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Author: Victor Ripp Publisher: Farrar, Straus and Giroux ISBN: 0374713634 Category : Biography & Autobiography Languages : en Pages : 225
Book Description
In July 1942, the French police in Paris, acting for the German military government, arrested Victor Ripp’s three-year-old cousin, Alexandre. Two months later, the boy was killed in Auschwitz. In Hell’s Traces, Ripp examines this act through the prism of family history. In addition to Alexandre, ten members of Ripp’s family on his father’s side died in the Holocaust. His mother’s side of the family, numbering thirty people, was in Berlin when Hitler came to power. Without exception they escaped the Final Solution. Hell’s Traces tells the story of the two families’ divergent paths. To spark the past to life, he embarks on a journey to visit Holocaust memorials throughout Europe. “Could a stone pillar or a bronze plaque or whatever else constitutes a memorial,” he asks, “cause events that took place more than seven decades ago to appear vivid?” A memorial in Warsaw that includes a boxcar like the ones that carried Jews to Auschwitz compels Ripp to contemplate the horror of Alexandre’s transport to his death. One in Berlin that invokes the anti-Jewish laws of the 1930s allows him to better understand how his mother’s family escaped the Nazis. In Paris he stumbles across a playground dedicated to the memory of the French children who were deported, Alexandre among them. Ultimately, Ripp sees thirty-five memorials in six countries. He encounters the artists who designed the memorials, historians who recall the events that are memorialized, and survivors with their own stories to tell. Resolutely unsentimental, Hell’s Traces is structured like a travelogue in which each destination enables a reckoning with the past.
Author: Victor Ripp Publisher: Farrar, Straus and Giroux ISBN: 0374713634 Category : Biography & Autobiography Languages : en Pages : 225
Book Description
In July 1942, the French police in Paris, acting for the German military government, arrested Victor Ripp’s three-year-old cousin, Alexandre. Two months later, the boy was killed in Auschwitz. In Hell’s Traces, Ripp examines this act through the prism of family history. In addition to Alexandre, ten members of Ripp’s family on his father’s side died in the Holocaust. His mother’s side of the family, numbering thirty people, was in Berlin when Hitler came to power. Without exception they escaped the Final Solution. Hell’s Traces tells the story of the two families’ divergent paths. To spark the past to life, he embarks on a journey to visit Holocaust memorials throughout Europe. “Could a stone pillar or a bronze plaque or whatever else constitutes a memorial,” he asks, “cause events that took place more than seven decades ago to appear vivid?” A memorial in Warsaw that includes a boxcar like the ones that carried Jews to Auschwitz compels Ripp to contemplate the horror of Alexandre’s transport to his death. One in Berlin that invokes the anti-Jewish laws of the 1930s allows him to better understand how his mother’s family escaped the Nazis. In Paris he stumbles across a playground dedicated to the memory of the French children who were deported, Alexandre among them. Ultimately, Ripp sees thirty-five memorials in six countries. He encounters the artists who designed the memorials, historians who recall the events that are memorialized, and survivors with their own stories to tell. Resolutely unsentimental, Hell’s Traces is structured like a travelogue in which each destination enables a reckoning with the past.
Author: David Lawrence Pike Publisher: Cornell University Press ISBN: 9780801431630 Category : Civilization, Medieval, in literature Languages : en Pages : 326
Book Description
Taking the culturally resonant motif of the descent to the underworld as his guiding thread, David L. Pike traces the interplay between myth and history in medieval and modernist literature. Passage through Hell suggests new approaches to the practice of comparative literature, and a possible escape from the current morass of competing critical schools and ideologies. Pike's readings of Louis Ferdinand Céline and Walter Benjamin reveal the tensions at work in the modern appropriation of structures derived from ancient and medieval descents. His book shows how these structures were redefined in modernism and persist in contemporary critical practice. In order to recover the historical corpus of modernism, he asserts, it is necessary to acknowledge the attraction that medieval forms and motifs held for modernist literature and theory. By pairing the writings of the postwar German dramatist and novelist Peter Weiss with Dante's Commedia, and Christine de Pizan with Virginia Woolf, Pike argues for a new level of complexity in the relation between medieval and modern poetics. Pike's supple and persuasive reading of the Commedia resituates that text within the contradictions of medieval tradition. He contends that the Dantean allegory of conversion, altered to suit the exigencies of modernism, maintains its hold over current literature and theory. The postwar writers Pike treats--Weiss, Seamus Heaney, and Derek Walcott--exemplify alternate strategies for negotiating the legacy of modernism. The passage through hell emerges as a way of disentangling images of the past from their interpretation in the present.
Author: Tracy Lowell Vallier Publisher: ISBN: Category : Science Languages : en Pages : 164
Book Description
In this book, the first written on the geology of Hells Canyon, a world-class scientist tells the story of the deepest gorge on the North American continent. Born as islands in the Pacific Ocean, the rocks in Hells Canyon moved slowly northward with the North American continent after it broke loose from the Pangea supercontinent. Finally, the islands collided with the North American continent and were zippered to it. Bathed again by the sea, deeply eroded, and subsequently covered beneath a mile of lava flows, the entire area was lifted by, and along, large faults. In addition to telling the geologic history of the canyon, the book includes a mile-by-mile guide to the major features of Hells Canyon. A glossary and an annotated bibliography also complement the author's narrative along with his personal reminiscences and more than 100 photographs, many in full color.
Author: Sara Hawys Roberts Publisher: Random House ISBN: 075354539X Category : Music Languages : en Pages : 285
Book Description
New discoveries and a fresh perspective, with unprecedented access to Richey's personal archive On 1 February 1995, Richey Edwards, guitarist of the Manic Street Preachers, went missing at the age of 27. On the eve of a promotional trip to America, he vanished from his London hotel room, his car later discovered near the Severn Bridge, a notorious suicide spot. Over two decades later, Richey’s disappearance remains one of the most moving, mysterious and unresolved episodes in recent pop culture history. For those with a basic grasp of the facts, Richey's suicide seems obvious and undeniable. However, a closer investigation of his actions in the weeks and months before his disappearance just don’t add up, and until now few have dared to ask the important questions. Withdrawn Traces is the first book written with the co-operation of the Edwards family, testimony from Richey’s closest friends and unprecedented and exclusive access to Richey’s personal archive. In a compelling real-time narrative, the authors examine fresh evidence, uncover overlooked details, profile Richey's state of mind, and brings us closer than ever before to the truth.
Author: Lance Freeman Publisher: Columbia University Press ISBN: 0231545576 Category : Social Science Languages : en Pages : 208
Book Description
The black ghetto is thought of as a place of urban decay and social disarray. Like the historical ghetto of Venice, it is perceived as a space of confinement, one imposed on black America by whites. It is the home of a marginalized underclass and a sign of the depth of American segregation. Yet while black urban neighborhoods have suffered from institutional racism and economic neglect, they have also been places of refuge and community. In A Haven and a Hell, Lance Freeman examines how the ghetto shaped black America and how black America shaped the ghetto. Freeman traces the evolving role of predominantly black neighborhoods in northern cities from the late nineteenth century through the present day. At times, the ghetto promised the freedom to build black social institutions and political power. At others, it suppressed and further stigmatized African Americans. Freeman reveals the forces that caused the ghetto’s role as haven or hell to wax and wane, spanning the Great Migration, mid-century opportunities, the eruptions of the sixties, the challenges of the seventies and eighties, and present-day issues of mass incarceration, the subprime crisis, and gentrification. Offering timely planning and policy recommendations based in this history, A Haven and a Hell provides a powerful new understanding of urban black communities at a time when the future of many inner-city neighborhoods appears uncertain.
Author: Victor Ripp
Author: Victor Ripp
Author: David Lawrence Pike
Author: Tracy Lowell Vallier
Author: Sara Hawys Roberts
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