Author: Antonin Artaud
Publisher:
ISBN: 9783035803648
Category :
Languages : en
Pages : 108
Book Description
Here Lies Preceded by the Indian Culture
Author: Antonin Artaud
Publisher:
ISBN: 9783035803648
Category :
Languages : en
Pages : 108
Book Description
Publisher:
ISBN: 9783035803648
Category :
Languages : en
Pages : 108
Book Description
No More Masterpieces
Author: Lucy Bradnock
Publisher: Yale University Press
ISBN: 0300251033
Category : Art
Languages : en
Pages : 241
Book Description
This groundbreaking account of postwar American art traces the profound influence of Antonin Artaud Proposing an original reassessment of art from the 1950s to the 1970s, No More Masterpieces reveals how artistic practice in postwar America was profoundly shaped by the work of the rebellious French poet and dramatist Antonin Artaud (1896-1948). A generation of artists mobilized Artaud's countercultural ideas to imagine new forms of representation and to redefine the relationship between artist and audience. The book shows how Artaud's radical writings inspired the experimental theatrical work of John Cage, Rachel Rosenthal, and Allan Kaprow; the attack on artistic and social conventions launched by assemblage artists Wallace Berman and Bruce Conner; and the feminist work of Carolee Schneemann and Nancy Spero. Lucy Bradnock traces the dissemination of Artaud's writings in America and demonstrates how his interest in political and cultural disorder, the dangers of authority, and the unreliability of representation found fertile ground in the context of the Cold War, disillusionment with the ideals of Abstract Expressionism, and the early years of identity politics.
Publisher: Yale University Press
ISBN: 0300251033
Category : Art
Languages : en
Pages : 241
Book Description
This groundbreaking account of postwar American art traces the profound influence of Antonin Artaud Proposing an original reassessment of art from the 1950s to the 1970s, No More Masterpieces reveals how artistic practice in postwar America was profoundly shaped by the work of the rebellious French poet and dramatist Antonin Artaud (1896-1948). A generation of artists mobilized Artaud's countercultural ideas to imagine new forms of representation and to redefine the relationship between artist and audience. The book shows how Artaud's radical writings inspired the experimental theatrical work of John Cage, Rachel Rosenthal, and Allan Kaprow; the attack on artistic and social conventions launched by assemblage artists Wallace Berman and Bruce Conner; and the feminist work of Carolee Schneemann and Nancy Spero. Lucy Bradnock traces the dissemination of Artaud's writings in America and demonstrates how his interest in political and cultural disorder, the dangers of authority, and the unreliability of representation found fertile ground in the context of the Cold War, disillusionment with the ideals of Abstract Expressionism, and the early years of identity politics.
Revolutionary Messages
Author: Antonin Artaud
Publisher: Bloomsbury Publishing
ISBN: 1350179043
Category : Performing Arts
Languages : en
Pages : 293
Book Description
Published here in its entirety in English, Artaud's Revolutionary Messages collects Antonin Artaud's political, aesthetic and philosophical writings during his travels to Mexico in 1936. Written around the same time as his seminal work The Theatre and its Double, it captures a crucial point in Artaud's life shortly before he was admitted to a mental asylum in which he was to spend a significant part of his later life. Revolutionary Messages contains conferences that Artaud gave at the University of Mexico, articles from the daily Mexican newspaper El Nacional Revolucionario and a study of three seminal artists of the time influenced by or from Mexico: Franz Hals, Ortiz Monasterio and Maria Izquierdo. Not only will you gain crucial insight into Artaud's time in Mexico and his vision of a “total revolution,” which he places in distinction to Marxist and Surrealist conceptions of revolution, but you will deepen your understanding of the philosophical roots of his theatrical project, which ultimately shaped modern theatre and dance. The publication includes an introduction by the translator, Joel White, and a preface by Professor of European Philosophy, Howard Caygill.
Publisher: Bloomsbury Publishing
ISBN: 1350179043
Category : Performing Arts
Languages : en
Pages : 293
Book Description
Published here in its entirety in English, Artaud's Revolutionary Messages collects Antonin Artaud's political, aesthetic and philosophical writings during his travels to Mexico in 1936. Written around the same time as his seminal work The Theatre and its Double, it captures a crucial point in Artaud's life shortly before he was admitted to a mental asylum in which he was to spend a significant part of his later life. Revolutionary Messages contains conferences that Artaud gave at the University of Mexico, articles from the daily Mexican newspaper El Nacional Revolucionario and a study of three seminal artists of the time influenced by or from Mexico: Franz Hals, Ortiz Monasterio and Maria Izquierdo. Not only will you gain crucial insight into Artaud's time in Mexico and his vision of a “total revolution,” which he places in distinction to Marxist and Surrealist conceptions of revolution, but you will deepen your understanding of the philosophical roots of his theatrical project, which ultimately shaped modern theatre and dance. The publication includes an introduction by the translator, Joel White, and a preface by Professor of European Philosophy, Howard Caygill.
Artaud: Blows and Bombs
Author: Stephen Barber
Publisher: SCB Distributors
ISBN: 1909923346
Category : Biography & Autobiography
Languages : en
Pages : 313
Book Description
Antonin Artaud (1896–1948) remains a massively inspirational figure, worldwide, in contemporary art, film, writing and digital media. In this definitive biography, author Stephen Barber tracks Artaud’s extraordinary and compelling life, from his volatile alliance with the Surrealist movement in the 1920s, to his legendary Theatre of Cruelty of the 1930s, to his nine-year asylum incarceration and his final period of drug-ravaged freedom in 1940s Paris. ARTAUD: BLOWS AND BOMBS provides a vivid, potent portrait of Artaud’s extreme and provocative life. Artaud’s creative influence has been seminal, from the Beat movement to Punk, from the revolutionary theatre movements of the 1960s to contemporary digital media theory. This first-ever biography locates the vital source of that influence. Artaud’s wild life was full of conflict, desperation and fury. Many of its crucial aspects have been totally unknown, notably Artaud’s apocalyptic journey to the Aran Islands in 1937, from which he returned to France in a strait-jacket, and his agonizing electroshock-treatments of the mid-1940s; ARTAUD: BLOWS AND BOMBS illuminates all of these critical moments in Artaud’s life for the first time. Based on fifteen years of research and on many interviews with the people closest to Artaud, this is a unique and electrifying biography that will be read for decades to come.
Publisher: SCB Distributors
ISBN: 1909923346
Category : Biography & Autobiography
Languages : en
Pages : 313
Book Description
Antonin Artaud (1896–1948) remains a massively inspirational figure, worldwide, in contemporary art, film, writing and digital media. In this definitive biography, author Stephen Barber tracks Artaud’s extraordinary and compelling life, from his volatile alliance with the Surrealist movement in the 1920s, to his legendary Theatre of Cruelty of the 1930s, to his nine-year asylum incarceration and his final period of drug-ravaged freedom in 1940s Paris. ARTAUD: BLOWS AND BOMBS provides a vivid, potent portrait of Artaud’s extreme and provocative life. Artaud’s creative influence has been seminal, from the Beat movement to Punk, from the revolutionary theatre movements of the 1960s to contemporary digital media theory. This first-ever biography locates the vital source of that influence. Artaud’s wild life was full of conflict, desperation and fury. Many of its crucial aspects have been totally unknown, notably Artaud’s apocalyptic journey to the Aran Islands in 1937, from which he returned to France in a strait-jacket, and his agonizing electroshock-treatments of the mid-1940s; ARTAUD: BLOWS AND BOMBS illuminates all of these critical moments in Artaud’s life for the first time. Based on fifteen years of research and on many interviews with the people closest to Artaud, this is a unique and electrifying biography that will be read for decades to come.
Difficult Death, Dying and the Dead in Media and Culture
Author: Sharon Coleclough
Publisher: Springer Nature
ISBN: 3031407326
Category : Social Science
Languages : en
Pages : 293
Book Description
This book responds to a growing interest in death, dying and the dead within and beyond the field of death studies. The collection defines an understanding of ‘difficult death’ and examines the differences between death, dying and the dead, as well as exploring the ethical challenges of researching death in mediated form. The collection is attendant to the ways in which difficult deaths are imbricated in power structures both before and after they become mediatised in culture. As such, the work navigates the many political and social complexities and inequalities – what might be deemed the difficulties – of death, dying and the dead. The book seeks to expand understandings of the difficulty of death in media and culture through a wide range of chapters from different contexts focused on literature, film, television, and in online environments, as well as several chapters examining news reportage of difficult deaths.
Publisher: Springer Nature
ISBN: 3031407326
Category : Social Science
Languages : en
Pages : 293
Book Description
This book responds to a growing interest in death, dying and the dead within and beyond the field of death studies. The collection defines an understanding of ‘difficult death’ and examines the differences between death, dying and the dead, as well as exploring the ethical challenges of researching death in mediated form. The collection is attendant to the ways in which difficult deaths are imbricated in power structures both before and after they become mediatised in culture. As such, the work navigates the many political and social complexities and inequalities – what might be deemed the difficulties – of death, dying and the dead. The book seeks to expand understandings of the difficulty of death in media and culture through a wide range of chapters from different contexts focused on literature, film, television, and in online environments, as well as several chapters examining news reportage of difficult deaths.
Here Lies Hugh Glass
Author: Jon T. Coleman
Publisher: Hill and Wang
ISBN: 1429952954
Category : History
Languages : en
Pages : 252
Book Description
In the summer of 1823, a grizzly bear mauled Hugh Glass. The animal ripped the trapper up, carving huge hunks from his body. Glass's fellows rushed to his aid and slew the bear, but Glass's injuries mocked their first aid. The expedition leader arranged for his funeral: two men would stay behind to bury the corpse when it finally stopped gurgling; the rest would move on. Alone in Indian country, the caretakers quickly lost their nerve. They fled, taking Glass's gun, knife, and ammunition with them. But Glass wouldn't die. He began crawling toward Fort Kiowa, hundreds of miles to the east, and as his speed picked up, so did his ire. The bastards who took his gear and left him to rot were going to pay. Here Lies Hugh Glass springs from this legend. The acclaimed historian Jon T. Coleman delves into the accounts left by Glass's contemporaries and the mythologizers who used his story to advance their literary and filmmaking careers. A spectacle of grit in the face of overwhelming odds, Glass sold copy and tickets. But he did much more. Through him, the grievances and frustrations of hired hunters in the early American West and the natural world they traversed and explored bled into the narrative of the nation. A marginal player who nonetheless sheds light on the terrifying drama of life on the frontier, Glass endures as a consummate survivor and a complex example of American manhood. Here Lies Hugh Glass, a vivid, often humorous portrait of a young nation and its growing pains, is a Western history like no other.
Publisher: Hill and Wang
ISBN: 1429952954
Category : History
Languages : en
Pages : 252
Book Description
In the summer of 1823, a grizzly bear mauled Hugh Glass. The animal ripped the trapper up, carving huge hunks from his body. Glass's fellows rushed to his aid and slew the bear, but Glass's injuries mocked their first aid. The expedition leader arranged for his funeral: two men would stay behind to bury the corpse when it finally stopped gurgling; the rest would move on. Alone in Indian country, the caretakers quickly lost their nerve. They fled, taking Glass's gun, knife, and ammunition with them. But Glass wouldn't die. He began crawling toward Fort Kiowa, hundreds of miles to the east, and as his speed picked up, so did his ire. The bastards who took his gear and left him to rot were going to pay. Here Lies Hugh Glass springs from this legend. The acclaimed historian Jon T. Coleman delves into the accounts left by Glass's contemporaries and the mythologizers who used his story to advance their literary and filmmaking careers. A spectacle of grit in the face of overwhelming odds, Glass sold copy and tickets. But he did much more. Through him, the grievances and frustrations of hired hunters in the early American West and the natural world they traversed and explored bled into the narrative of the nation. A marginal player who nonetheless sheds light on the terrifying drama of life on the frontier, Glass endures as a consummate survivor and a complex example of American manhood. Here Lies Hugh Glass, a vivid, often humorous portrait of a young nation and its growing pains, is a Western history like no other.
Radio Works: 1946-48
Author: Antonin Artaud
Publisher:
ISBN: 9783035802504
Category : French drama
Languages : en
Pages : 0
Book Description
Following his release from the Rodez asylum, Antonin Artaud decided he wanted his new work to connect with a vast public audience, and he chose to record radio broadcasts in order to carry through that aim. That determination led him to his most experimental and incendiary project, To Have Done with the Judgement of God, 1947-48, in which he attempted to create a new language of texts, screams, and cacophonies: a language designed to be heard by millions, aimed, as Artaud said, for "road-menders." In the broadcast, he interrogated corporeality and introduced the idea of the "body without organs," crucial to the later work of Deleuze and Guattari. The broadcast, commissioned by the French national radio station, was banned shortly before its planned transmission, much to Artaud's fury. This volume collects all of the texts for To Have Done with the Judgement of God, together with several of the letters Artaud wrote to friends and enemies in the short period between his work's censorship and his death. Also included is the text of an earlier broadcast from 1946, Madness and Black Magic, written as a manifesto prefiguring his subsequent broadcast. Clayton Eshleman's extraordinary translations of the broadcasts activate these works in their extreme provocation.
Publisher:
ISBN: 9783035802504
Category : French drama
Languages : en
Pages : 0
Book Description
Following his release from the Rodez asylum, Antonin Artaud decided he wanted his new work to connect with a vast public audience, and he chose to record radio broadcasts in order to carry through that aim. That determination led him to his most experimental and incendiary project, To Have Done with the Judgement of God, 1947-48, in which he attempted to create a new language of texts, screams, and cacophonies: a language designed to be heard by millions, aimed, as Artaud said, for "road-menders." In the broadcast, he interrogated corporeality and introduced the idea of the "body without organs," crucial to the later work of Deleuze and Guattari. The broadcast, commissioned by the French national radio station, was banned shortly before its planned transmission, much to Artaud's fury. This volume collects all of the texts for To Have Done with the Judgement of God, together with several of the letters Artaud wrote to friends and enemies in the short period between his work's censorship and his death. Also included is the text of an earlier broadcast from 1946, Madness and Black Magic, written as a manifesto prefiguring his subsequent broadcast. Clayton Eshleman's extraordinary translations of the broadcasts activate these works in their extreme provocation.
New Media and the Artaud Effect
Author: Jay Murphy
Publisher: Springer Nature
ISBN: 3030834883
Category : Social Science
Languages : en
Pages : 216
Book Description
This book proposes, following Antonin Artaud, an investigation exploring the virtual body, neurology and the brain as fields of contestation, seeking a clearer understanding of Artaud's transformations that ultimately leads into examining the relevance Artaud may have for an adequate theory of the current media environment. New Media and the Artaud Effect is the only current full-length study of the relation of Artaud’s work to dilemmas of digital art, media and society today. It is also singular in that it combines a far-reaching discussion of the theoretical implications and ramifications of the ‘late’ or ‘final’ Artaud, with a treatment of individual media works, sometimes directly inspired from Artaud’s travails. Artaud has long been justly regarded as one of the seminal influences in mid- and late-20th century performance and theater: it is argued here that Artaud’s insights are if anything more applicable to digital/post-digital society and the plethora of works that are made possible by it.
Publisher: Springer Nature
ISBN: 3030834883
Category : Social Science
Languages : en
Pages : 216
Book Description
This book proposes, following Antonin Artaud, an investigation exploring the virtual body, neurology and the brain as fields of contestation, seeking a clearer understanding of Artaud's transformations that ultimately leads into examining the relevance Artaud may have for an adequate theory of the current media environment. New Media and the Artaud Effect is the only current full-length study of the relation of Artaud’s work to dilemmas of digital art, media and society today. It is also singular in that it combines a far-reaching discussion of the theoretical implications and ramifications of the ‘late’ or ‘final’ Artaud, with a treatment of individual media works, sometimes directly inspired from Artaud’s travails. Artaud has long been justly regarded as one of the seminal influences in mid- and late-20th century performance and theater: it is argued here that Artaud’s insights are if anything more applicable to digital/post-digital society and the plethora of works that are made possible by it.
There Will Be Lies
Author: Nick Lake
Publisher: Bloomsbury Publishing
ISBN: 1408853825
Category : Juvenile Fiction
Languages : en
Pages : 438
Book Description
Shelby Jane Cooper is seventeen, pretty and quiet. It's just Shelby and her mom, Shaylene, a court stenographer who wears pyjama jeans, stitches tapestry, eats ice-cream for dinner and likes to keep Shelby safe. So safe she barely goes out. So safe she doesn't go to school. Because anything could happen, to a girl like Shelby. Anything. When Shelby gets knocked down by a car, it's not just her leg that's broken: Shelby's world is shattered. Her mom turns up to collect her and drives off into the night, like it's the beginning of a road trip, like two criminals on the run, like Thelma and Louise or Bonnie and Clyde. And somehow, everywhere she looks, there's a coyote watching her, talking to her, telling her not to believe. Who is Shelby Jane Cooper? If the person who keeps you safe also tells you lies, who can you trust?
Publisher: Bloomsbury Publishing
ISBN: 1408853825
Category : Juvenile Fiction
Languages : en
Pages : 438
Book Description
Shelby Jane Cooper is seventeen, pretty and quiet. It's just Shelby and her mom, Shaylene, a court stenographer who wears pyjama jeans, stitches tapestry, eats ice-cream for dinner and likes to keep Shelby safe. So safe she barely goes out. So safe she doesn't go to school. Because anything could happen, to a girl like Shelby. Anything. When Shelby gets knocked down by a car, it's not just her leg that's broken: Shelby's world is shattered. Her mom turns up to collect her and drives off into the night, like it's the beginning of a road trip, like two criminals on the run, like Thelma and Louise or Bonnie and Clyde. And somehow, everywhere she looks, there's a coyote watching her, talking to her, telling her not to believe. Who is Shelby Jane Cooper? If the person who keeps you safe also tells you lies, who can you trust?
The Absence of Myth
Author: Georges Bataille
Publisher: Verso Books
ISBN: 1789602653
Category : Philosophy
Languages : en
Pages : 305
Book Description
For Bataille, the absence of myth had itself become the myth of the modern age. In a world that had lost the secret of its cohesion, Bataille saw surrealism as both a symptom and a beginning of an attempt to address this loss. His writings on this theme are the result of a profound reflection in the wake of World War Two. The Absence of Myth is the most incisive study yet made of surrealism, insisting on its importance as a cultural and social phenomenon with far-reaching consequences. Clarifying Bataille's links with the surrealist movement, and throwing revealing light on his complex and greatly misunderstood relationship with Andr Breton, The Absence of Myth shows Bataille to be a much more radical figure than his postmodernist devotees would have us believe: a man who continually tried to extend Marxist social theory; a pessimistic thinker, but one as far removed from nihilism as can be.
Publisher: Verso Books
ISBN: 1789602653
Category : Philosophy
Languages : en
Pages : 305
Book Description
For Bataille, the absence of myth had itself become the myth of the modern age. In a world that had lost the secret of its cohesion, Bataille saw surrealism as both a symptom and a beginning of an attempt to address this loss. His writings on this theme are the result of a profound reflection in the wake of World War Two. The Absence of Myth is the most incisive study yet made of surrealism, insisting on its importance as a cultural and social phenomenon with far-reaching consequences. Clarifying Bataille's links with the surrealist movement, and throwing revealing light on his complex and greatly misunderstood relationship with Andr Breton, The Absence of Myth shows Bataille to be a much more radical figure than his postmodernist devotees would have us believe: a man who continually tried to extend Marxist social theory; a pessimistic thinker, but one as far removed from nihilism as can be.