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Author: Andrew Taylor Publisher: Cambridge University Press ISBN: 1139432540 Category : Literary Criticism Languages : en Pages : 246
Book Description
The intellectual relationship between Henry James and his father, who was a philosopher and theologian, proved to be an influential resource for the novelist. Andrew Taylor explores how James's writing responds to James Senior's epistemological, thematic and narrative concerns, and relocates these concerns in a more secularised and cosmopolitan cultural milieu. Taylor examines the nature of both men's engagement with autobiographical strategies, issues of gender reform, and the language of religion. He argues for a reading of Henry James that is informed by an awareness of paternal inheritance. Taylor's study reveals the complex and at times antagonistic dialogue between the elder James and his peers, particularly Emerson and Whitman, in the vanguard of mid nineteenth-century American Romanticism. Through close readings of a wide range of novels and texts, he demonstrates how this dialogue anticipates James's own theories of fiction and selfhood.
Author: Andrew Taylor Publisher: Cambridge University Press ISBN: 1139432540 Category : Literary Criticism Languages : en Pages : 246
Book Description
The intellectual relationship between Henry James and his father, who was a philosopher and theologian, proved to be an influential resource for the novelist. Andrew Taylor explores how James's writing responds to James Senior's epistemological, thematic and narrative concerns, and relocates these concerns in a more secularised and cosmopolitan cultural milieu. Taylor examines the nature of both men's engagement with autobiographical strategies, issues of gender reform, and the language of religion. He argues for a reading of Henry James that is informed by an awareness of paternal inheritance. Taylor's study reveals the complex and at times antagonistic dialogue between the elder James and his peers, particularly Emerson and Whitman, in the vanguard of mid nineteenth-century American Romanticism. Through close readings of a wide range of novels and texts, he demonstrates how this dialogue anticipates James's own theories of fiction and selfhood.
Author: Michele Mendelssohn Publisher: Edinburgh University Press ISBN: 0748697543 Category : Literary Criticism Languages : en Pages : 329
Book Description
This book, the first fully sustained reading of Henry James's and Oscar Wilde's relationship, reveals why the antagonisms between both authors are symptomatic of the cultural oppositions within Aestheticism itself.
Author: A. Kventsel Publisher: Springer ISBN: 0230206379 Category : Literary Criticism Languages : en Pages : 242
Book Description
Looking at the novels of James's major phase in the context of fin-de-siècle decadence, this book illuminates central issues in the James corpus and central aspects of a rich and fraught cultural moment. Through a close examination of the textures of the novels, Kventsel defines and explores their psycho-cultural field of meaning.
Author: Annick Duperray Publisher: Cambridge Scholars Publishing ISBN: 1443866431 Category : Literary Collections Languages : en Pages : 275
Book Description
Henry James and the Poetics of Duplicity aims to advance the field of studies on the life and work of Henry James by fully exploring the author’s use of duplicity, one of the key literary and rhetorical strategies within the author’s vast and infamous arsenal of techniques of ‘ambiguity’. The collection brings together essays by both long established and more recent Jamesian scholars from eleven different countries, the collective work of whom, through this publication, further enhances our grasp of the ever-elusive literary style of Henry James. The prefatory section of this volume provides a general overview of the myriad uses of ‘duplicity’ in the writings of Henry James. The collected essays are then divided into five sections, each providing an in-depth study of a particular use of duplicity as a rhetorical strategy. The first three sections focus on duplicitous devices employed within James’s works of fiction – including the author’s often underhanded use of undisclosed literary sources (‘Duplicitous Subtexts’), his staging of characters who rely on subterfuge and outright lying (‘Duplicitous Characters’), and his creation of doubles and doppelgängers – another key connotation of the term ‘duplicity’ – both within a single work and throughout his literary career (‘Duplicitous Representation’). The two final sections then focus the poetics of duplicity employed in works of non-fiction by James, including his autobiographies and his reviews of other authors, as well as in his personal writings and correspondence. This includes James’s guileful use of duplicity in his representation of himself, particular attention being paid to James’s late works of self-assessment (‘Duplicitous Self-Representation’), as well as in his assessments of other writers in his reviews or of certain places in his travel writing (‘Duplicitous Judgements’). Henry James and the Poetics of Duplicity would thus be a great asset to scholars of James at all levels, from the student grappling with James’s literary sleight of hand for the first time, to specialists in the field of James who have long studied the masterful art of James’s literary trickery.
Author: Megan Quigley Publisher: Cambridge University Press ISBN: 110708959X Category : Literary Criticism Languages : en Pages : 243
Book Description
Modernist Fiction and Vagueness examines the development of the modernist novel in relation to changing approaches to philosophy. It argues that the puzzle of vagueness challenged the great thinkers of the early twentieth century and led to dramatic changes in both fiction and philosophy. Building on recent interest in the connections among analytic philosophy, pragmatism, and modern literature, this book posits that literary vagueness should be read as a defining quality of modernist fiction.
Author: Oliver Herford Publisher: Oxford University Press ISBN: 0191054011 Category : Literary Criticism Languages : en Pages : 285
Book Description
Henry James's Style of Retrospect traces James's engagement with the writing of the recent past across the last twenty-five years of his life and examines the thoroughgoing change his style underwent in this last phase of his career, as his focus turned from the observation of contemporary manners to biographical commemoration and autobiographical reminiscence, and the balance of his output gradually shifted from fiction to non-fiction. The 'late personal writings' of the book's subtitle are works of retrospective non-fiction. They are a varied group, representing a broad array of genres and occasions: commemorative essays and obituary tributes, textual revisions and accounts of revisiting familiar places, cultural and literary criticism, biography and autobiography, and family memoir. Oliver Herford proposes that we read the late personal writings as a coherent sequence, bound together by a close texture of cross-references and allusive echoes, and united by James's newly discovered sense for the literary possibilities of non-fiction. Closely analyzing the style of these writings, this study offers a boldly revisionist account of the way style itself challenges and preoccupies the very late James. A linked series of innovative close readings takes the major works of this period in sequence, addressing a key point of style in each: particular attention is paid to procedures of reference (to the historical past, to real persons and places and objects), a dimension of style often neglected and sometimes actively slighted in analyses of James's late work. Henry James's Style of Retrospect asks what it means for so distinguished a novelist to alter the foundations of his written manner so strikingly in late life, and shows how we may begin to reconfigure our understanding of late Jamesian aesthetics accordingly.
Author: Pericles Lewis Publisher: Cambridge University Press ISBN: 1139485210 Category : Literary Criticism Languages : en Pages : 245
Book Description
The modernist period witnessed attempts to explain religious experience in non-religious terms. Such novelists as Henry James, Marcel Proust, James Joyce, Virginia Woolf and Franz Kafka found methods to describe through fiction the sorts of experiences that had traditionally been the domain of religious mystics and believers. In Religious Experience and the Modernist Novel, Pericles Lewis considers the development of modernism in the novel in relation to changing attitudes to religion. Through comparisons of major novelists with sociologists and psychologists from the same period, Lewis identifies the unique ways that literature addressed the changing spiritual situation of the early twentieth century. He challenges accounts that assume secularisation as the main narrative for understanding twentieth-century literature. Lewis explores the experiments that modernists undertook in order to invoke the sacred without directly naming it, resulting in a compelling study for readers of twentieth-century modernist literature.
Author: Cora Kaplan Publisher: Edinburgh University Press ISBN: 0748628185 Category : Social Science Languages : en Pages : 184
Book Description
A series of astute critical reflections on our enduring fascination with all things Victorian. In this book Cora Kaplan looks at the politics of Victorians from the 1970s to the present, a politics that emerges from the alternation between nostalgia and critique in fiction, film, biography and literary studies. She asks how Jane Eyre can still evoke tears and rage, as well as inspiring imitation and high art, and why Henry James has become fiction's favourite late Victorian character in the new millennium? Victorians, the book argues, has developed a modern history of its own in which we can trace the shifting social and cultural concerns of the last few decades. Through the constant interrogation of history in such innovative works as John Fowles's The French Lieutenant's Woman, A.S. Byatt's Possession, David Lodge's Nice Work, Peter Ackroyd's Dickens, Jane Campion's The Piano, Colm Toibin's The Master, Sarah Waters's Fingersmith, Alan Hollinghurst's The Line of Beauty and Julian Barnes's Arthur and George, 'Victoriana' maps out a very particular postmodern temporality.
Author: Robert Lawson-Peebles Publisher: Routledge ISBN: 1317870379 Category : Literary Criticism Languages : en Pages : 430
Book Description
American Literature Before 1880 attempts to place its subject in the broadest possible international perspective. It begins with Homer looking westward, and ends with Henry James crossing the Atlantic eastwards. In between, the book examines the projection of images of the East onto an as-yet unrecognised West; the cultural consequences of Viking, Colombian, and then English migration to America; the growth and independence of the British American colonies; the key writers of the new Republic; and the development of the culture of the United States before and after the Civil War. It is intended both as an introduction for undergraduates to the richness and variety of American Literature, and as a contribution to the debate about its distinctive nature. The book therefore begins with a lengthy survey of earlier histories of American Literature.
Author: Andrew Taylor
Author: Andrew Taylor
Author: Michele Mendelssohn
Author: David McWhirter
Author: A. Kventsel
Author: Annick Duperray
Author: Megan Quigley
Author: Oliver Herford
Author: Pericles Lewis
Author: Cora Kaplan
Author: Robert Lawson-Peebles