Author:
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 0
Book Description
Henry Moore: Early Carvings 1920-1940
HENRY MOORE, EARLY CARVINGS, 1920-1940
Henry Moore, Early Carvings, 1920-1940
Author: Henry Moore
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 102
Book Description
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 102
Book Description
Henry Moore's Sheep Sketchbook
Author: Henry Moore
Publisher:
ISBN: 9780500600382
Category : Sheep in art
Languages : en
Pages : 112
Book Description
In February 1972 Henry Moores sculpture studios in the English countryside at Much Hadham were filled with the preparations for his retrospective exhibition in Florence. In search of peace and quiet, he went into a smaller room overlooking the fields where a local farmer grazed his sheep. The sheep came very close to the window, attracting his attention, and he began to draw them. Initially he saw them as nothing more than four-legged balls of wool, but his vision changed as he explored what they were really like the way they moved, the shape of their bodies under the fleece. They also developed strong human and biblical associations, and the sight of a ewe with her lamb evoked the mother-and-child theme a large form sheltering a small one which has been important to Henry Moore in all his work. He drew the sheep again that summer after they were shorn, when he could see the shapes of the bodies which had been covered by wool. Solid in form, sudden and vigorous in movement, Henry Moores sheep are created through a network of swirling and zigzagging lines in the rapid (and in Moores hands) sensitive medium of ballpoint pen. The effect is both familiar and monumental; as Lord Clark comments, We expect Henry Moore to give a certain nobility to everything he draws; but more surprising is the way in which these drawings express a feeling of real affection for their subject.
Publisher:
ISBN: 9780500600382
Category : Sheep in art
Languages : en
Pages : 112
Book Description
In February 1972 Henry Moores sculpture studios in the English countryside at Much Hadham were filled with the preparations for his retrospective exhibition in Florence. In search of peace and quiet, he went into a smaller room overlooking the fields where a local farmer grazed his sheep. The sheep came very close to the window, attracting his attention, and he began to draw them. Initially he saw them as nothing more than four-legged balls of wool, but his vision changed as he explored what they were really like the way they moved, the shape of their bodies under the fleece. They also developed strong human and biblical associations, and the sight of a ewe with her lamb evoked the mother-and-child theme a large form sheltering a small one which has been important to Henry Moore in all his work. He drew the sheep again that summer after they were shorn, when he could see the shapes of the bodies which had been covered by wool. Solid in form, sudden and vigorous in movement, Henry Moores sheep are created through a network of swirling and zigzagging lines in the rapid (and in Moores hands) sensitive medium of ballpoint pen. The effect is both familiar and monumental; as Lord Clark comments, We expect Henry Moore to give a certain nobility to everything he draws; but more surprising is the way in which these drawings express a feeling of real affection for their subject.
Celebrating Moore
Author: Henry Moore
Publisher: Univ of California Press
ISBN: 0520216709
Category : Art
Languages : en
Pages : 373
Book Description
In celebration of the 100th anniversary of Henry Moore's birth, this book features the most important and comprehensive single group of Moore's Drawings, graphics, and sculpture. More than 300 of Moore's acclaimed works are reproduced, along with fresh insights and personal anecdotes by colleagues. 290 color illustrations.
Publisher: Univ of California Press
ISBN: 0520216709
Category : Art
Languages : en
Pages : 373
Book Description
In celebration of the 100th anniversary of Henry Moore's birth, this book features the most important and comprehensive single group of Moore's Drawings, graphics, and sculpture. More than 300 of Moore's acclaimed works are reproduced, along with fresh insights and personal anecdotes by colleagues. 290 color illustrations.
Art Beyond the Gallery in Early 20th Century England
Author: Richard Cork
Publisher: Yale University Press
ISBN: 9780300032369
Category : Art
Languages : en
Pages : 352
Book Description
In the early decades of the twentieth century, British art was enlivened by a wide variety of imaginative attempts to take painting and sculpture outside the boundaries of the gallery. Some of the works were commissioned by architects as integral parts of new buildings.
Publisher: Yale University Press
ISBN: 9780300032369
Category : Art
Languages : en
Pages : 352
Book Description
In the early decades of the twentieth century, British art was enlivened by a wide variety of imaginative attempts to take painting and sculpture outside the boundaries of the gallery. Some of the works were commissioned by architects as integral parts of new buildings.
Henry Moore
Author: Henry Moore
Publisher: Toronto, Art Gallery of Ontario
ISBN:
Category : Art
Languages : en
Pages : 0
Book Description
Publisher: Toronto, Art Gallery of Ontario
ISBN:
Category : Art
Languages : en
Pages : 0
Book Description
Henry Moore, 60 Years of His Art
Author: William Slattery Lieberman
Publisher: Thames & Hudson
ISBN:
Category : Art
Languages : en
Pages : 138
Book Description
Publisher: Thames & Hudson
ISBN:
Category : Art
Languages : en
Pages : 138
Book Description
Henry Moore, Sculpting the 20th Century
Author: Dorothy M. Kosinski
Publisher: Yale University Press
ISBN: 0300089929
Category : Art
Languages : en
Pages : 332
Book Description
Henry Moore (1898-1986) is arguably one of the most famous and beloved sculptors of the twentieth century, yet in recent decades his work has fallen out of favor in the world of contemporary art criticism. This handsome book examines this intriguing contradiction and seeks to reassess Moore's crucial contribution to art of the last century. Looking at Moore's early engagements with primitivism, his 1930s dialogue with abstraction and surrealism, and his postwar interest in large-scale public sculpture, the authors show how the sculptor helped to define some of the most significant aspects of modernism. The authors also contextualize within the polemics of early modernism Moore's emphasis on direct carving instead of modeling and the necessary balance between abstraction and what he called the "psychological human element". Moore's early sculpture -- largely unfamiliar to the general public -- is given particular attention, enabling the reader to explore the evolution of thematic and formal elements in his work and his ongoing response to different materials. Photographs, some by Moore himself, of over 120 works, including plasters, maquettes, carvings, bronzes, and drawings, are featured, many of which are previously unpublished.
Publisher: Yale University Press
ISBN: 0300089929
Category : Art
Languages : en
Pages : 332
Book Description
Henry Moore (1898-1986) is arguably one of the most famous and beloved sculptors of the twentieth century, yet in recent decades his work has fallen out of favor in the world of contemporary art criticism. This handsome book examines this intriguing contradiction and seeks to reassess Moore's crucial contribution to art of the last century. Looking at Moore's early engagements with primitivism, his 1930s dialogue with abstraction and surrealism, and his postwar interest in large-scale public sculpture, the authors show how the sculptor helped to define some of the most significant aspects of modernism. The authors also contextualize within the polemics of early modernism Moore's emphasis on direct carving instead of modeling and the necessary balance between abstraction and what he called the "psychological human element". Moore's early sculpture -- largely unfamiliar to the general public -- is given particular attention, enabling the reader to explore the evolution of thematic and formal elements in his work and his ongoing response to different materials. Photographs, some by Moore himself, of over 120 works, including plasters, maquettes, carvings, bronzes, and drawings, are featured, many of which are previously unpublished.
Bill Brandt | Henry Moore
Author: Martina Droth
Publisher: Yale University Press
ISBN: 9780300251050
Category : Art
Languages : en
Pages : 0
Book Description
Accompanies the exhibition co-organized by the Yale Center for British Art, New Haven, shown June 5-September 13, 2020, the Hepworth, Wakefield, shown February 7-May 3, 2020, and the Sainsbury Center, University of East Anglia, shown November 22, 2020-February 28, 2021.
Publisher: Yale University Press
ISBN: 9780300251050
Category : Art
Languages : en
Pages : 0
Book Description
Accompanies the exhibition co-organized by the Yale Center for British Art, New Haven, shown June 5-September 13, 2020, the Hepworth, Wakefield, shown February 7-May 3, 2020, and the Sainsbury Center, University of East Anglia, shown November 22, 2020-February 28, 2021.