Author: Daniel Hannah Publisher: Routledge ISBN: 1317122569 Category : Literary Criticism Languages : en Pages : 230
Book Description
Proposing a new approach to Jamesian aesthetics, Daniel Hannah examines the complicated relationship between Henry James's impressionism and his handling of 'the public.' Hannah challenges solely phenomenological or pictorial accounts of literary impressionism, instead foregrounding James's treatment of the word 'impression' as a mediatory unit that both resists and accommodates invasive publicity. Thus even as he envisages a breakdown between public and private at the end of the nineteenth century, James registers that breakdown not only as a threat but also as an opportunity for aesthetic gain. Beginning with a reading of 'The Art of Fiction' as both a public-forming essay and an aesthetic manifesto, Hannah's study examines James's responses to painterly impressionism and to aestheticism, and offers original readings of What Maisie Knew, The Wings of the Dove, and The American Scene that treat James's articulation of impressionism in relation to the child, the future of the novel, and shifts in the American national imaginary. Hannah's study persuasively argues that throughout his career James returns to impressionability not only as a site of immense vulnerability in an age of rapid change but also as a crucible for reshaping, challenging, and adapting to the public sphere’s shifting forms.
Author: Daniel Hannah Publisher: Routledge ISBN: 9781409429531 Category : Authorship Languages : en Pages : 0
Book Description
Proposing a new approach to Jamesian aesthetics, Daniel Hannah examines the complicated relationship between Henry James's impressionism and his handling of 'the public.' In readings of 'The Art of Fiction, ' What Maisie Knew, The Wings of the Dove and The American Scene, among other works, Hannah shows James continually returning to the impression as a site for exploiting, resisting and re-imagining a perceived breakdown between the private and the public
Author: John Scholar Publisher: ISBN: 0198853513 Category : Art Languages : en Pages : 310
Book Description
Henry James criticized the impressionism which was revolutionizing French painting and French fiction, and satirized the British aesthetic movement, which championed impressionist criticism. Yet time and again he used the word 'impression' to represent the most intense moments of consciousness of his characters, as well as the work of the literary artist. Henry James and the Art of Impressions argues that the literary art of the impression, as James practised it, places his work within the wider cultural history of impressionism. Henry James and the Art of Impressions offers an unprecedentedly detailed cultural and intellectual history of the impression. It draws on philosophy, psychology, literature, critical theory, intellectual influences and aesthetics to study James's early art criticism, literary criticism, travel writing, prefaces, and the three great novels of his major phase, The Ambassadors, The Wings of the Dove, and The Golden Bowl. It argues that the coherent philosophical meanings of the Jamesian impression emerge when they are comprehended as a family of related ideas about perception, imagination, and aesthetics - bound together by James's attempt to reconcile the novel's value as a mimetic form and its value as a transformative creative activity. Henry James and the Art of Impressions traces the development of the impression across a range of disciplines to show how James's use of the word owes them cultural and intellectual debt. It offers a more philosophical account of James to complement the more historicist work of recent decades.
Author: Tamar Katz Publisher: University of Illinois Press ISBN: 0252054261 Category : Literary Criticism Languages : en Pages : 264
Book Description
Exploring the intersection of ideas about woman, subjectivity, and literary authority, Impressionist Subjects reveals the female subject as crucial in framing contradictions central to modernism, particularly the tension between modernism's claim to timeless art and its critique of historical conditions. Against the backdrop of the New Woman movement of the 1890s, Tamar Katz establishes literary impressionism as integral to modernist form and to the modernist project of investigating the nature and function of subjectivity. Focusing on a duality common to impressionism and contemporary ideas of feminine subjectivity, Katz shows how the New Woman reconciled the paradox of a subject at once immersed in the world and securely enclosed in a mysterious interiority. Book chapters feature discussion of modernists including Walter Pater, George Egerton, Sarah Grand, Henry James, Joseph Conrad, Ford Madox Ford, Dorothy Richardson, and Virginia Woolf. Sophisticated and tightly argued, Impressionist Subjects is a substantial contribution to the reassessment and expansion of the modernist fiction canon.
Author: Michael Fried Publisher: Harvard University Press ISBN: 0674984951 Category : Literary Criticism Languages : en Pages : 270
Book Description
“My task which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel—it is, before all, to make you see. That—and no more, and it is every-thing.” So wrote Joseph Conrad in the best-known account of literary impressionism, the late nineteenth- and early twentieth-century movement featuring narratives that paint pictures in readers’ minds. If literary impressionism is anything, it is the project to turn prose into vision. But vision of what? Michael Fried demonstrates that the impressionists sought to compel readers not only to see what was described and narrated but also to see writing itself. Fried reads Conrad, Stephen Crane, Frank Norris, W. H. Hudson, Ford Madox Ford, H. G. Wells, Jack London, Rudyard Kipling, Erskine Childers, R. B. Cunninghame Graham, and Edgar Rice Burroughs as avatars of the scene of writing. The upward-facing page, pen and ink, the look of written script, and the act of inscription are central to their work. These authors confront us with the sheer materiality of writing, albeit disguised and displaced so as to allow their narratives to proceed to their ostensible ends. What Was Literary Impressionism? radically reframes a large body of important writing. One of the major art historians and art critics of his generation, Fried turns to the novel and produces a rare work of insight and erudition that transforms our understanding of some of the most challenging fiction in the English language.
Author: Colta Ives Publisher: Metropolitan Museum of Art ISBN: 1588395847 Category : Art Languages : en Pages : 225
Book Description
The spectacular transformation of Paris during the 19th century into a city of tree-lined boulevards and public parks both redesigned the capital and inspired the era’s great Impressionist artists. The renewed landscape gave crowded, displaced urban dwellers green spaces to enjoy, while suburbanites and country-dwellers began cultivating their own flower gardens. As public engagement with gardening grew, artists increasingly featured flowers and parks in their work. Public Parks, Private Gardens includes masterworks by artists such as Bonnard, Cassatt, Cézanne, Corot, Daumier, Van Gogh, Manet, Matisse, Monet, and Seurat. Many of these artists were themselves avid gardeners, and they painted parks and gardens as the distinctive scenery of contemporary life. Writing from the perspective of both a distinguished art historian and a trained landscape designer, Colta Ives provides new insights not only into these essential works, but also into this extraordinarily creative period in France’s history.
Author: Colm Tóibín Publisher: Penn State the History of the ISBN: 9780271078526 Category : Art Languages : en Pages : 0
Book Description
Explores how the novels of Henry James reflect the significance of the visual culture of his society, and how essential the language and imagery of the arts, as well as friendships with artists, were to James's writing.
Author: Warren Adelson Publisher: Abbeville Publishing Group ISBN: Category : Art Languages : en Pages : 266
Book Description
Celebrates Hassam's imposing career as one of America's foremost impressionists. Adelson (president of Adelson Galleries), Cantor (teacher, writer and lecturer on American art) and Gerdts (author and professor emeritus, Graduate Center of the City U. of New York) approach the artist from several angles (an international context, his little-understood late work, and predominant themes) to reveal his many facets and uncover previously unknown aspects of his life and work. Illustrated with color reproductions that represent all of Hassam's styles, the volume concludes with an illustrated chronology and an annotated bibliography. Oversize: 10.25x12". Annotation copyrighted by Book News, Inc., Portland, OR
Author: Daniel Hannah
Author: Daniel Hannah
Author: John Scholar
Author: Tamar Katz
Author: Michael Fried
Author: Colta Ives
Author: James J. Kirschke
Author: Henry James
Author: Colm Tóibín
Author: Warren Adelson