Hérodiade PDF Download

Author: Jules Massenet
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 116

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Author: Jules Massenet
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 390

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Author: Alan Rowland Chisholm
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 184

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Author: Heath Lees
Publisher: Routledge
ISBN: 1351559486
Category : Music
Languages : en
Pages : 272

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Book Description
This book challenges and replaces the existing view of Mallarm mission to 're-possess' music on behalf of poetic language. Traditionally, this view focused on only the last fifteen years of the poet's life, and sprang from a belief in Mallarm 'sudden awakening' to music during an all-Wagner concert in Paris, in 1885. Professor Heath Lees shows that Mallarm early knowledge and experience of music was much greater than commentators have realized, and that the French poet actually began his writing career with the explicit aim of making music's performance-language of 'effect' the ground of his poetic expression. Integral to the argument is Mallarm reaction to the work and ideas of Richard Wagner, whose impact on France came in two waves: the first broke during the tempestuous 1860s days of the Paris Tannhäuser, while the second arrived in the mid-1880s, and gave birth to the Revue Wagn enne. In refuting the critical literature that focuses on only the second of these waves, Lees shows that Mallarm xhibited a highly informed Wagnerian background during the first wave, and that his grasp of the composer's gestural motives and flexible musical prose led him towards a new kind of self-expressive, gestural rhythm that aimed musically to reinvent poetic language. In support of this, the book examines closely what Wagner 'really' said in the prose works that were becoming known in Paris by the 1860s, in particular, Wagner's important French text, the Lettre sur la musique. It also re-examines Baudelaire's classic Wagner-brochure, and reveals its author's surprisingly firm grasp of Wagner's musico-poetic fusion. In musically informed commentary, Professor Lees surveys the four decades of success and failure that resulted from Mallarm repeated attempts to draw out the musical gestures and resonances of words alone. In the process, he throws new light on many of Mallarm best-known texts, hitherto judged 'difficult' by those who have failed to

Author: Felicia M. McCarren
Publisher: Stanford University Press
ISBN: 9780804735247
Category : Performing Arts
Languages : en
Pages : 292

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A history of dance’s pathologization may startle readers who find in dance performance grace, discipline, geometry, poetry, and the body’s transcendence of itself. Exploring dance’s historical links to the medical and scientific connotations of a “pathology,” this book asks what has subtended the idealization of dance in the West. It investigates the nineteenth-century response, in the intersections of dance, literature, and medicine, to the complex and long-standing connections between illness, madness, poetry, and performance. In the nineteenth century, medicine becomes a major cultural index to measure the body’s meanings. As a particularly performative form of madness, nineteenth-century hysteria preserved the traditional connection to dance in medical descriptions of “choreas.” In its withholding of speech and its use of body code, dance, like hysteria, functions as a form of symptomatic expression. Yet by working like a symptom, dance performance can also be read as a commentary on symptomatology and as a condition of possibility for such alternative approaches to mental illness as psychoanalysis. By redeeming as art what is “lost” in hysteria, dance expresses non-hysterically what only hysteria had been able to express: the somatic translation of idea, the physicalization of meaning. Medicine’s discovery of “idea” manifesting itself in the body in mental illness strikingly parallels a literary fascination with the ability of nineteenth-century dance to manifest “idea,” suggesting that the evolution of medical thinking about mind-body relations as they malfunction in madness, as well as changes in the cultural reception of danced representations of these relations, might be paradigmatic shifts caused by the same cultural factors: concern about the body as a site of meaning and about vision as a theater of knowledge.

Author: Helen Osterman Borowitz
Publisher: University of Delaware Press
ISBN: 9780874132496
Category : Art
Languages : en
Pages : 260

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This book traces a direct line of tradition that unites the French precieux novel, Romantic and Symbolist literature, and Proust's novel cycle.

Author: Robert Greer Cohn
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637951
Category : Literary Collections
Languages : en
Pages : 316

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Book Description
Essays on various aspects of the work of the French poet Stephane Mallarme on the centenary of his death (1998).

Author: Charles Mauron
Publisher: Univ of California Press
ISBN: 0520331184
Category : Literary Criticism
Languages : en
Pages : 288

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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.

Author: Paul de Man
Publisher: Edinburgh University Press
ISBN: 0748656235
Category : Philosophy
Languages : en
Pages : 248

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Book Description
A collection of critical texts from Paul de Man's Harvard University years, published for the first timeThese essays, brought together from the Paul de Man papers at the University of California (Irvine), make a significant contribution to the cultural history of deconstruction and the present state of literary theory. From 1955 to 1961, Paul de Man was Junior Fellow at Harvard University where he wrote a doctoral thesis entitled 'The Post-Romantic Predicament: a study in the poetry of Mallarme and Yeats'. This dissertation is presented alongside his other texts from this period, including essays on Holderlin, Keats and Stefan George. This collection reflects familiar concerns for de Man: the figurative dimension of language, the borders between philosophy and literature, the ideological obfuscations of Romanticism, and the difficulties of the North American heritage of New Criticism.

Author: Noriko Takeda
Publisher: Peter Lang
ISBN: 9780820488288
Category : Literary Criticism
Languages : en
Pages : 184

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Book Description
Modernist poetry, in its fragmented form, continues to intrigue readers. In this sequel to A Flowering Word (Peter Lang, 2000), Noriko Takeda clarifies the modernist schism's meaningful role as a productive furnace for both interpretive humanness and its own solid concretization. The discussed main works are Stéphane Mallarmé's Hérodiade, T. S. Eliot's Old Possum's Book of Practical Cats, and shorter poems in foregrounded lyricality by these two writers.