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Author: Henri Cartier-Bresson Publisher: ISBN: Category : Art Languages : en Pages : 192
Book Description
This book provides the reader with a unique opportunity to confront and compare the visions of two seminal photographic masters, Henri Cartier-Bresson and Walker Evans.
Author: Henri Cartier-Bresson Publisher: ISBN: Category : Art Languages : en Pages : 192
Book Description
This book provides the reader with a unique opportunity to confront and compare the visions of two seminal photographic masters, Henri Cartier-Bresson and Walker Evans.
Author: Manuel Álvarez Bravo Publisher: ISBN: Category : Education Languages : es Pages : 80
Book Description
Converging looks gathers emblematic images of the 20th century, the work of three great masters of photography: Henri Cartier-Bresson, Walker Evans and Manuel Álvarez Bravo. The book is published in line with the exhibition of the Museum of the Palace of Fine Arts in Mexico City, which echoes the historic exhibition dedicated to the same photographers at the Julien Levy Gallerry (New York, 1935). The texts propose a critical and historical reading of the photographs, within the scope of their vast universal resonances.
Author: John T. Hill Publisher: National Geographic Books ISBN: 3791382233 Category : Photography Languages : en Pages : 0
Book Description
This resplendent volume is the most comprehensive study of Walker Evans’s work ever published, containing masterful images accompanied by authoritative commentary from leading photography historians. The name Walker Evans conjures images of the American everyman. Whether it’s his iconic contributions to James Agee’s depressionera classic book, Let Us Now Praise Famous Men, his architectural explorations of antebellum plantations, or his subway series, taken with a camera hidden in his coat, Evans’s accessible and eloquent photographs speak to us all. This comprehensive book traces the entire arc of Evans’s remarkable career, from the 1930s to the 1970s. The illustrations in the book range from his earliest images taken with a vest pocket camera to his final photos using the then new SX-70 because his regular equipment had become too heavy to carry around. The book includes commentary from three of Evans’s longtime friends, photographers John T. Hill and Jerry Thompson and professor emeritus (Yale University) Alan Trachtenberg. Their insight and first-hand experience give depth to their critical writings on Evans’s work. In addition to offering a broad perspective on Evans’s work, the book also clarifies the photographer’s "anti-art" philosophy. Eschewing aesthetic hyperbole, Evans wanted his pictures to resonate with a wide audience. At the same time, his natural curiosity made him one of the most inventive photographers of all time. What these photographs and writings attest to is a huge and timeless talent, which came not from a camera, but from Evans’s uniquely hungry eye.
Author: Walker Evans Publisher: ISBN: 9780870702686 Category : Photography Languages : en Pages : 208
Book Description
The use of the visual arts to show us our own moral and economic situation has today fallen almost completely into the hands of the photographer. It is for him to fix and to reveal the whole aspect of our society: to record for use in the future our disasters and our claims to divinity. Walker Evans, photographing in New England or Louisiana, watching a Cuban political funeral or a Mississippi flood, working cautiously so as to disturb nothing in the normal atmosphere of the average place, can be considered a kind of disembodied, burrowing eye, a conspirator against time and its hammers. His photographs are the records of contemporary civilization in eastern American.~In the reproductions presented here, two large divisions have been made. The photographs are arranged to be seen in their given sequence. In the first part, which might be labeled "People by Photography," we have an aspect of America for which it would be difficult to claim too much. The physiognomy of a nation is laid on your table. In the second part are pictures which refer to the continuous fact of an indigenous American expression, whatever its source, whatever form it has taken, whether in sculpture, paint, or architecture: that native accent we find again in Kentucky mountain and cowboy ballads and in contemporary swing-music. --from the jacket of the 1938 edition~More than any other artist, Walker Evans invented the image of essential America that we have long since accepted as fact. His work, presented in stark and prototypical form in American Photographs, has made its impact not only on photography but also on modern literature, film, and the traditional visual arts. First published in 1938 by The Museum of Modern Art, American Photographs has often been out of print. This edition uses duotone plates made for the 1988 edition from original prints, and makes Evans' landmark book available again. The design and typography have been recreated as precisely as possible.
Author: Walker Evans Publisher: ISBN: Category : Photography Languages : en Pages : 204
Book Description
'American Photographs' is regarded as one of the most important photobooks ever published. It was originally an exhibition catalogue of his one-man show at the Museum of Modern Art, New York in 1938, the first solo show MoMA had given to a photographer. It documents the lives of the poor and dispossessed in 1930s, depression era America.
Author: Publisher: Post Editions ISBN: 9780991092604 Category : Harlem (New York, N.Y.) Languages : en Pages : 132
Book Description
A book of photographs that examines Harlem's paradox of place:the tension between the everyday reality of its streets - often contentious, always complex- and the cultural brand it has established in our collective imagination. While exploring one of America's great "main streets" during a time of profound transition, the project raises questions about urban flux, gentrification, and the loss of cultural memory. The coffee-table book measures 10.5 x 12 inches / 26.7 x 30.5 cm, features 68 color plates in a linen-clad hardcover with deboss, typeset in Helvetica Neue Light. Offset printing is on Galerie Art Silk 176/gsm paper. Book design is by Patricia Childers with contributions from historian Jonathan Gill and an insightful text by noted author and photography critic Vicki Goldberg.
Author: Henri Cartier-Bresson
Author: Henri Cartier-Bresson
Author: Manuel Álvarez Bravo
Author: Fondation Henri Cartier-Bresson
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Author: John T. Hill
Author: Walker Evans
Author: Mercedes Iturbe
Author: Luc Sante
Author: Walker Evans
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