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Author: Bernard Stanley Oldsey Publisher: Penn State University Press ISBN: Category : Literary Criticism Languages : en Pages : 144
Book Description
Discusses Hemingway's labor over the novel that became "A Farewell to Arms," including his various attempts at the beginning, his 42 versions of an ending, and his choice of a title.
Author: Bernard Stanley Oldsey Publisher: Penn State University Press ISBN: Category : Literary Criticism Languages : en Pages : 144
Book Description
Discusses Hemingway's labor over the novel that became "A Farewell to Arms," including his various attempts at the beginning, his 42 versions of an ending, and his choice of a title.
Author: N.G. Meshram Publisher: Atlantic Publishers & Dist ISBN: 9788126900770 Category : Languages : en Pages : 168
Book Description
The Book Projects Ernest Hemingway As An Artist With A Broader Vision Than He Is Generally Understood. This Vision Highlights The Profound Sympathy For Women And For Those Who Suffer In Indifferent Rather Hostile Society. The Author Has Tried To Attribute That Divine Love To Hemingway S Artistic Vision Often Denoted By The Greek Word Agape. This Make Hemingway Not Only A Great Modernist Artist, But Also A Sage Speaking For The Entire Humanity.That Hemingway Has Obsessively Dealt With Such Violent Themes, As War, Is True. It Is Nonetheless True That By Doing So He Has Exposed The Futility And Destructiveness Associated With It. The Hemingway S Hero Is A Defeated Man But Never Crestfallen. He Is Able To Retain His Dignity Even In The Face Of Crisis. His Tragedy Is The Result Of Love, Which For Him Is An Alternate God, And Ultimately Of Labor, Which He Puts In As A Matter Of Profound Faith. The Book Demonstrates This Effectively, And Should Be A Unique Contribution To The Hemingway Scholarship In India And Abroad.
Author: Charles M. Oliver Publisher: Dictionary of Literary Biograp ISBN: Category : Biography & Autobiography Languages : en Pages : 488
Book Description
Discusses American writer Ernest Hemingway and his novel A Farewell to Arms. Presents the background of the work, the history of its writing, the reception to it, and its reputation.
Author: Wendolyn E. Tetlow Publisher: Bucknell University Press ISBN: 9780838752197 Category : Fiction Languages : en Pages : 172
Book Description
"Many scholars consider In Our Time to be Hemingway's finest work, yet the cohesiveness of this sequence of stories and interchapters has often been questioned. Hemingway himself, however, had a clear idea of the work's integrity, as his manuscripts and letters reveal. As he wrote to his publisher Horace Liveright on 31 March 1925, "There is nothing in the book that has not a definite place in its organization and if I at any time seem to repeat myself I have a good reason for doing so" (Selected Letters, 154)." "According to Ms. Tetlow, author of this thoughtful study of Hemingway's In Our Time, the relationship among the stories and interchapters is precisely analogous to that within a modern poetic sequence as characterized by M.L. Rosenthal and Sally M. Gall in The Modern Poetic Sequence: The Genius of Modern Poetry: ". . . a grouping of mainly lyric poems and passages, rarely uniform in pattern, which tend to interact as an organic whole. It usually includes narrative and dramatic elements, and ratiocinative ones as well, but its structure is finally lyrical" (9). The structure of In Our time, then, is similar to such works as Ezra Pound's Hugh Selwyn Mauberley and T.S. Eliot's The Waste Land, works that progress tonally." "Looking closely at the language of In Our Time, Ms. Tetlow pays particular attention to recurring images and sounds, and the successive sets of feeling these tonal complexes project. She traces the lyrical pattern in the sequence as it builds in intensity from denial of fear, suffering, and death in the first stories and early interchapters, and then traces the progression to cautious resignation in the latter stories and interchapters. The author also takes into account the importance for Hemingway of Pound's and Eliot's aesthetics and demonstrates how Eliot's idea of the objective correlative and Pound's idea of "direct treatment of the 'thing'" apply to Hemingway's stories and interchapters (Literary Essays, 3)." "Opening with a discussion of the six prose pieces in the original version--the shorter "In Our Time" (1923)--the study considers the aesthetic choices Hemingway made in revising these pieces when he incorporated them in his longer sequence of eighteen in in our time (1924). The study then discusses the lyrical progression of the prose sequence in the fully developed volume In Our Time (1925). Finally, it looks at A Farewell to Arms and shows how the lyrical structure of In Our Time anticipates the longer work with its more continuous narrative pattern."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: David Wyatt Publisher: Cambridge University Press ISBN: 1316453723 Category : Literary Criticism Languages : en Pages : 281
Book Description
In Hemingway, Style, and the Art of Emotion, David Wyatt shows that the work of Ernest Hemingway is marked more by vulnerability and deep feeling than by the stoic composure and ironic remove for which it is widely known. This major reassessment of the shape of Hemingway's career recovers the soul of the author's work, revealing him as a multifaceted writer rather than a cold, static icon. Wyatt claims that Hemingway's famous early style does not embrace emotional reticence but works instead to measure the cost of keeping thoughts and feelings under the surface. By the early 1930s Hemingway also turned away from the art of 'the omitted' and began to develop a vision and style more accommodating of the awkwardness and embarrassments of everyday life. Relying on a thorough knowledge of the vast archive Hemingway left behind at his death, this book shows Hemingway as a thoroughly complex and transmutable figure.
Author: Mark Spilka Publisher: U of Nebraska Press ISBN: 9780803235267 Category : Literary Criticism Languages : en Pages : 402
Book Description
Hemingway's Quarrel with Androgyny confronts the entrenched mystique surrounding the hard drinker, bullfighter, and creator of characters steeled by their own code. Spilka stresses Hemingway's lifelong dependence on and secret identification with women, and in doing so shatters the myths of male bonding and heroic lives of "men without women." He develops the biographical, literary, and cultural implications of Hemingway's lifelong quarrel with androgyny to reveal a more psychologically complex man and writer than the mystique has allowed.
Author: Rena Sanderson Publisher: LSU Press ISBN: 0807165891 Category : Literary Criticism Languages : en Pages : 269
Book Description
In 1918 , a one-month stint with the American Red Cross ambulance corps at the Italian front marked the beginning of Ernest Hemingway’s fascination with Italy—a place second only to Upper Michigan in stimulating his lifelong passion for geography and local expertise. Hemingway’s Italy offers a thorough reassessment of Italy’s importance in the author’s life and work during World War I and the 1920s, when he emerged as a promising young writer, and during his maturity in the late 1940s and early 1950s. This collection of eighteen essays presents a broad view of Hemingway’s personal and literary response to Italy. The contributors, some of the most distinguished Hemingway scholars, incorporate new biographical and historical information as well as critical approaches ranging from formalist and structuralist theory to cultural and interdisciplinary explorations. Included are discussions of Italy’s psychological functioning in Hemingway’s life, the author’s correspondence with his father during the writing of A Farewell to Arms, his stylistic experimentation and characterization in that novel, his juxtaposition of the themes of love and war, and his take on Fascism in both his fiction and journalistic work. In addition, the essayists explore relevant contexts of period and place—such as the rise of Fascism, ethnic attitudes, and the cultural currents between Italy and the United States. A landmark study, Hemingway’s Italy brings long-overdue attention to this great writer’s international role as cultural ambassador. Contributors : Rena Sanderson, Nancy R. Comley, Kim Moreland, Steven Florczyk, Kirk Curnutt, Lawrence H. Martin, John Robert Bittner, Jeffrey A. Schwarz, J. Gerald Kennedy, H. R. Stoneback, Beverly Taylor, Ellen Andrews Knodt, Linda Wagner-Martin, Robert E. Fleming, Miriam B. Mandel, Joseph M. Flora, Margaret O’Shaughnessey, Stephen L. Tanner, Vita Fortunati
Author: Silvia Ammary Publisher: Lexington Books ISBN: 0739187600 Category : Literary Criticism Languages : en Pages : 117
Book Description
The Influence of the European Culture on Hemingway’s Fiction is an essential companion to all those who study Hemingway. The studydeals with how Hemingway depicts Europe in his fiction, not necessarily from a biographical point of view, as most critical books have dealt with, but how he assimilates to the culture of Europe, how he portrays the different aspects of that culture in food, music, customs, architecture, and literature. This study views Hemingway’s stories and novels through a new lens by applying new critical developments, emergent approaches, and transnational studies to aid in a fuller understanding of Hemingway. Europe for Hemingway was a land of discovery, and one cannot study his major novels without analyzing this passion for these lands. The Europe that Hemingway experienced and recorded in his writing serves as an important element in his fiction, becoming “the other,” an alien culture that was sufficiently different from his American roots. Yet this otherness serves first to fulfill his psychological needs to learn and become one of the initiated through suffering—whether it involves himself or the loss of other people around him.
Author: Suzanne del Gizzo Publisher: Cambridge University Press ISBN: 1108849148 Category : Literary Criticism Languages : en Pages : 531
Book Description
The subject of endless biographies, fictional depictions, and critical debate, Ernest Hemingway continues to command attention in popular culture and in literary studies. He remains both a definitive stylist of twentieth-century literature and a case study in what happens to an artist consumed by the spectacle of celebrity. The New Hemingway Studies examines how two decades of new-millennium scholarship confirm his continued relevance to an era that, on the surface, appears so distinct from his—one defined by digital realms, ecological anxiety, and globalization. It explores the various sources (print, archival, digital, and other) through which critics access Hemingway. Highlighting the latest critical trends, the contributors to this volume demonstrate how Hemingway's remarkably durable stories, novels, and essays have served as a lens for understanding preeminent concerns in our own time, including paranoia, trauma, iconicity, and racial, sexual, and national identities.
Author: Bernard Stanley Oldsey
Author: Bernard Stanley Oldsey
Author: N.G. Meshram
Author: Charles M. Oliver
Author: Wendolyn E. Tetlow
Author: Scott Donaldson
Author: David Wyatt
Author: Mark Spilka
Author: Rena Sanderson
Author: Silvia Ammary
Author: Suzanne del Gizzo