Author: Robert Aldrich
Publisher: Routledge
ISBN: 1134871392
Category : History
Languages : en
Pages : 292
Book Description
Through an explanation of forty figures in European culture, ^The Seduction of the Mediterranean argues that the Mediterranean, classical and contemporary, was the central theme in homoerotic writing and art from the 1750s to the 1950s. Episodes of exile, murder, drug-taking, wild homosexual orgies and court cases are woven into an original study of a significant theme in European culture. The myth of a homoerotic Mediterranean made a major contribution to general attitudes towards Antiquity, the Renaissance and modern Italy and Greece.
The Seduction of the Mediterranean
The Culture of Male Beauty in Britain
Author: Paul R. Deslandes
Publisher: University of Chicago Press
ISBN: 022677161X
Category : History
Languages : en
Pages : 445
Book Description
Setting the Stage: The Foundations of Modern Male Beauty -- Physiognomists and Photographers -- Beauty Experts and Hairdressing Entrepreneurs -- Artists, Athletes, and Celebrities -- Poets, Soldiers, and Monuments -- Men on Display in the Twentieth and Twenty-First Centuries -- Brylcreem Men, Cinema Idols, and Uniforms -- Teenagers, Bodybuilders, and Models -- Youthful Rebels, Gender-Benders, and Gay Men -- Insecure Men, Metrosexuals, and Spornosexuals.
Publisher: University of Chicago Press
ISBN: 022677161X
Category : History
Languages : en
Pages : 445
Book Description
Setting the Stage: The Foundations of Modern Male Beauty -- Physiognomists and Photographers -- Beauty Experts and Hairdressing Entrepreneurs -- Artists, Athletes, and Celebrities -- Poets, Soldiers, and Monuments -- Men on Display in the Twentieth and Twenty-First Centuries -- Brylcreem Men, Cinema Idols, and Uniforms -- Teenagers, Bodybuilders, and Models -- Youthful Rebels, Gender-Benders, and Gay Men -- Insecure Men, Metrosexuals, and Spornosexuals.
Henry Scott Tuke, R.A., R.W.S.
Author: Maria Tuke Sainsbury
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 288
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 288
Book Description
At the Temple of Art
Author: Colleen Denney
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638507
Category : Art
Languages : en
Pages : 276
Book Description
"In the hands of an innovative team consisting of Sir Coutts Lindsay, his wife Blanche Lindsay, and two managers, Charles Halle and Joseph Comyns Carr, the gallery developed a reputation as a leading exhibition space for British and Continental artists during the late Victorian period. What factors contributed to its rise to prominence on the London exhibition circuit? How did it maintain that respected place in light of the diversification of showcases during this period?" "Central to this book is a close examination of the paintings which were shown at the gallery during its fourteen-year run, how they were received by the critics, and which movements were represented."--Jacket.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638507
Category : Art
Languages : en
Pages : 276
Book Description
"In the hands of an innovative team consisting of Sir Coutts Lindsay, his wife Blanche Lindsay, and two managers, Charles Halle and Joseph Comyns Carr, the gallery developed a reputation as a leading exhibition space for British and Continental artists during the late Victorian period. What factors contributed to its rise to prominence on the London exhibition circuit? How did it maintain that respected place in light of the diversification of showcases during this period?" "Central to this book is a close examination of the paintings which were shown at the gallery during its fourteen-year run, how they were received by the critics, and which movements were represented."--Jacket.
19th Century European Paintings, Drawings and Sculpture
Author: Sotheby's (Firm)
Publisher:
ISBN:
Category : Drawing, European
Languages : en
Pages : 780
Book Description
Publisher:
ISBN:
Category : Drawing, European
Languages : en
Pages : 780
Book Description
Oil Paintings in Public Ownership in Cornwall & the Isles of Scilly
Author: Public Catalogue Foundation
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 284
Book Description
The Cornwall and Isles of Scilly catalog reveals 1556 publicly owned oil paintings from 54 collections across the county and archipelago off Land's End. The largest single collection is the Royal Cornwall Museum in Truro with just over 400 paintings. Other significant holdings are found at Penlee House Gallery and Museum in Penzance and Falmouth Art Gallery. The smaller collections include volunteer-run museums, hospitals, libraries, town councils and a fire station. Brought together in one volume, these paintings constitute an important visual record of the history and topography of this part of England as well as the artists who lived and worked there.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 284
Book Description
The Cornwall and Isles of Scilly catalog reveals 1556 publicly owned oil paintings from 54 collections across the county and archipelago off Land's End. The largest single collection is the Royal Cornwall Museum in Truro with just over 400 paintings. Other significant holdings are found at Penlee House Gallery and Museum in Penzance and Falmouth Art Gallery. The smaller collections include volunteer-run museums, hospitals, libraries, town councils and a fire station. Brought together in one volume, these paintings constitute an important visual record of the history and topography of this part of England as well as the artists who lived and worked there.
Henry Scott Tuke
Author: Cicely Robinson
Publisher: Yale University Press
ISBN: 0300247583
Category : Art
Languages : en
Pages : 161
Book Description
A timely survey of this significant British artist and the complexities surrounding his work and reputation today Famed for his depictions of sun, sea, and sailing during a late Victorian and Edwardian golden age, the British painter Henry Scott Tuke RA (1858-1929) is an intriguing artistic anomaly. Moving between Cornish-based artist colonies and the London art scene, stylistically Tuke presents a fusion of progressive plein airisme, loose impressionistic handling, and a vivid palette, and yet he was fundamentally an academic painter of exhibition nudes. Though consistently successful throughout his lifetime, in the wake of two world wars Tuke's depictions of bathing boys came to represent a seemingly outmoded epoch. This far-reaching study features new research from leading authorities on Victorian and Edwardian art. Essays tackle questions of wide-ranging artistic influences, experimental art practice, and a varied reception history. Tuke's repeated portrayal of adolescent male nudes provokes challenging questions about the depiction, exhibition, and reception of the body--especially the young body--both then and now.
Publisher: Yale University Press
ISBN: 0300247583
Category : Art
Languages : en
Pages : 161
Book Description
A timely survey of this significant British artist and the complexities surrounding his work and reputation today Famed for his depictions of sun, sea, and sailing during a late Victorian and Edwardian golden age, the British painter Henry Scott Tuke RA (1858-1929) is an intriguing artistic anomaly. Moving between Cornish-based artist colonies and the London art scene, stylistically Tuke presents a fusion of progressive plein airisme, loose impressionistic handling, and a vivid palette, and yet he was fundamentally an academic painter of exhibition nudes. Though consistently successful throughout his lifetime, in the wake of two world wars Tuke's depictions of bathing boys came to represent a seemingly outmoded epoch. This far-reaching study features new research from leading authorities on Victorian and Edwardian art. Essays tackle questions of wide-ranging artistic influences, experimental art practice, and a varied reception history. Tuke's repeated portrayal of adolescent male nudes provokes challenging questions about the depiction, exhibition, and reception of the body--especially the young body--both then and now.
World Collectors Annuary
The Business of Watercolour
Author: Simon Fenwick
Publisher: Routledge
ISBN: 0429760620
Category : Art
Languages : en
Pages : 379
Book Description
First published in 1997, this volume will revolutionise the study of watercolour painting in Britain. The Royal Watercolour Society archive constitutes a major academic resource covering two hundred years of the history of watercolour painting in Britain. The rediscovery in 1980 of ‘the Jenkins Papers’, the early records of the Society, was a major find for the history of British art. The archives are substantial and remarkably comprehensive. Minutes of annual general meetings, Council and committees, are all intact; extraordinarily, the Society’s catalogues for its own exhibitions have also survived, with details of who bought the pictures and for how much. It contains biographical information on several hundred artists who practised throughout the United Kingdom from the end of the eighteenth century to the present day. Prepared by the archivist to the RWS, Simon Fenwick, this is not just a work of reference, but an absorbing book to dip into again and again. The Society of Painters in Water Colours, as it was then titled, was founded in 1804 to promote the interests of painters using watercolour and to provide a platform for members to sell their work. As such, its archives provide an excellent insight into the evolving debate on the status of the artists and their medium, and an authoritative account of the way in which watercolour paintings were sold, distributed and acquired. The substantial introduction by Greg Smith surveys some of the purposes and practices of watercolour from 1750 to the present day and highlights key issues, many yet to be examined, relating to the study of watercolour. His survey is arranged around a number of topics including the notion of watercolour as a British art, collecting and display, book illustration, architectural drawing, map-making and topography, antiquarian studies, decorative arts, printmaking, portrait miniatures and drawings, amateur practices and the changing status of the sketch.
Publisher: Routledge
ISBN: 0429760620
Category : Art
Languages : en
Pages : 379
Book Description
First published in 1997, this volume will revolutionise the study of watercolour painting in Britain. The Royal Watercolour Society archive constitutes a major academic resource covering two hundred years of the history of watercolour painting in Britain. The rediscovery in 1980 of ‘the Jenkins Papers’, the early records of the Society, was a major find for the history of British art. The archives are substantial and remarkably comprehensive. Minutes of annual general meetings, Council and committees, are all intact; extraordinarily, the Society’s catalogues for its own exhibitions have also survived, with details of who bought the pictures and for how much. It contains biographical information on several hundred artists who practised throughout the United Kingdom from the end of the eighteenth century to the present day. Prepared by the archivist to the RWS, Simon Fenwick, this is not just a work of reference, but an absorbing book to dip into again and again. The Society of Painters in Water Colours, as it was then titled, was founded in 1804 to promote the interests of painters using watercolour and to provide a platform for members to sell their work. As such, its archives provide an excellent insight into the evolving debate on the status of the artists and their medium, and an authoritative account of the way in which watercolour paintings were sold, distributed and acquired. The substantial introduction by Greg Smith surveys some of the purposes and practices of watercolour from 1750 to the present day and highlights key issues, many yet to be examined, relating to the study of watercolour. His survey is arranged around a number of topics including the notion of watercolour as a British art, collecting and display, book illustration, architectural drawing, map-making and topography, antiquarian studies, decorative arts, printmaking, portrait miniatures and drawings, amateur practices and the changing status of the sketch.