The region of northern New Mexico and southern Colorado holds a unique place in the world of Spanish folk literature. Isolated from the rest of the Spanish-speaking world for most of its history since its first settlement in 1598, it has retained, even into our own time, much of its Hispanic folkloric heritage from the sixteenth and seventeenth centuries-ballads, songs, poems, folktales, sayings, anecdotes, proverbs, riddles, and folk drama. In this book, written in the late 1930s and never before published, Aurelio M. Espinosa, New Mexico’s pioneer folklorist, presents the first comprehensive, authoritative account of the relict folklore, bringing together the results of his collecting during the first third of this century, in the Southwest and in Spain, and his many ground-breaking scholarly studies.
Publisher: University of Oklahoma Press
ISBN: 9780806122496
Category : Fiction
Languages : en
Pages : 330
Book Description
The region of northern New Mexico and southern Colorado holds a unique place in the world of Spanish folk literature. Isolated from the rest of the Spanish-speaking world for most of its history since its first settlement in 1598, it has retained, even into our own time, much of its Hispanic folkloric heritage from the sixteenth and seventeenth centuries-ballads, songs, poems, folktales, sayings, anecdotes, proverbs, riddles, and folk drama. In this book, written in the late 1930s and never before published, Aurelio M. Espinosa, New Mexico’s pioneer folklorist, presents the first comprehensive, authoritative account of the relict folklore, bringing together the results of his collecting during the first third of this century, in the Southwest and in Spain, and his many ground-breaking scholarly studies.
War and Peace with the Beasts
Author: Brian Griffith
Publisher: Wood Lake Publishing Inc.
ISBN: 1773431803
Category : Nature
Languages : en
Pages : 126
Book Description
“The animals that one culture likes are often hated in the next, and it seems that the animals themselves know it well. Basically, one culture’s animal partner is often another culture’s nightmare from hell. “Naturally, I wonder how relations between people and animals got to be so different around the world. How did it happen that some cultures treat bats, snakes, wolves, or ravens as embodiments of evil, while other people treat the same animals with affection or even reverence?” Our wars with the animals go way back. Beyond the light cast by our prehistoric campfires, the eyes glowing in the night seemed to represent a great hostile force. As we began to cultivate crops and husband a few favoured animals, we generally regarded other creatures as threats to our chosen few. Using the logic of war, we sought to maximize the populations of certain creatures, and the destruction of others. In the past, that war effort was our great crusade for the advancement of civilization as we knew it. The war had a frontier, a front line, and an ongoing battle on the home front. Expanding outward from our various cradles of civilization, we progressively “tamed” the forests and grasslands, converting them to monocrop plantations or pastures. Then we had to defend our monocrops from encroaching weeds, insects, and wild animals. In this immediately engaging, story- and fact-filled page-turner of a book, Brian Griffith looks at the range of ways we relate to animals and the stories we tell about them. He asks how we choose whether buddyhood, fearful respect, businesslike predation, or genocidal war is the most appropriate response to each species we meet. He watches how our treatment of “inferior beings” affects our treatment of “inferior people,” and traces some of the chain reactions we unleash when we try to weed out species we don’t like. “Without much hope of making animals fit my personal preferences,” he writes, “I wonder how good our relations can get.”
Publisher: Wood Lake Publishing Inc.
ISBN: 1773431803
Category : Nature
Languages : en
Pages : 126
Book Description
“The animals that one culture likes are often hated in the next, and it seems that the animals themselves know it well. Basically, one culture’s animal partner is often another culture’s nightmare from hell. “Naturally, I wonder how relations between people and animals got to be so different around the world. How did it happen that some cultures treat bats, snakes, wolves, or ravens as embodiments of evil, while other people treat the same animals with affection or even reverence?” Our wars with the animals go way back. Beyond the light cast by our prehistoric campfires, the eyes glowing in the night seemed to represent a great hostile force. As we began to cultivate crops and husband a few favoured animals, we generally regarded other creatures as threats to our chosen few. Using the logic of war, we sought to maximize the populations of certain creatures, and the destruction of others. In the past, that war effort was our great crusade for the advancement of civilization as we knew it. The war had a frontier, a front line, and an ongoing battle on the home front. Expanding outward from our various cradles of civilization, we progressively “tamed” the forests and grasslands, converting them to monocrop plantations or pastures. Then we had to defend our monocrops from encroaching weeds, insects, and wild animals. In this immediately engaging, story- and fact-filled page-turner of a book, Brian Griffith looks at the range of ways we relate to animals and the stories we tell about them. He asks how we choose whether buddyhood, fearful respect, businesslike predation, or genocidal war is the most appropriate response to each species we meet. He watches how our treatment of “inferior beings” affects our treatment of “inferior people,” and traces some of the chain reactions we unleash when we try to weed out species we don’t like. “Without much hope of making animals fit my personal preferences,” he writes, “I wonder how good our relations can get.”
"Rubens, Vel?uez, and the King of Spain "
Author: Larry Silver
Publisher: Routledge
ISBN: 135155039X
Category : Art
Languages : en
Pages : 314
Book Description
This study provides a new analysis of the pictorial ensemble of the Torre de la Parada, the hunting lodge of King Philip IV of Spain. Created in the late 1630s by a group of artists led by Peter Paul Rubens, this cycle of mythological imagery and hunting scenes was completed by Diego Vel?uez. Despite the lack of a written program, surviving works provide eloquent testimony of several basic themes that embody Neostoic ideals of self-restraint and prudent governance. While Rubens set the moral tone through his serio-comic Ovidian narratives, Vel?uez added an important grace note with his portraits of ancient philosophers, and royals and fools of the court. This study is the first to consider in depth their joint artistic contributions and shared ambition. Through analysis of individual works, the authors situate these pictorial inventions within broader intellectual currents in both Spanish Flanders and Spain, especially in the advice literature and drama presented to the Spanish king. Moreover, they point to the lasting resonance of Torre de la Parada for Vel?uez, especially within his late masterworks, Las Meninas and Las Hilanderas. Ultimately, this study illuminates the dialogical nature of this ensemble in which Rubens and Vel?uez offer a set of complementary views on subjects ranging from the nature of classical gods to the role of art as a mirror of the prince.
Publisher: Routledge
ISBN: 135155039X
Category : Art
Languages : en
Pages : 314
Book Description
This study provides a new analysis of the pictorial ensemble of the Torre de la Parada, the hunting lodge of King Philip IV of Spain. Created in the late 1630s by a group of artists led by Peter Paul Rubens, this cycle of mythological imagery and hunting scenes was completed by Diego Vel?uez. Despite the lack of a written program, surviving works provide eloquent testimony of several basic themes that embody Neostoic ideals of self-restraint and prudent governance. While Rubens set the moral tone through his serio-comic Ovidian narratives, Vel?uez added an important grace note with his portraits of ancient philosophers, and royals and fools of the court. This study is the first to consider in depth their joint artistic contributions and shared ambition. Through analysis of individual works, the authors situate these pictorial inventions within broader intellectual currents in both Spanish Flanders and Spain, especially in the advice literature and drama presented to the Spanish king. Moreover, they point to the lasting resonance of Torre de la Parada for Vel?uez, especially within his late masterworks, Las Meninas and Las Hilanderas. Ultimately, this study illuminates the dialogical nature of this ensemble in which Rubens and Vel?uez offer a set of complementary views on subjects ranging from the nature of classical gods to the role of art as a mirror of the prince.
Maidens, Monsters and Heroes
Author: H. J. Ford
Publisher: Courier Corporation
ISBN: 0486472906
Category : Design
Languages : en
Pages : 130
Book Description
Best known for his illustrations from Andrew Lang's 12-volume series of "Color" fairy books, H. J. Ford also depicted historical figures from the Middle Ages through the 18th century. This collection features his most compelling images from works of fact and fancy. Half of the images are printed in their rare original full-color format.
Publisher: Courier Corporation
ISBN: 0486472906
Category : Design
Languages : en
Pages : 130
Book Description
Best known for his illustrations from Andrew Lang's 12-volume series of "Color" fairy books, H. J. Ford also depicted historical figures from the Middle Ages through the 18th century. This collection features his most compelling images from works of fact and fancy. Half of the images are printed in their rare original full-color format.